Rejoignez-nous pour un voyage dans le monde des livres!
Ajouter ce livre à l'électronique
Grey
Ecrivez un nouveau commentaire Default profile 50px
Grey
Abonnez-vous pour lire le livre complet ou lisez les premières pages gratuitement!
All characters reduced
Later Poems - 'The voices of the wind are strong They come and pass unseen and go'' - cover

Nous sommes désolés! L'éditeur ou l'auteur a retiré ce livre de notre catalogue. Mais ne vous inquiétez pas, vous pouvez toujours choisir les livres que vous souhaitez parmi plus de 500 000 titres!

Later Poems - 'The voices of the wind are strong They come and pass unseen and go''

Alexander Anderson

Maison d'édition: Portable Poetry

  • 0
  • 0
  • 0

Synopsis

Alexander Anderson was born on April 30th 1845 in Kirkconnel, Dumfries and Galloway, Scotland, the sixth and youngest son of James Anderson, a quarrier. 
When he was three, the family moved to Crocketford in Kirkcudbrightshire where he attended the local school.  Years later Anderson would take long walks in the surrounding hills finding inspiration for his poetry from both the stunning landscape and its local reputation for martyrdom. 
At 16 he was back in his native village working in a quarry.  Two years after that, in 1862, he switched careers to the railways becoming a surfaceman or platelayer on the Glasgow and South-western railway.  He now used ‘Surfaceman’ as his pseudonym. 
Anderson is recognised as one of Scotland’s leading poets and, as a young man, he spent much time learning languages such as French, German and Spanish well enough so that he could immerse himself in their poetry and better the quality of his own. 
By 1870 he was sending poems to ‘The People's Friend’ of Dundee. 
In 1873 his first book, ‘A Song of Labour and other Poems’, was published by the Dundee Advertiser in a print run of 1000. With the support of The People's Friend the run sold out within two weeks. 
The Rev George Gilfillan, a poetry critic in Dundee, was also effusive in his praise. He wrote to Thomas Aird saying: "You will be greatly interested in his simple manner and appearance―an unspoiled Burns is these respects and not without a little real mens divinor. Of course you know his poetry and his remarkable history". 
Examples of his poems were also published in the many of the time’s leading periodicals Good Words, Chambers's Journal, Cassell's Magazine, Fraser's Magazine and the Contemporary Review. 
It was a good decade for him.  Other poetry volumes were also published: ‘Two Angels’ (1875), ‘Songs of the Rail’ (1878), and ‘Ballads and Sonnets’ (1879). 
In the following year he was made assistant librarian in the University of Edinburgh, and after an interval as secretary to the Philosophical Institution, which he seemed not to enjoy, he returned as Chief Librarian to the University.  
Anderson would write no further volumes but would still occasionally contribute to periodicals and magazines. 
Alexander Anderson died at his home in Edinburgh on 11th July 1909 at age 64. 
He left behind a number of unpublished poems which were collected and published as ‘Later Poems’ in 1912
Disponible depuis: 07/10/2018.

D'autres livres qui pourraient vous intéresser

  • Wilderness (NHB Modern Plays) - cover

    Wilderness (NHB Modern Plays)

    Kellie Smith

    • 0
    • 0
    • 0
    Having both been deeply scarred by their own parents' separations, Joe and Anne never imagined they'd find themselves, years later, in the same position. Determined to place the interests of their son Alistair at the centre of their lives apart, they split with the firm objective of maintaining amicable relations at all costs. But a sudden change in circumstance triggers a chain of events that pushes their best intentions to the limit… Before they know it, they are both teetering dangerously close to the edge of an abyss.
    Kellie Smith's play Wilderness is a searing exploration of unconditional love and of the personal sacrifices it demands.
    It premiered at Hampstead Theatre in March 2019.
    Voir livre
  • Winter (Shakespeare) - cover

    Winter (Shakespeare)

    William Shakespeare

    • 0
    • 1
    • 0
    LibriVox volunteers bring you 16 recordings of Winter by William Shakespeare. This poem is from "Love's Labour's Lost". This was the Fortnightly Poetry project for December 27th, 2009..
    Voir livre
  • Conjure - cover

    Conjure

    Rae Armantrout

    • 0
    • 0
    • 0
    A Pulitzer prize-winning poet “offers a glimpse into her visionary world in her stunning 16th collection. . . . [D]eeply insightful.” (Publishers Weekly, starred review)   Like magic, these succinct poems reveal multiple realities Rae Armantrout has always taken pleasure in uncertainties and conundrums, the tricky nuances of language and feeling. In Conjure that pleasure is matched by dread; fascination meets fear as the poet considers the emergence of new life (twin granddaughters) into an increasingly toxic world: the Amazon smolders, children are caged or die crossing rivers and oceans, and weddings make convenient targets for drone strikes. These poems explore the restless border between self and non-self and ask us to look with new eyes at what we're doing. “In this volume, Armantrout addresses topics familiar from her earlier work: the nature of consciousness, aging, the looming ecological crisis, the vacuousness of much of what passes for public discourse.” ―Simon Collings, StrideMagazine   “Conjure offers a magic of its own, with sometimes sly and always unforgettable juxtapositions of the minute and the exceptional, elevated by the intellect, flair, and confidence of a poet at the top of her game.” ―Mandana Chaffa, Ploughshares   “Unsettling, slippery intimations move just below the surface of Rae Armantrout’s enigmatic and unforgettable new collection of poems. For the record, Rae Armantrout is my favourite living poet.” ―Nick Cave  
    Voir livre
  • Six Characters in Search of an Author (NHB Modern Plays) - Headlong Version - cover

    Six Characters in Search of an...

    Luigi Pirandello

    • 0
    • 0
    • 0
    Pirandello's classic play updated for the twenty-first century.
    Blurring the border between fiction and life, between the stage and the world outside, Six Characters in Search of an Author exploded onto the stage in 1921 as one of the unique achievements of twentieth-century drama.
    Updated and recontextualised in this vertiginous new version, it becomes a dark parable for a media-obsessed age and an exhilarating exploration of how we define art, ourselves and 'reality' in the twenty-first century.
    'exhilarating... stunning' - The Times
    'madly ingenious... gives a remarkable new lease of life to Pirandello's seminal play' - Independent
    'brilliantly inventive... gets to the heart of Pirandello's meaning while making the old play seem fresh to a modern audience' - Daily Telegraph
    Voir livre
  • May Song - cover

    May Song

    Johann Wolfgang von Goethe

    • 0
    • 0
    • 0
    Johann Wolfgang von Goethe was a German writer and statesman. His body of work includes epic and lyric poetry written in a variety of metres and styles; prose and verse dramas; memoirs; an autobiography; literary and aesthetic criticism; treatises on botany, anatomy, and colour; and four novels. In addition, numerous literary and scientific fragments, more than 10,000 letters, and nearly 3,000 drawings by him are extant. - Summary by Wikipedia
    Voir livre
  • Ghosts - cover

    Ghosts

    Henrik Ibsen

    • 0
    • 0
    • 0
    Ibsen's classic tragic masterpiece, in a new version by Richard Eyre.
    Helene Alving has spent her life suspended in an emotional void after the death of her cruel but outwardly charming husband. She is determined to escape the ghosts of her past by telling her son, Oswald, the truth about his father.
    But on his return from his life as a painter in France, Oswald reveals how he has already inherited the legacy of Alving's dissolute life.
    Richard Eyre's scintillating new version of perhaps Ibsen's greatest play premiered at the Almeida Theatre, London in October 2013.
    'raw and unsparing, but also devastatingly true to the spirit of the original... theatre seldom, if ever, comes greater than this' Sunday Telegraph
    'both humorous and deeply affecting... the most lucid and affecting version of the play I have ever seen' Time Out
    'Richard Eyre's new stripped-down 90-minute version has glories too many to list' The Times
    Voir livre