Maison d'édition: BookRix
A short book of 12 poems that can feed the thirst of the ravenous heart from your's truly Zion Dracula. I know what it's like to be alone and to suffer and to want more from life. We shall reap our rewa ds soon as a great change and shift enters this world....
Longlisted for the 2024 Fred Cogswell Award For Excellence In Poetry Finalist for the 2023 Foreword INDIES Book of the Year Awards In these peculiar times, we are thrust back into ourselves in a kind of suspension: one in which only private life exists yet threatens to become trivial through a sense of mutual, overarching dread. Lent from award-winning writer Kate Cayley is built from this tension, exploring domestic and artistic life amidst the environmental crisis and the surprising ways that every philosophical quandary—large and small—converges in the home, in small objects, conversations, and moments. The grotesque and the tedious, the baroque and the banal, intertwine in the first three sections. Meticulous depictions of spectacle run into the repetition of daily domestic life: trying to explain time to children, day trips to the planetarium, and the warnings of strangers; these are interspersed with depictions such as Mary Shelley recalling the monster, the inner life of a seventeenth century portrait sitter, and Ted Hughes's second wife telling her story to the dead Sylvia Plath. The title section explores religious faith; how belief is itself a repetition, a slow accumulation over time, just like love or forgiveness. Lent is an exquisite work of our era, asking us to contemplate what it means to live in a broken world—and why we still find it beautiful.Voir livre
Luci Shaw is now 90 years old. The author of more than 35 collections of poetry and creative non-fiction over the last five decades, she describes her dedication to this art as a burden to "speak into a culture that finds it hard to listen." This collection of new poems—all composed over the last two years—is in many ways the culmination of a stunning career. The joy and responsibility of the poet is to focus on particulars within the universe, finding fragments of meaning that speak to the imagination. Ordinary things may reveal the extraordinary for those willing to take time to investigate and ponder. In this fresh collection of poems, Luci Shaw practices the art of seeing, and then writing what she sees, realizing that beauty is often focused in the Eye of the Beholder. Eye of the Beholder is meant to awaken in readers awareness of the extraordinary in the ordinary. They will find in this collection a focus for meditation and be excited into their own imaginative writing.Voir livre
The language of Poetry is an art that most of us attempt at some point in our lives. Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. In the vast landmass of North America lie huge bodies of water that are called lakes but act as inland seas, vital waterways of communication and commerce. Around these agéd waters some of its greatest poets have waxed lyrically on both the times and everything around them.Voir livre
In this original poem the story of the birth of the Christ Child is told from the perspective of heaven and the angel who would announce the birth to shepherds below.Voir livre
A poetic collage of art in the modern world: from Rilkean elegies for an iPhone to a meditation on Melville's classic Jonathan Ball's fourth poetry book, the first in seven years, swirls chaos and confession together. At the book's heart is a question: Why create art? A series of poetic sequences torment themselves over this question, offering few answers and taking fewer prisoners. Loose sonnets that consider the artistic creations of Leatherface, monster-killer from The Texas Chain Saw Massacre, sit alongside Rilkean elegies for an iPhone. Surreal meditations on the collage work of Guy Maddin are followed by all of the lines from Melville's Moby-Dick that mention "salt." Politicians and painters jostle while absurdist humour crashes into stark admissions of vulnerability in the wake of having children. A startling diversity of styles and subjects feed into the maelstrom of The National Gallery, and its dark currents will draw you in to drown.Voir livre
Keeping Count, M. Travis Lane’s 18th collection of poetry, begins in the poet’s favourite terrain: short, condensed lyric that focuses on the natural world. “But pull a thread: music turns” Lane writes, and the book progressively defamiliarizes the reader, moving from ecopoetry to a longer poetry of interiority in the second section, concluding with a final section that focuses on issues of mortality. As George Elliott Clarke has written so aptly, “If you have not read Lane before, prepare to travel: Like T.S. Eliot, she wants you to have a transporting experience in your imagination. If you have read Lane before, prepare for fresh astonishment. She is Homeric breadth and Sapphic brevity."Voir livre
