D'autres livres qui pourraient vous intéresser

• 

  Muromachi Period - Ashikaga...

  Rolf Hedger

  • 0
  • 0
  • 0

  The Muromachi Period, spanning from 1336 to 1573, marked a significant turning point in Japanese history, characterized by the rise of the Ashikaga Shogunate and the gradual shift toward decentralized feudal rule. This period emerged following the fall of the Kamakura Shogunate, as Ashikaga Takauji established his military government in Kyoto. The political, social, and cultural transformations that unfolded during this time laid the foundation for the later Sengoku era, a period of constant warfare among regional warlords. 
  The decline of the Kamakura Shogunate stemmed from mounting dissatisfaction among the samurai class, who had grown discontent with the Hojo regents’ rule. The Mongol invasions of Japan in 1274 and 1281 had placed immense strain on the government, as victory brought no financial rewards for the warriors who had fought to defend the nation. With no lands to distribute as compensation, loyalty to the shogunate weakened, creating an opportunity for ambitious leaders to challenge its authority. Amid this unrest, Emperor Go-Daigo launched the Kenmu Restoration (1333–1336), an effort to reestablish imperial rule. However, his failure to recognize the interests of the samurai led to his downfall. 
  Ashikaga Takauji, originally a supporter of the emperor, turned against him and seized power, defeating both imperial and Kamakura loyalists. In 1336, Takauji established his own military government, known as the Muromachi Bakufu, in Kyoto. Unlike the Kamakura Shogunate, which ruled from a distant military capital, the Muromachi Shogunate was strategically located in the heart of Japan’s cultural and political sphere. Takauji’s rule was solidified in 1338 when he was officially

  Voir livre

• 

  Art Monsters - Unruly Bodies in...

  Lauren Elkin

  • 0
  • 0
  • 0

  Coming across the term "art monster" in Jenny Offill's 2014 novel Dept. of Speculation, Lauren Elkin was intrigued. What kinds of connections might there be between art and monstrosity, and how was it different when the artist in question was a woman? 
   
   
   
  Art Monsters is a landmark feminist intervention in the way we think about women's stories and bodies, calling attention to a radical genealogy of feminist art that not only reacts against patriarchy but redefines its own aesthetic aims. Exploring a rich lineage of visual artists, thinkers, and writers, Elkin examines the ways feminists have confronted the problem of how to tell the truth of their experiences as bodies. Queer bodies, sick bodies, raced bodies, female bodies: What are the languages of the body, and what are the materials we need to transcribe them? Above all, how can we use the notion of the feminist "art monster" to shape how we live our lives? 
   
   
   
  Writing in the tradition of Susan Sontag and Maggie Nelson, Elkin demonstrates her power as a cultural critic in this erudite and engaging book. From Kara Walker's silhouettes to Theresa Hak Kyung Cha's trilingual masterpiece Dictee, Art Monsters daringly weaves links between disparate artists and writers, and shows that their work offers a potent defense of beauty and excess, sentiment and touch, ambiguity and opacity.

  Voir livre

• 

  Experiencing Leonard Bernstein -...

  Kenneth LaFave

  • 0
  • 0
  • 0

  Leonard Bernstein is a household name. Most know him for his classic musical reworking of Shakespeare’s Romeo and Juliet as Broadway’s West Side Story. But Bernstein accomplished so much more as a composer, and his body of work is both broad and varied. He composed ballets (Fancy Free, Facsimile, Dybbuk), operas (Trouble in Tahiti, Candide, A Quiet Place), musicals (On the Town, Wonderful Town), film scores (On the Waterfront), symphonies, choral works, chamber music pieces, art songs, and piano works.   In Experiencing Leonard Bernstein: A Listener’s Companion, Kenneth LaFave guides readers past Bernstein’s famously tortured personal problems and into the clarity and balance of his Serenade after Plato’s Symposium for Violin and Orchestra, the intense drama of his music for On the Waterfront, the existential cosmography of his three symphonies, and his vibrant works for the musical stage. Perhaps the most famous American classical musician born in the twentieth century, Bernstein divided his time between c

  Voir livre

• 

  How to Draw Ponies - All the...

  Norman Thelwell

  • 0
  • 0
  • 0

  The artist Norman Thelwell (1923–2004) was famous for his much-loved cartoons depicting stubborn, plump ponies and their determined young riders. In this book, originally published in 1982, he gives expert advice on how to draw ponies and horses of all temperaments, shapes and sizes. He focuses on topics including the anatomy of horses, and how they move and stand.
  
  Writing in an entertaining style and featuring many of his wonderful illustrations, Thelwell offers clear guidance, top tips and encouragement to aspiring artists. He shares his skill, knowledge and experience in a down-to-earth way and provides a fascinating insight into his work.

  Voir livre

• 

  How I Found the Lost Atlantis!...

  Dr. Paul Schliemann

  • 0
  • 0
  • 0

  The article on which this audio book is based was published in the 'New York American' on October 20th, 1912.  
  The author, Dr. Paul Schliemann, was the grandson of Heinrich Schliemann (1822 - 1890), a founder of modern archaeology. In this famous archaeological hoax he makes outrageous and sensational claims about the lost continent Atlantis, and his grandfather’s research.  
  The text was written in an age when many of the Victorian adventure writers, like H. Rider Haggard in Britain, Emilio Salgari in Italy and Karl May in Germany topped reading lists. In 1912, the jungle calls of Tarzan echoed through American pulp magazines for the very first time.  
  Paul Schliemann capitalizes on the contemporary craze for his grandfather’s archaeological discoveries, for lost worlds and legendary characters like the queen of Sheba and Prester John. Since 1907, Howard Carter had been excavating in Egypt, and in 1922 Carter made his historical discovery of the tomb of Tutankhamun. 
  Paul Schliemann’s article is highly entertaining, and features passages reminiscent of Indiana Jones. Michael Henrik Wynn, the editor of the educational net radio stream Historyradio.org, gives a spirited performance of what has become a classic and much loved hoax in archaeological circles.

  Voir livre

• 

  A Classic Interview with Music...

  Cass Elliot

  • 0
  • 0
  • 0

  Ellen Naomi Cohen (September 19, 1941 - July 29, 1974), known professionally as Cass Elliot, of "Mama Cass," was an American singer and a member of the group the Mamas & the Papas. After the group broke up, she released five solo albums. Elliot received the Grammy Award for Best Contemporary (R&R) Performance for "Monday, Monday" (1967). In 1998, she was posthumously inducted into the Rock and Roll Hall of Fame for her work with the Mamas & the Papas. The following audio is from a television interview from the early 1970s.

  Voir livre