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  Black Eagle Child - The...

  Ray Young Bear

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  Mixing prose and poetry, ancient traditions and modern sensibilities, this brilliant, profane, and poignant coming-of-age story is a masterpiece of Native American literature At a Thanksgiving party held in a Bureau of Indian Affairs gymnasium, the elders of the Meskwaki Settlement in central Iowa sip coffee while the teenagers plot their escape. Edgar Bearchild and Ted Facepaint, too broke to join their friends for a night of drinking in a nearby farm town, decide to attend a ceremonial gathering of the Well-Off Man Church, a tribal sect with hallucinogenic practices. After partaking of the congregation’s sacred star medicine, Edgar receives a prophetic vision and comes to a newfound understanding of his people’s past and present that will ultimately reshape the course of his life.   Set against the backdrop of the tumultuous 1960s, Black Eagle Child is the story of Edgar’s passage from boyhood to manhood, from his youthful misadventures with Ted, to his year at prestigious liberal arts college in California, to his return to Iowa and success as a poet. Deftly crossing genre boundaries and weaving together a multitude of tones and images—from grief to humor, grape Jell-O to supernatural strobe lights—it is also an unforgettable portrait of what it means to be a Native American in the modern world.

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  Lava (NHB Modern Plays)

  Benedict Lombe

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  When a woman receives an unexpected letter from the British Passport Office, she is forced to confront an old mystery: why does her South African passport not carry her first name? Armed with the wisdom of favourite '90s TV shows, she sets out on a journey that will take her back to the turmoil of Mobutu's Congo, growing up in post-Apartheid South Africa, moving to Ireland, and finding love in a hostile England.
  As her journey becomes inextricably linked with the tides of global history, how far will she go to unravel the truth? By turns wickedly funny and strikingly lyrical, Benedict Lombe's Lava is an explosive debut play that will turn the way you see the world on its axis.
  It premiered at the Bush Theatre, London, in July 2021, performed by Ronke Adékoluejo and directed by Anthony Simpson-Pike.

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  The Nose - Gogol uses the absurd...

  Nikolai Gogol

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  Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore.   
   
  His father wrote poetry and plays which the young Gogol helped stage at his uncle’s home theatre.  This helped ignite in him a love of literature and blossomed when he attended, what is now, the Nizhyn Gogol State University at the age of 12.  Here he participated in school theatre productions and refined his mastery of his native Ukrainian and also the Russian of his Imperial masters. 
   
  In 1828 he went to St Petersburg and unsuccessfully tried to begin a career as an actor after finding that with no money and no connections the civil service was barred to him. 
   
  Embezzling money from his mother he embarked on a trip to Germany. When the money ran out, he returned to St Petersburg but the experiences were used in a series of stories he contributed to periodicals.  These tales were steeped in his childhood memories of the Ukrainian landscape and peasantry enlivened with the supernatural of its folklore woven with realistic events of the day.  He wrote in Russian in a whimsical, colloquial style with a smattering of Ukrainian words and phrases that provided an authenticity.  Eight stories were published as ‘Evenings on a Farm near Dikanka’.  Seemingly all at once fame and fortune arrived. Gogol was hailed by his contemporaries, including Pushkin, as a pre-eminent writer of Russian literature.   
   
  His success continued with his brilliant plays ‘The Inspector General’ and the comedy ‘The Marriage for the Theatre’, both being highly acclaimed.   
   
  In 1834 he became Professor of Medieval History at the University of St. Petersburg but with little academic or teacher training, failed to adequately fulfil many of his duties and soon resigned this post.  With no obligations and using his earnings from his writing, which now included the impressionistic and immortal ‘Dead Souls’, Gogol travelled around Europe, spending the most time in Rome where he studied art, read Italian literature and developed a passion for opera.  
   
  In the 1840s Gogol became preoccupied with a need to purify his soul and embarked on a pilgrimage to Jerusalem. In tandem he fell under the influence of a strict and austere spiritual ascetic who persuaded him to observe strict fasts that, allied with his depression and deteriorating health, contributed to his death on 21st April 1852 at the age of only 43. 
   
  In the Nose Gogol reaches out with the absurd premise that a Nose can have, and enjoy, a life of its own regardless of the complications and consequences to its former owner.

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  This Lime Tree Bower (NHB Modern...

  Conor McPherson

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  A poignant and gripping tale told through three interlinking monologues from the multi-award winning author of The Weir.
  Three young men from a small seaside town near Dublin tell us in overlapping monologues of their inextricably linked lives and the eventful week which was to change things for good...
  Winner of a Thames TV Award, a Guinness/National Theatre Ingenuity Award and the Meyer Whitworth Award.
  'A touching, marvellously entertaining play which tells a gripping tale with assured panache. This is a piece of real richness' - Daily Telegraph

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  Octopolis (NHB Modern Plays)

  Marek Horn

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  Professor George Grey is world-renowned for her pioneering research into octopus intelligence. Recently bereaved, her closest relationship these days is with her research subject: Frances, who resides in a large, purpose-built tank in George's campus accommodation.
  But when ambitious anthropologist Harry enters her life, his breathtaking new theory threatens to tear her world apart in more ways than one…
  
  A play for two actors – and one octopus – Octopolis by Marek Horn is a fascinating and funny exploration of love, grief, and what makes us human. It premiered at Hampstead Theatre, London, in September 2023, directed by Ed Madden.
  'A grownup campus romcom, with profound and complex ideas about consciousness and intelligence' - Guardian
  'A tangled, tentacled tale… unabashedly cerebral' - The Times
  'Funny, touching, and surprising… an intimate two-hander that reveals itself to be about vastly expansive ideas… Marek Horn's writing is probing and incisive… manages to express very complex ideas, both academic and interpersonal, with a surprising lucidity, and with moments of unexpected comedy… an intricately intellectual piece of theatre, diving headfirst into questions of sentience, religion, grief, and community from a uniquely smart writer… you could watch or read Octopolis several times over and continue to notice something new… if you go to the theatre to think, to learn something, to do some introspection, it's unmissable' - Broadway World
  'Fascinating… a game of who's-watching-who as a rapid-fire sparring of wits and intellect dive and propel through the murky waters of grief, spirituality, and admiring love' - WhatsOnStage

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  If Only I Were Me - A Memoir in...

  Jade dee, Wilnona Marie

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  Looking back is often like looking in a mirror, all the imperfections are obvious. This is the journey of how two women look back saw their past reflections and use them to do good. How they managed to smooth out the path ahead. How they reconcile themselves with who they are and who they will be. Every path has a crossroad and finding the peace to be satisfied with the choices is part of every journey.

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