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  Inheritance

  Jasmine Cooray

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  A Poetry Book Society Recommendation
  Inheritance is a profoundly moving exploration of what is passed down by our forebearers, what is left behind when we lose someone, and what we learn from being loved. Jasmine Cooray holds our most fiercely-guarded myths to the light, refracted through second-generation diaspora, family legend and life-changing loss. Her poems embrace both the quiet and the storms within. They sing of self-belief rising to the surface as drowning feels imminent, of desire and how it can cultivate hope. This is a timeless debut: wise, wild and empowering, a lodestar for survival.
  "A strident, playful language dance through life's more challenging parts, always towards something transcendent." Anthony Joseph, Sonnets for Albert, Winner of the 2022 T.S. Eliot Prize
  "Intimate, vulnerable, poignant and provocative. Inheritance is a stunning debut brimming with tenderness, authenticity and heart."  Salena Godden, Mrs Death Misses Death

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  Way of the Unfaithful

  Sinmisola Ogunyinka

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  Faithful and humble wife Kokei Keyu seemed to enjoy a near-perfect marriage until her husband, Dodeye, accepted a chieftaincy title from home. Kokei’s life is about to change forever. In a compelling and spellbinding drama, age-long secrets burst into a once-peaceful home, causing more damage than all anticipated, revealing the past and showing that what we sow is really what we are going to reap.

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  All Round the Year

  Saretta Nesbit

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  A light and whimsical collection of poems by the celebrated children's author E Nesbit, in collaboration with Saretta Nesbit. (Summary by David Barnes)Read by David Barnes, Lizzie Driver, Sarah McIntyre, Stuart Pyle, Cori Samuel, and Peter Yearsley.

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  Treasure Island (Le Navet Bete...

  John Nicholson, Bete Le Navet

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  Fourteen-year-old Jim Hawkins is serving ale in The Admiral Benbow Inn – when suddenly the door slams open and in strides Billy Bones, the infamous pirate, to change Jim's life forever…
  Soon, Jim finds himself on board The Jolly Todger and setting sail on the high seas. Alongside him, the crew includes Captain Birdseye, Black Dog, Blue Peter, the one-legged Long John Silver, and a parrot called Alexa – and their destination: a mysterious tropical paradise in the Caribbean named Treasure Island. Or Skeleton Island. Depends who you ask.
  This riotously chaotic adaptation of Robert Louis Stevenson's beloved Treasure Island is a collaboration between John Nicholson (The Hound of the Baskervilles) and the physical-comedy theatre company Le Navet Bete, with their four actors playing dozens of characters.
  Following the company's hilarious, hit adaptations of Dracula: The Bloody Truth and The Three Musketeers, it premiered at the Plymouth Athenaeum in 2019, and in a Black Spot-defying production at the Exeter Northcott Theatre in 2020, before touring nationally.
  If you're looking for a rip-roaring, swashbuckling, family-friendly retelling of a classic story to perform with your theatre company or drama group, then X marks this spot.
  'A ripping good yarn with an abundance of theatrical surprises'The Stage

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  Cultured Bumpkin Presents The:...

  Samuel Taylor Coleridge

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  Samuel Taylor Coleridge's classic poem about a sailor who shot an albatross and the woe that followed him afterwards. Narrated by professional voice actor Jake Phillips, host of The Cultured Bumpkin literature podcast.

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  The Most Charming Creatures - Poems

  Gary Barwin

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  With uncanny wit, inventive beauty, and numinous surprise, The Most Charming Creatures explores the contemporary and its language, considering our wonder, sorrow, bewilderment, anxiety, and tenderness. While these poems energize and connect and “turn the paren- / theses inside out so that / we mean everything,” they are also alive to the alluring complicity of language and its duplicity and deceptions. “This is the way the world ends / Not with a bang but / while we watch.”
  		 
  A follow-up to the award-winning author’s acclaimed selected poems, this new collection continues Barwin’s examination of the possibilities of the poem: a celebration, a story, an investigation, a riff, a word machine, a parable, a transformation. But what are the “most charming creatures” of the title? In 1862, scientific illustrator Ernst Haeckel termed radiolarians (ancient single-celled organisms with mineral skeletons) “the most charming creatures,” but here Barwin turns the microscope around to consider something just as strange and mysterious: language, our culture, and the self. From microorganisms, onion rings, grief, and Gerard Manley Hopkins to beetles, neoliberalism, sandwiches, Martin Luther, and stand-up comedy, he offers: “it’s a miracle that we’ve survived / it’s a miracle that we’ve survived at all.”

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