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  Dead Men Float

  Mark Ayling

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  Redemption is only ever partial. Ray makes mistakes in his life yet at the last he tries to make some sort of restitution. In this novel, there is fake mysticism, empty promises, infidelity, lost chances and examples of how in extremis people can surprise and surpass themselves. There are also contrasting examples of how returning to one's past can end up - Jan is destroyed by hers, whereas Ray finds renewed purpose and enduring loyalties in his.

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  The Lover's Complaint - One of...

  William Shakespeare

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  Despite William Shakespeare being regarded as the most significant figure in the Western literary canon, relatively little is known about his early life and his later ‘lost years’.  Even the exact date of his birth is uncertain. 23rd April generally accepted to be the date of his birth, could be a scholarly mistake amplified by the coincidence of it also being the date of his death.  
   
  What is known for certain is that Shakespeare was born to middle class, but probably illiterate parents, John and Mary, in Stratford-upon-Avon in 1565 and baptised there on the 26th April.  He was the third of eight children and the first and eldest surviving son of the remaining five.  
   
  It’s assumed he attended, King’s New School the nearby grammar school, but no records from the time still exist.  However, information on the standardised curriculum that did exist, introduced the young Shakespeare to the disciplines of mathematics, Greek, law, classical history and Latin which greatly influenced his writing. 
   
  At 18, in some haste, he married Anne Hathaway, his senior by 8 years and pregnant with their first child Susanna who was to be followed by the twins, Hamnet and Judith.   Little else is known until in 1590 Shakespeare probably comes to London as by 1592 he becomes relatively well known – first as an actor and then, of course, as a playwright despite some early criticism for having a writing style of his better educated contemporaries and not of his own lower status.  
   
  His iconic status now spans global literature and stems directly from the magnitude of his plays, both tragedies and comedies, and his poetry which is often cited as some of the greatest love poetry ever written.  His legacy endures despite the passing of centuries. 
   
  William Shakespeare died at Stratford-upon-Avon on the April 23rd, 1616.  He was 52.

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  Harbour Grids

  Zane Koss

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  Harbour Grids is a long poem in four parts that investigates ideas of community and belonging. Beginning as a meditation on the surface of New York Harbor, the poem radiates outward through issues of labour, location, history, belonging, and subjectivity. How do we experience our complex relations to the world we live in? Harbour Grids seeks to answer this question by combining the sonic texture and investigative poetics of Daphne Marlatt, the improvisatory spirit and ethical engagement of Fred Wah, the experimental attention to the structures of language of Nasser Hussain, and the dazzling sense of visual space of Jordan Abel.

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  Born in England – Exploring...

  Matthew Arnold, Gerard Manley...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series, we take a look at poetry through the prism of individual regions of England, or sometimes more quaintly known as ‘Albion’, or ‘Blighty’, through the centuries of its gloried history. 
   
  England, despite its perception of reserve and under-statement has, in reality, strode the global stage at various time in many things, both good and bad, from Empire to long distance running. Here our focus in on its literature.  Famed for its fiction and dramas, it is equally admired for its plethora of gifted poets and the dazzling verse which has added so much to its artistic legacy.  These classic poets are wonders of their age and of their art.  Genius is written in their names. 
   
  In this volume we explore the poets of the South-East.  Although only a small fragment of the island it is layer-rich in gentle natural landscapes and poetic beauty that hold in thrall all who take time to absorb the wonder of their words.  Our poets include Matthew Arnold, Charles Dickens, Jane Austen, Robert Seymour Bridges and many others.

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  Faust

  Johann Wolfgang von Goethe

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  Faust is a tragic play in two parts by Johann Wolfgang von Goethe, usually known in English as Faust, Part One and Faust, Part Two. Although rarely staged in its entirety, it is the play with the largest audience numbers on German-language stages. Faust is considered by many to be Goethe's magnum opus and the greatest work of German literature.The earliest forms of the work, known as the Urfaust, were developed between 1772 and 1775; however, the details of that development are not entirely clear. Urfaust has twenty-two scenes, one in prose, two largely prose and the remaining 1,441 lines in rhymed verse. The manuscript is lost, but a copy was discovered in 1886.The first appearance of the work in print was Faust, a Fragment, published in 1790. Goethe completed a preliminary version of what is now known as Part One in 1806. Its publication in 1808 was followed by the revised 1828–29 edition, the last to be edited by Goethe himself.Goethe finished writing Faust Part Two in 1831; it was published posthumously the following year. In contrast to Faust Part One, the focus here is no longer on the soul of Faust, which has been sold to the devil, but rather on social phenomena such as psychology, history and politics, in addition to mystical and philosophical topics. The second part formed the principal occupation of Goethe's last years.

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  Sukun - New and Selected Poems

  Kazim Ali

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  Kazim Ali is a poet, novelist, and essayist whose work explores themes of identity, migration, and the intersections of cultural and spiritual traditions. His poetry is known for its lyrical and expressive language, as well as its exploration of themes such as love, loss, and the search for meaning in a rapidly changing world. "Sukun" means serenity or calm, and a sukun is also a form of punctuation in Arabic orthography that denotes a pause over a consonant. This Sukun draws a generous selection from Kazim's six previous full-length collections, and includes 35 new poems. It allows us to trace Ali's passions and concerns, and take the measure of his art: the close attention to the spiritual and the visceral, and the deep language play that is both musical and plain spoken.[sample poem]The Fifth PlanetCome, early summer in the mountains, and come, strawberry moon,and carry me softly in the silver canoe on wires to the summit, where in that way of late night useless talk, the bright dark asks me, "What is the thing you are most afraid of?" and I already know which lie I will tell.There were six of us huddled there in the cold, leaning on the rockslingering in the dark where I do not like to linger, looking up at thesharp round pinnacle of light discussing what shapes we saw—rabbit,man, goddess—but that brightness for me was haunted by no thing,no shadow at all in the lumens.What am I, what am I, I kept throwing out to the hustling silence.No light comes from the moon, he's just got good positioning and I suppose that's the answer, that's what I'm most afraid of,that I'm a mirror, that I have no light of my own, that I hang in empty spacein faithful orbit around a god or fatherneither of Whom will ever see me whole. I keep squinting to try to see Jupiterwhich the newspaper said would be found near the moon but it's nowhere, they must have lied. Or like god, there is too muchreflection, headsplitting and profane, scraping up every shadow,too much light for anyone to see.

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