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  A Child of Science

  Gareth Farr

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  'One day this will work. One day we will gift two honest, decent, trusting volunteers a baby. I know this more than anything else in the world. I know it in my soul. We will do that.'
  In 1978, three pioneering doctors changed the world of fertility as we know it. Supported by an army of immensely brave women from all over the UK, Patrick Steptoe, Robert Edwards and Jean Purdy achieved the impossible: they created human life in vitro.
  Faced with fierce criticism and hostility, and hounded by the media for 'playing God', trials had to be kept largely under wraps. But the trio's determination to give hope to the thousands of families struggling to conceive eventually led to the first 'test-tube baby' and the creation of IVF, a procedure which has since supported the birth of over twelve million babies worldwide.
  Gareth Farr's play A Child of Science is a fictionalised account of this true story of ambition and courage, based on extensive research and interviews with embryologists and fertility doctors, as well as those affected by and enabled by IVF. It was first performed at Bristol Old Vic in 2024, directed by Matthew Dunster.

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  Ovum - innovative poetry collection

  Dalvir Kaur

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  Feel the warmth of your pain. Light the lamp on the adverse pillar you hold onto on the eighth day of the week…
  
  Walk down the aisle – shores await. Lofty cliffs, seagull guards without safeguards!
  
  Centuries sleep wide-eyed under your bed, waiting to touch the time on your wristwatch.
  
  The colour of your pillow fades with dust—who kept watch at your bedside?

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  The Night Before - Incredible...

  Edward Arlington Robinson

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  Edwin Arlington Robinson was born on the 22nd December 1869 in Tide in Lincoln County, Maine.  
  His childhood was described by him as ‘stark and unhappy’.  His name was drawn out of a hat from a fellow vacationer from Arlington Massachusetts when fellow holiday makers decided that his parents had waited long enough at 6 months to name him.  It was a name he despised and reflects the station to which his parents had placed him; their great hope at his birth were that he was a girl to complement their two sons. 
  His pessimistic mood carried him to adulthood and a doomed encounter with Emma Loehen Shepherd who constantly encouraged his poetry.  Edwin was thought too young to be her companion and so his elder, middle brother, Herman was assigned to her.  It was a great blow to Edwin and during their marriage on February 12th, 1890, he stayed home and wrote ‘Cortege’ 
  In the fall of 1891 Edwin entered Harvard, taking classes in English, French and Shakespeare.  He felt at ease with the Ivy League and made great efforts to be published in one of the Harvard literary journals.  Indeed, the Harvard Advocate published ‘Ballade of a Ship’ but then his career appeared to stall.  His father died and although he returned to Harvard for a second year it was to be his last but also the start of some life-long friendships. 
  In 1893 he returned to Gardiner Maine as the man of the household.  Herman by this time had become an alcoholic, having suffered business failures, and was now to become estranged from Emma. 
  Edwin began farming whilst he wrote and quickly developed a close relationship with Emma who had now moved back to Gardiner after Herman’s death with her children. 
  Although he proposed twice, he was rejected and in consequence moved to New York to start afresh. 
  But it was a salutary experience. Although surrounded by artists he had little money and life was difficult. 
  In 1896 he published his own book, ‘The Torrent and the Night Before’, paying 100 dollars for 500 copies.  Edwin wanted it to be a surprise for his Mother, but days before its arrival she died of diphtheria. 
  His second volume, ‘The Children of the Night’, had a wider circulation.  At the behest of President Roosevelt, whose son was an avid admirer, he was given a job in 1905 at the New York Customs Office although it appears his real job was “to help American letters”. 
  Either way his success began to widen and his influence proper.  During the 1920s he won the Pulitzer Prize for Poetry on three separate occasions. In 1922 for ‘Collected Poems’ again in 1925 for ‘The Man Who Died Twice’ and finally in 1928 for ‘Tristram’. 
  During the last twenty years of his life he became a regular summer resident at the MacDowell Colony in New Hampshire, where he became the object of fascination by several women.  But he never married. 
  Edwin Arlington Robinson died of cancer on the 6th April 1935 in the New York Hospital in New York. He was 65.

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  Memorandum

  Quah Sy Ren, Hee Wai Siam

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  Featuring new translations of previously untranslated Chinese short stories, Memorandum maps out seven decades of Sinophone Singaporean Literature. From bargirls to student activists, from trishaw men to tea merchants, this collection provides a glimpse into a world that has been previously invisible to Anglophone readers. Paired with critical essays, these stories showcase the richness and diversity of Singapore’s Chinese community, but also its inherent interconnectedness with other cultures within Singapore. 
   
  “Memorandum is a pathbreaking anthology that refracts over half a century of Singapore’s history through its lens. The translated stories do much more than simply bridge Sinophone and Anglophone worlds: they actively cross geographical, cultural, linguistic and class boundaries, causing us to think more deeply about the nature of social power, and the transformative interventions literary texts can make.” 
  -Philip Holden, scholar of Singapore &Southeast Asian literatures

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  Lady Dealer (NHB Modern Plays)

  Martha Watson Allpress

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  For Charly, every day is the same. Things used to be different, when there was Clo, but now there isn't Clo, and Charly doesn't want to dwell on that. She just wants to chug coffee, blast Beastie Boys and deal drugs. Simple.
  But when Charly suffers a power cut, she's forced back into the real world of knock-off Morrisseys, disapproving mothers and, ultimately, a world she has to navigate alone.
  Lady Dealer is a mile-a-minute, one-person poem play by Martha Watson Allpress about forgiveness, the exhaustion of trying, and mistaking self-destruction for self-preservation.
  It premiered in Paines Plough's Roundabout during the 2023 Edinburgh Festival Fringe.

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  Macbeth

  William Shakespeare

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  A haunting tale of ambition, power, and moral corruption, Macbeth is one of William Shakespeare's most compelling and enduring tragedies. Set against the shadowed landscapes of medieval Scotland, this dramatic masterpiece explores the devastating consequences of unchecked ambition and the fragile boundaries between fate and free will.
  
  The story follows Macbeth, a brave and respected Scottish general, whose life is forever altered after a prophetic encounter with three mysterious witches. They foretell that he will rise to become King of Scotland. Spurred by this tantalizing prediction—and urged on by the fierce determination of Lady Macbeth—he is consumed by a relentless desire for power. What begins as a spark of possibility quickly ignites into a blaze of ruthless ambition.
  
  Driven by fear and hunger for the crown, Macbeth commits an unthinkable act that sets him on a path of bloodshed and tyranny. As suspicion and paranoia take hold, he descends deeper into violence, ordering further murders to secure his position. Meanwhile, Lady Macbeth, once resolute and unyielding, begins to unravel under the crushing weight of guilt.
  
  In Macbeth, Shakespeare masterfully examines the psychological toll of wrongdoing. Themes of ambition, conscience, guilt, betrayal, and the supernatural intertwine in a tense and atmospheric narrative. The play poses timeless questions: Is destiny predetermined, or shaped by choice? How far will a person go to achieve greatness? And what remains of the soul when morality is sacrificed for power?
  
  Rich with unforgettable imagery, poetic language, and dramatic intensity, Macbeth remains one of the most frequently performed and studied works in world literature. From the eerie chants of the witches to Lady Macbeth's chilling descent into madness, the play continues to captivate audiences with its dark beauty and profound insight into human nature.
  
  A gripping exploration of ambition's destructive force, Macbeth stands as a powerful reminder that the pursuit of power without integrity can lead not to triumph—but to ruin.

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