Rejoignez-nous pour un voyage dans le monde des livres!
Ajouter ce livre à l'électronique
Grey
Ecrivez un nouveau commentaire Default profile 50px
Grey
Abonnez-vous pour lire le livre complet ou lisez les premières pages gratuitement!
All characters reduced
Othello - (Frantic Assembly version) - cover

Othello - (Frantic Assembly version)

William Shakespeare

Maison d'édition: Nick Hern Books

  • 1
  • 1
  • 0

Synopsis

Frantic Assembly's electrifying take on Shakespeare's tragedy of paranoia, sex and murder, firmly rooted in a volatile twenty-first century.
In a world of broken glass and shattered promises, of poisonous manipulation and explosive violence, Othello's passionate affair with Desdemona becomes the catalyst for jealousy, betrayal, revenge and the darkest intents.
As relevant today as it ever was, Othello exposes the tension, fear and paranoia buried beneath the veneer of our relationships and how easily that can be maliciously exploited.
Frantic Assembly's touring production was first performed in 2008, with revivals in 2014 and 2022. This edition of Scott Graham and Steven Hoggett's muscular, radically adapted text also features articles and interviews about the production and Frantic Assembly's revolutionary work.
Disponible depuis: 29/09/2022.
Longueur d'impression: 96 pages.

D'autres livres qui pourraient vous intéresser

  • The Beautiful Future is Coming - cover

    The Beautiful Future is Coming

    Flora Wilson Brown

    • 0
    • 0
    • 0
    'Can you feel it? Something is hanging in the balance – ready to fall.'
    1856. New York. Eunice sits in what will become Central Park, and wonders if her research into CO2 is telling her something is going horribly wrong.
    
    2027. London. Claire falls in love as the heatwave breaks, and the streets begin to flood.
    
    2100. Svalbard. While an 86-day storm rages outside, Ana hears a baby crying in the seed vault.
    The world is ending, sure. But what happens in between?
    A fast-paced, funny and wildly inventive play, Flora Wilson Brown's The Beautiful Future is Coming looks at two hundred and fifty years of real and imagined history through the eyes of three couples. First performed at Jermyn Street Theatre, London, in 2024, this edition was published alongside a new production at Bristol Old Vic in 2025, directed by the theatre's Artistic Director Nancy Medina.
    Voir livre
  • The Tempest - cover

    The Tempest

    William Shakespeare

    • 0
    • 0
    • 0
    "We are such stuff as dreams are made on."
    
    Transport yourself to a remote, enchanted island in William Shakespeare's final masterpiece, The Tempest. Prospero, the usurped Duke of Milan, has spent twelve years in exile, mastering the occult arts and commanding the spirits of the isle. When a magical storm brings his treacherous enemies to his shores, Prospero finally has the chance to settle the score.
    
    The play is a breathtaking blend of spectacle and soul-searching. Guided by the ethereal spirit Ariel and hindered by the earthy, resentful Caliban, Prospero orchestrates a series of illusions to confront his brother's betrayal. Yet, amid the schemes of revenge, a tender romance blossoms between his daughter, Miranda, and the shipwrecked Prince Ferdinand.
    
    A profound meditation on the nature of authority, the bond of family, and the power of mercy, The Tempest is often seen as Shakespeare's farewell to the stage. This definitive edition captures the play's unique atmospheric beauty and its timeless message of reconciliation.
    
    Surrender to the magic of the isle. Buy "The Tempest" today and experience the Bard's final, visionary work.
    Voir livre
  • Slapping Krampus Poem - cover

    Slapping Krampus Poem

    Ashlan Chidester

    • 0
    • 0
    • 0
    Ouch, I say! Stop slapping me You silly tiny christmas tree
    Voir livre
  • Hating To Love My Life - The Fighter in Me Would Not Let Me Die - cover

    Hating To Love My Life - The...

    Courtlin D. Fields

    • 0
    • 0
    • 0
    The first of five planned volumes of poetry, The Chapbook 1 speaks of suicide, love, breakups, the loss of a child, and the loss of a parent. However, Courtlin found a way to turn these darkest memories and feelings into something positive. 
    As a man, it is hard to express your feelings. Then, to be a Black man adds another layer. To be a light-skinned Black man, there is trouble in those waters too. 
    This is not a book to tell you how to live your life. This is not a book to tell you how to make millions. This is a book of poetry to let you know that you are not alone. Every expressed emotion is real. Every poem means something personal. Hopefully, sharing my poems with you will inspire some degree in knowing no matter your skin color.
    Voir livre
  • The Big Smoke - cover

    The Big Smoke

    Adrian Matejka

    • 0
    • 0
    • 0
    Winner of the Anisfield-Wolf Award and finalist for the Pulitzer Prize in Poetry, the Hurston/Wright Legacy Award, and the National Book Award in Poetry—a collection that examines the myth and history of the prizefighter Jack Johnson 
     
     
     
    The legendary Jack Johnson (1878–1946) was a true American creation. The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers—and white America—to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka's third work of poetry, follows the fighter's journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved. Matejka's book is part historic reclamation and part interrogation of Johnson's complicated legacy, one that often misremembers the magnetic man behind the myth.
    Voir livre
  • Testament to Beauty - A former Poet Laureate demonstrates his poetic talents in this tender and beautiful verse - cover

    Testament to Beauty - A former...

    Robert Seymour Bridges

    • 0
    • 0
    • 0
    Robert Seymour Bridges, OM was born on 23rd October 1844 at Walmer in Kent where he spent his early childhood in a house overlooking the anchoring ground of the British fleet.  
    His father died aged only 47 in 1853. A year later his mother remarried and the family relocated to Rochdale, where his stepfather was the vicar.  
    In 1854 Bridges was sent to Eton College and attended until 1863.  After Eton he went to Corpus Christi College at Oxford. There he became good friends with Gerard Manley Hopkins and would later compile an edition of his poems that is now considered a major contribution to English literature. 
    He graduated from Oxford, in 1867, with a second-class degree in literae humaniores.  Initially he planned to join the Church of England and travelled to the Middle East to broaden his religious horizons.  However, he soon decided that life as a physician would be a better path and, after 8 months studying German (that being the language of many scientific papers at the time) he began his study of medicine at St. Bartholomew's Hospital in 1869.  His long-term ambition was that by the age of forty he could retire from medicine to devote himself to writing. 
    Unfortunately Bridges failed his final medical examinations in 1873 and, as unable to immediately retake the papers, spent six months in Italy learning Italian as well as immersing himself in its art. In July 1874 he went to Dublin to continue his medical studies. Re-examined in December he passed and became a house physician at St Bartholomew's Hospital. It was whilst here that he engaged in a series of highly critical remarks about the Victorian medical establishment. One such was his claim that whilst working as a young doctor he saw a staggering 30,940 patients in one year. 
    A bout of severe pneumonia and lung disease forced his retirement from the medical profession in 1882 and so, slightly ahead of schedule, he began his literary career in earnest.  He already been writing for several years and had published his first poetry collection in 1873.  
    After his illness and a trip to Italy, Bridges moved, with his mother, to Yattendon in Berkshire.  It was during this time, from 1882 to 1904, that Bridges wrote most of his best-known lyrics as well as eight plays and two masques, all in verse.  
    It was also here, in 1884, that he married Monica Waterhouse. They would go on to have three children and spend the rest of their lives in rural seclusion, in an idyllic marriage, first at Yattendon, then at Boars Hill, Oxford. 
    Bridges made an important contribution to hymnody with the publication in 1899 of his Yattendon Hymnal. This collection of hymns became a bridge between the Victorian hymnody of the late 19th century and the modern hymnody of the early 20th century. He was also a chorister at Yattendon church for 18 years. 
    In 1902 Monica and his daughter Margaret became seriously ill with tuberculosis, and a move from Yattendon to a healthier climate was in order. After several temporary homes they moved abroad to spend a year in Switzerland before returning to settle again in England at Chilswell House, which Bridges had designed, and built on Boar's Hill overlooking Oxford University.   
    His greatest achievement though was still some years ahead of him.  The office of Poet Laureate was held by Alfred Austin but with his death it was offered first to Rudyard Kipling, who refused it, and then to Bridges. He was appointed Poet Laureate in 1913 by George V, the only medical graduate to have ever held the office. Bridges, at this time, was neither highly regarded nor well known but a safe pair of hands in a World rapidly being overshadowed by the storms about to erupt over Europe and the First World War. 
    The events of this War, including the wounding of his son, Edward, had a sobering effect on Bridges' poetry. His work became fiercely patriotic. In 1915 edited a volume of prose and poetry, The Spirit of Man, intended to appeal to readers living in war time
    Voir livre