Weitere Bücher, die Sie mögen werden

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  Above the Bejeweled City

  Jon Davis

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  In his seventh poetry collection, Jon Davis exhibits the range and mastery that is the result of fifty years of study, teaching, and practice. Above the Bejeweled City opens and closes with homages to Federico Garcia Lorca' s dream-struck ballad " Romance Soná mbulo." In between, he inhabits what the philosopher Maurice Merleau-Ponty calls the " inexplicable existence" that marks our passage here on Earth.
  
  Part absurdist, part satirist, part tender correspondent, Davis writes in the slipstream of writers like Joyce, Beckett, Parra, and Plath. In an age that calls out for hopeful verse, Above the Bejeweled City offers, instead, a treatise on defeat and despair— and on how letting go is a way of holding on.

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  Frank’s Wing - Poems

  Jacob McArthur Mooney

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  “… my relationship with most art living or lost / is the same as yours: we will pass it by” bemoans the last poem in Jacob McArthur Mooney’s latest collection. Written as a sequence of “ghost ekphrastics” (poems inspired by works of art that neither the poet nor most living people have ever seen), Frank’s Wing constructs a whole world of lost or destroyed artifacts that have been rearticulated and resurrected, brought back to life by a fictional property baron as a dying gift to Toronto’s Art Gallery of Ontario.
  		 
  From “decadent” modern paintings torched by Nazis, to lost films, to never-performed performance art, the abiding premise of the book is that art invites mourning: not because it is mournful, but because it is vast. It taunts the plans of mortals while “a week / of kids’ videos and lip syncs / siphon through the internet each second.” Bordering ideas about FOMO and mortality are considerations of destruction itself, as the book recalls loss events predicted by both the considered works’ historical contexts and the frailties of their makers. Concerned with consuming art as much as with making it, Frank’s Wing examines the positions made available to the art-consumer: owner, overhearer, interrogator, and potentially, both destroyer and the thing that art destroys.

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  Beautiful Bad - The fourteen...

  Radi Ibrahim Nuhu

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  The poet believes that life is like a river and the Audiobook takes a total of fourteen poems that express how life is painfully beautiful

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  For You I Will Be Master -...

  Julio Miranda

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  I wrote most of these poems while the memories of a woman from my past scraped at my mind. 
  I've learned to accept that life is about overcoming desire and finding peace in not getting what you want, but I'm only human, which means sometimes I enjoy entertaining an erotic, morbid, desperate, and painfully hopeful side of me when the mood strikes. 
  My bottom line is this: if you've ever loved someone too much, or missed someone you couldn't forget, this modest collection of words and ideas might feel familiar.

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  The Hindu Bard - The Poetry of...

  Andrew Whitehead, Mohini Gupta

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  The first print collection of Dorothy Bonarjee's verse
  
  In February 1914, Dorothy 'Dorf' Bonarjee was awarded the Bardic chair at the UCW Eisteddfod for verse. She was the first woman and first non-European to win Wales' most prestigious literary prize.
  
  In their 34th Welsh Women's Classic, Honno Welsh Women's Press presents the first publication of Dorothy Bonarjee's verse alongside a vivid account of the poet's extraordinary life in India, London, Wales and France.
  
  Poet Dorothy 'Dorf' Bonarjee was born in India in 1894 into an elite Bengali family. As a child, she moved to London and in 1912 she enrolled at the University College of Wales at Aberystwyth. Two years later, she was awarded the Bardic chair at the Eisteddfod, and went on to publish poems in Welsh journals. Bonarjee later took a law degree at the University of London and eloped with a French artist. France remained her home for the rest of her life.

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  Grandfather's Robin

  Gillian Bickley

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  Grandfather's Robin offers poems about People, Fellow Creatures, Society, Ekphrasis, Scenes and Moods, Survival, and Short Poems. They were written over several years, in response to people seen, read about, or known, and in response to creatures seen, read about, or known. Other poems respond to group and social behaviour, and reflect responses to works of art. Some poems are prompted by the natural world, urban and village life, and thoughts about the survival of all beings. The short poems offer instants both serious and humorous. 
  “So many reasons to enjoy Gillian Bickley’s luminous poetry – humour, depth and wisdom. ... Lovely and evocative, Bickley’s powers of observation and precise, selective description lend many of these poems the power of fine portraiture, a sepia photograph, where we see into the eyes, where we discover essence.” 
  — Jack Mayer, poet (Poems from the Wilderness) 
  “In this work, Gillian Bickley affords us a glimpse into her perspective. She invites us to reflect on the rich tapestry of life and our shared human experience. Why should you read this collection? Because there is no greater privilege than intimacy.” 
   —Mary-Jane Newton poet (Of Symbols Misused, Unlocking) 
    
   “... poems as moments of tranquility in which we can encounter lives unrolling in times that ... are anything but. To make a record such as this is a good resolution indeed, and I am pleased that Gillian has chosen for the cover a moment of tranquility I painted. As Mrs. Dorothy Collins might have said, reflecting, as these poems do, the quietness of a life-long practice, ‘Very well!’” 
  —Steven Schroeder, Chicago

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