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  In The Garden

  Christal Kahles Jones

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  A paralyzed young woman goes on the adventure of a lifetime when she seeks to follow in her father's footsteps and become a missionary. The problem is that she's a woman, and she is paralyzed. Will she succeed and accomplish her calling by pushing through and keeping her eyes of Jesus? Or will situations arise at home that require to forfeit her dream? Find out in this heartwarming story! Born in Cincinnati, Ohio, writing came naturally to Christal Kahles at a young age. Being a child, her hobbies were to write a story rather than to play in the grass with the other children. Finally, when Christal was 12 years of age, she began work on her first "real" book, but she never imagined that this book was only the start of her calling. Realizing she had a gift of writing, she began entering poems in writing competitions, and has gone on to write screenplays and short stories as well. Of course, she credits of all what has to the glory of her Lord and Savior, Jesus Christ!

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  After Party

  Dean Browne

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  A Poetry Book Society RecommendationDean Browne arrives at the After Party with the maturity and style of an altogether more seasoned poet. In a debut collection of standout and stand-alone poems, each tests the boundaries of its unique universe. Browne is a mesmeric teller of strange tales, imaginings that can seem origamically contained within the compressed dimensions of a poem. A leg sets off on a long train journey; a Parisian alley cat is launched into space; earthbound lovers attempt to connect while their inner lives prove unbridgeable.Losses are mourned: two poets elegized here – Charles Simic and the late Donegal poet Matthew Sweeney – might offer a fingerpost of sensibilities, though Browne’s significant talent is distinctly his own. After Party introduces a beguiling, resonant new voice, a raised eyebrow and fidelity to the image – sometimes carried along the tightrope much further than seems possible. In poems that are both death-haunted and youthful, and thrumming with a delicious dark humour, Dean Browne brings a much-needed injection of the surreal – or the surreal-ish as he might prefer to say – to Ireland’s rising generation.‘Poems that sneak in the side-door then exit through the ceiling’ – Caroline Bird‘Dean Browne is a terrific poet: his language is agile and fresh, his ideas surprising, and the reader feels invigorated, renewed – and lucky to have met such poems’ – Nick Laird

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  Goblin Market

  Christina Rossetti

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  Christina Rossetti's long narrative poem about two innocent sisters, Lizzie and Laura, tempted by the delicious, magical fruit sold by goblin merchants as they walk through the glen...  
  Morning and evening 
  Maids heard the goblins cry: 
  ‘Come buy our orchard fruits, 
  Come buy, come buy...' 
  An Almost Tangible production, read by Sarah Twomey, directed by Carl Prekopp.

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  The World Keeps Ending and the...

  Franny Choi

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  From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival. 
  Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples. 
  With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.  
  Supplemental enhancement PDF accompanies the audiobook.

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  Prima Facie

  Suzie Miller

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  'Every winner might be the one who loses the next day.'
  Tessa is a young, brilliant barrister. She has worked her way up from working-class origins to the top of her game: defending, cross-examining and winning.
  But an unexpected event forces her to confront the patriarchal power of the law, where the burden of proof and morality diverge.
  Prima Facie by Suzie Miller is an award-winning play for a solo actor, taking us deep into a world where emotion and integrity are in conflict with the rules of the game.
  After several acclaimed productions in Australia and winning the Australian Writers' Guild Award for Drama, the play received its European premiere at the Harold Pinter Theatre in London's West End in April 2022. It was produced by Empire Street Productions, directed by Justin Martin, and starred Jodie Comer, the Emmy and Bafta Award-winning star of TV's Killing Eve, making her West End debut.
  It won Best New Play at both the Olivier Awards and the WhatsOnStage Awards in 2023.

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  Shout

  Alexis Zegerman

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  'I want to connect. I want to be able to laugh and love, and be loved back... I want to be able to speak, without throwing up.'
  In a world full of words, how can Dana be herself when she can't speak? Dana has selective mutism, but that doesn't stem her vivid imagination. Because it's not just the noise you make that makes you who you are.
  Alexis Zegerman's play Shout is a funny, moving drama about anxiety, celebrating difference, and finding your voice. It wonders what exactly it takes to overcome anxiety and cope with mental health issues when you're a teenager.
  Written specifically for young people, the play formed part of the 2024 National Theatre Connections Festival and was premiered by youth theatres across the UK, including a performance at the National Theatre, London. It offers opportunities for a flexible cast of any size and mix of genders.

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