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  Victory

  Fimalia McNoll

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  There was a time when I was falling, 
  My enemies surrounded me. 
  I was wounded and weary. 
  I felt so weak unable to fight anymore. 
  My eyes were dark and, 
  my strength was almost gone. 
  I prayed and cried out to God; I felt forsaken. 
  I was hurt and felt abandoned. 
  Then I reminded myself of his words 
  that he will never leave me. 
  I cried with my whole heart, 
  He heard me and save me from my enemies.

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  On the Subject of Fallen Things

  James Kearns

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  "you start every new day with an inventory: a moth, a cape, a parachute, a coffin, a gun, the wall you built to mount the gun."
  On the Subject of Fallen Things is an addictive, Chekhovian metanarrative: phenomenological, absurd, and dripping with black humour. James Kearns' speaker keeps company with Lazarus, an inept psychic, and a deceased superhero, but finds himself increasingly alone—lost in dialogue with mortality, both personal and anthropological. Permanence, culpability, the function and corruption of human storytelling: all come into play in a surge of momentum that grips the reader, even as it breaks apart: a lean explosion, a gunshot in the distance.
  "On the Subject of Fallen Things weaves whimsy into narrative epiphanies that you never see coming. Each line aggregating weight like the lightness of snowflakes gathering into an avalanche. Hugely enjoyable. Get it now." Roger Robinson, A Portable Paradise, Winner of the 2019 T.S. Eliot Prize
  "This is a really brilliant sequence of poems. Like Ponge, or Herbert, or Steger, or Simic, it manages to be both serious and fleeting, weighty and funny. It's hopeful, actually." S.J. Fowler, 3:AM Magazine

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  Goblin Market

  Christina Rossetti

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  Christina Rossetti's long narrative poem about two innocent sisters, Lizzie and Laura, tempted by the delicious, magical fruit sold by goblin merchants as they walk through the glen...  
  Morning and evening 
  Maids heard the goblins cry: 
  ‘Come buy our orchard fruits, 
  Come buy, come buy...' 
  An Almost Tangible production, read by Sarah Twomey, directed by Carl Prekopp.

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  The World Keeps Ending and the...

  Franny Choi

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  From acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival. 
  Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples. 
  With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.  
  Supplemental enhancement PDF accompanies the audiobook.

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  Prima Facie

  Suzie Miller

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  'Every winner might be the one who loses the next day.'
  Tessa is a young, brilliant barrister. She has worked her way up from working-class origins to the top of her game: defending, cross-examining and winning.
  But an unexpected event forces her to confront the patriarchal power of the law, where the burden of proof and morality diverge.
  Prima Facie by Suzie Miller is an award-winning play for a solo actor, taking us deep into a world where emotion and integrity are in conflict with the rules of the game.
  After several acclaimed productions in Australia and winning the Australian Writers' Guild Award for Drama, the play received its European premiere at the Harold Pinter Theatre in London's West End in April 2022. It was produced by Empire Street Productions, directed by Justin Martin, and starred Jodie Comer, the Emmy and Bafta Award-winning star of TV's Killing Eve, making her West End debut.
  It won Best New Play at both the Olivier Awards and the WhatsOnStage Awards in 2023.

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  The Merchant of Feathers

  Tanya Shirley

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  This second collection of poems confirms why Tanya Shirley is so much in demand for readings. The stories she tells have their finger on the pulse of contemporary Jamaica in all its exuberance and brokenness. She tells these stories with a winning mixture of acute observation, outrage, outrageousness, tenderness and understanding. They present a poetic persona of a woman who is "sometimes dangling from high wires/ but always out in the open". So that whilst there is no one who so wittily skewers the misogynistic, she is also honest about the complicity of women in their own acts of submission, of how "I danced flat-footed in your dense air". There is joy in the energy and delights of the body but also a keen awareness of ageing and the body's derelictions. If there is one overarching vision it is that love is "larger than the space we live in", a love represented by the "merchant of feathers - now a woman/ selling softness in these hard times", or the mother who tends the battered face of her son, the victim of a homophobic beating.
  
  There is scarcely a line without some memorable phrase - the madman who chants his "lullaby of badwords", the father who "became the water within him" - but these are much more than an assembly of sharp images; closer reading shows just how shapely and elegant these poems are.

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