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  The Meat Kings! (Inc) of...

  Hannah Doran

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  'You think the world owes you something and it doesn't. You don't inherit your chance, you earn it. And I'm earning it. I take my shots, and it's not our fault you keep missing yours.'
  T is the new summer hire at Cafarelli & Sons, an iconic New York butcher, but life in a messy cutting room isn't glamorous. She quickly discovers that no-nonsense boss Paula is fighting to hold her struggling business together. When the season ends, someone's for the chop.
  With the American Dream of a better life hanging in the balance, JD and Billy find themselves pitted against each other, each determined to secure their future. Around them, David and T are drawn into shifting alliances and fractured loyalties. But how far will they go to survive?
  The Meat Kings! (Inc.) of Brooklyn Heights carves into the dark underbelly of America's anti-immigration policies and the brutal sacrifices that drive the pursuit of prosperity.
  Winner of the 2024 Papatango New Writing Prize from a record-breaking 1,589 submissions, Hannah Doran's searing play was first performed at Park Theatre, London, in 2025, directed by Papatango's Artistic Director George Turvey. Previous Prize discoveries have won Olivier, Critics' Circle and OffWestEnd Awards and received productions in thirty-three countries.

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  On the Subject of Fallen Things

  James Kearns

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  "you start every new day with an inventory: a moth, a cape, a parachute, a coffin, a gun, the wall you built to mount the gun."
  On the Subject of Fallen Things is an addictive, Chekhovian metanarrative: phenomenological, absurd, and dripping with black humour. James Kearns' speaker keeps company with Lazarus, an inept psychic, and a deceased superhero, but finds himself increasingly alone—lost in dialogue with mortality, both personal and anthropological. Permanence, culpability, the function and corruption of human storytelling: all come into play in a surge of momentum that grips the reader, even as it breaks apart: a lean explosion, a gunshot in the distance.
  "On the Subject of Fallen Things weaves whimsy into narrative epiphanies that you never see coming. Each line aggregating weight like the lightness of snowflakes gathering into an avalanche. Hugely enjoyable. Get it now." Roger Robinson, A Portable Paradise, Winner of the 2019 T.S. Eliot Prize
  "This is a really brilliant sequence of poems. Like Ponge, or Herbert, or Steger, or Simic, it manages to be both serious and fleeting, weighty and funny. It's hopeful, actually." S.J. Fowler, 3:AM Magazine

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  Farm Hall

  Katherine Moar

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  'It was never about the Reich or the war. It was about physics.'
  Summer 1945. Hitler is dead, but the war in the Pacific rages on. When six of Germany's top nuclear scientists – including three Nobel Prize winners – are detained by Allied forces at a stately home in the Cambridgeshire countryside, they find themselves shut off from the outside world. Their only distractions are board games, a broken piano and a copy of Blithe Spirit. But as the months go by, their attention turns to the ongoing war and thoughts of their broken homeland.
  The scientists' tranquil summer is shattered by the inconceivable news that the Americans have succeeded where the Germans have failed: the United States has not only built an atomic bomb, but they have used one against Japan.
  Katherine Moar's captivating debut play Farm Hall dramatises the true story recorded inside the bugged walls of the actual Farm Hall between July 1945 and January 1946. It was premiered at Jermyn Street Theatre, London, in March 2023, before transferring to the Theatre Royal Bath, directed by Stephen Unwin. It transferred to the West End's Theatre Royal, Haymarket, in 2024.

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  Seal Of Approval - The Search...

  Kirk Hunter, Steve Winchell

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  Come and experience a journey of self-discovery through fabulous 1980s-derived music, an epic original orchestral score, and thrilling dialog and narration! 
   In a complex web of relationships, Adam, a charismatic and independent man haunted by childhood insecurities, believes that he finds solace and strength in his quest to save the Guatemalan rainforest. Unbeknownst to him, his attraction and growing friendship with Josh, a hardworking yet insecure man longing for excitement and love, stems from those same childhood insecurities. Through their adventures, Adam and Josh slowly, find their strengths from within rather than from without. Josh's friendship with Em, his quirky, yet devoted friend and assistant secretly in love with him, offers a glimpse of unconditional care, while Tess, the radiant and flamboyant drag-queen guide, assumes a sage-like role, instilling confidence in their journeys. Meanwhile, Vi, the cunning CEO of DEJ, Inc., becomes entangled in a manipulative game with Lucas, a man relentlessly pursuing her. Amidst it all, Almi, the noble chief of a Guatemalan tribe, collaborates with "Save La Selva" (A charity focused on saving the Guatemalan rainforest and spirited by Adam), provides a bridge between worlds and reinforcing the importance of their cause. Through these intricate relationships, the characters embark on a path of self-discovery, ultimately finding the strength to confront their insecurities and embrace their true selves. Through it all, the epic and yet intimate songs (inspired by the fabulous 1980s) and musical score provide a soaring ride through the plot.

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  The Poetry of James Russell...

  James Russell Lowell

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  James Russell Lowell was born on 22nd February 1819 in Cambridge, Massachusetts. 
   
  Lowell graduated from Harvard in 1838, and thence on to earn a law degree from Harvard Law School.  
   
  His literary life began in 1841 with his first published collection of poetry.  Three years later he married Maria White and they had several children although, sadly, only one was to survive childhood. 
   
  A consuming issue at the time was the abolition of slavery.  Lowell was a staunch supporter even going so far as to move to Philadelphia to edit an abolitionist newspaper.  His poems were fully in support of Emancipation and the ending of this terrible abomination.  His later views were milder and came in for some criticism.  
   
  His publication in 1848 of the long poem ‘A Fable for Critics’, satirising the poets and critics of the then current poetry scene caused an uproar.  That same year came ‘The Biglow Papers’, which increased his fame and his finances.  His use of the Yankee accent in his character’s dialogue was an inspiration for many. 
   
  Maria died in 1853 and Lowell decided to travel to Europe for some time before returning to Harvard to take up a professorship of languages.   In 1857 he re-married and also took on the editorship of that key periodical ‘The Atlantic Monthly’ whilst continuing to teach at Harvard. 
   
  Lowell wrote and published poetry and essay collections throughout his literary career and is acknowledged as one of the ‘Fireside Poets’, a group of New England poets that rivalled the popularity of British poets.  Their work was not controversial and suitable for whole families to enjoy hence their name and appeal.  Whilst Lowell’s own work does not now attract the same praise as his then contemporaries, he was their equal. 
   
  Towards the end of his life Lowell was appointed as ambassador to the Kingdom of Spain and later to the Court of St. James's.  
   
  His last years were a return home to his estate in Cambridge, Massachusetts.  By the summer of 1891 doctors had diagnosed cancer in his kidneys, liver and lungs.  There was nothing that they could do except prescribe opium for the pain. 
   
  James Russell Lowell died on the 12th of August 1891 on the Cambridge estate where he was also born.  He was 72. 
   
  01 - The Poetry of James Russell Lowell - An Introduction 
  02 - Columbus by James Russell Lowell 
  03 - George Washington by James Russell Lowell 
  04 - Abraham Lincoln by James Russell Lowell 
  05 - To H W L on His Birthday 27th February 1867 by James Russell Lowell 
  06 - To Charles Eliot Norton - Agro Dolce by James Russell Lowell 
  07 - Winter Evening Hymn To My Fire by James Russell Lowell 
  08 - The First Snowfall by James Russell Lowell 
  09 - Midnight by James Russell Lowell 
  10 - On A Portrait of Dante by Giotto by James Russell Lowell 
  11 - A Contrast by James Russell Lowell 
  12 - Above and Below by James Russell Lowell 
  13 - Of the Dawn of Freedom by James Russell Lowell 
  14 - On Board the 76 by James Russell Lowell 
  15 - Trial by James Russell Lowell 
  16 - Ode to France, February 1848 by James Russell Lowell 
  17 - Slaves by James Russell Lowell 
  18 - An Incident in a Railroad Car by Jamers Russell Lowell 
  19 - Threnodia by James Russell Lowell 
  20 - A Requiem by James Russell Lowell 
  21 - On the Death of a Friends Child by James Russell Lowell

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  Ardour

  Nicole Brossard

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  something like wait for mein the braille of scarstonight can i suggest a little punctuationcircle half-moon vertical line of astonishmenta pause that transformslight and breath into language and threshold of fire
     
  Even as vowels tremble in danger and worldly destruction repeats itself on the horizon, Ardour reminds us that the silence pulsing within us is also a language of connection. In these poems, intimacy with the other is another astonishment—a pleasant gasp, a "pause that transforms light and breath into language and threshold of fire." Since her first book appeared fifty years ago, Nicole Brossard has left us breathless, expanding our notion of poetry and its possibilities.
     
  '[Nicole Brossard] is a wholly singular writer, part of a larger movement of Quebec Women's writing, part of feminist writing,avant-garde writing, part of lesbian writing, but wholly, unequivocally, herself.' – Sina Queyras

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