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  The Legend of Sleepy Hollow

  Washington Irving

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  Washington Irvine’s tale of an awkward and lanky schoolmaster who comes to Sleepy Hollow is brought to life with sound effects and original thematic music. 
  Written in 1819, the short story is set in about 1790 and describes the events that unfold when Ichabod Crane comes to Sleepy Hollow to teach school in the small Dutch settlement. Ichabod is a firm believer of the tales of ghosts and witchcraft he has heard and read, including the local legend of the Headless Horseman who haunts the area. 
  As Ichabod begins to court Katrina Van Tassel, the daughter of a wealthy farmer, he incurs the rath of Brom Bones, a jealous rival for Katrina’s affections who often plays cruel tricks on the awkward schoolmaster. 
  Late one night as Ichabod rides home after a party at Katrina’s home, he comes face to face with the headless horseman and is never seen again.

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  A Complete Recovery - From their...

  Barry Pain

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  Barry Eric Odell Pain was born at 3 Sydney Street in Cambridge on 28th September 1864. He was one of 4 children. 
  He was educated at Sedbergh School and then Corpus Christi College, Cambridge. 
  In 1889, Cornhill Magazine published his short story ‘The Hundred Gates’.  This opened the way for Pain to advance his literary career on several fronts. He became a contributor to Punch and The Speaker, as well as joining the staff of both the Daily Chronicle and Black and White.  
  Pain was also a noted and prominent contributor to The Granta and from 1896 to 1928 a regular contributor to the Windsor Magazine. 
  It is often said that Pain was discovered by Robert Louis Stevenson, who compared his work to that of Guy de Maupassant.  It’s an apt comparison. Pain was a master of disturbing prose but was also able to inject parody and light comedy into many of his works.  A simple premise could in his hands suddenly expand into a world very real but somehow emotionally fraught and on the very edge of darkness. 
  Barry Pain died on 5th May 1928 in Bushey, Hertfordshire.

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  A Legend of Old Egypt - From...

  Boleslaw Prus

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  Aleksander Głowacki who wrote under the nom de plume Boleslaw Prus was born on 20th August 1847 at Hrubieszów in the Kingdom of Poland, at that time, controlled by the Russian Empire. 
  At three his mother died and then at nine his father.  Female relatives helped raise him but at 15 he joined the Polish uprising against the might of Imperial Russia.  Wounded on the battlefield, arrested and imprisoned, he was later released into the care of a relative and resumed secondary school and then Warsaw University but poverty forced him to leave after two years.  At some point he developed agoraphobia which often caused problems. 
  In 1869, he enrolled in the Forestry Department at Puławy but was soon sacked and so he began a system of self-education that led to work as a newspaper columnist on a wide-ranging series of topics that eventually became the ‘Weekly Chronicles’ and spanned 40 years. 
  With his finances now stabilized he married and then adopted his late brother-in-law’s son.  
  It seems he had doubts as to the scale of his talents and early on adopted the name ‘Boleslaw Prus’ for both his journalistic and literary offerings. 
  His work as a short-story writer met with much acclaim. He wrote several dozen of them, originally published in newspapers and ranging in length from micro-story to novella. His keen observation of everyday life and sense of humor are evident in them.  
  During his career he also wrote novels. After ‘Pharoah’, in 1895, he embarked on a four-month journey taking in Berlin, Dresden, Nuremberg, Rapperswil in Switzerland, where he stayed for two months, and his final destination, Paris.  Here his agoraphobia was so bad he couldn’t cross the Seine.  
  However, his writing continued and in 1911 his novel ‘Changes’, though uncompleted, began to be serialised.  It was never finished. 
  Boleslaw Prus died on 19th May 1912, at his Warsaw apartment.  He was 64.  A National Hero, thousands attended both his funeral service and interment.

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  Measure for Measure

  William Shakespeare

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  Duke Vincentio has given his deputy Angelo temporary power over Vienna before his leave for a diplomatic mission. But instead of leaving the city, the Duke disguises himself as a friar named Lodowick, and stays behind to observe the city's happenings and Angelo's brief reign.
  Meanwhile, Angelo decides to enforce the laws on prostitution and debauchery, effectively shutting down the red-light district. A man named Claudio gets arrested for impregnating his lover, and Angelo sentences him to death. Claudio's sister enlists a certain friar's help to trick Angelo into releasing her brother.

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  Revelations - A Classic...

  Katherine Mansfield

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  What if a single day could strip away every comforting illusion? In “Revelations” by Katherine Mansfield, a woman’s carefully constructed sense of self is quietly undone as she moves through a series of encounters that force her to confront truths she would rather avoid. Set against the routines of social obligation and polite interaction, the story follows an emotional shift that unfolds not through dramatic action, but through subtle perception and inward reckoning. As familiar roles begin to feel hollow, moments of discomfort accumulate, revealing the tension between appearance and inner reality. Mansfield exposes how moral certainty, self-image, and social performance can crumble when confronted with an unfiltered view of others - and of oneself. With psychological precision, “Revelations” explores self-deception, judgment, and the unsettling clarity of emotional awakening. Press play and step into a quietly devastating short story whose insight lingers long after the final moment.

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  Oliver Twist - Full Cast Drama

  Charles Dickens

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  "Oliver Twist," one of Charles Dickens' most enduring works, unfolds a compelling narrative of an orphaned boy's struggle against the stark injustices of 19th-century London. The story begins with the birth of Oliver in a workhouse, where his mother, who has died during childbirth, is just one of many tragic figures in the heartless world of poverty and exploitation. As a young boy, Oliver faces a harsh existence in the workhouse and eventually escapes to the bustling and treacherous streets of London. 
   
  In the city, Oliver becomes entangled with a gang of juvenile delinquents led by the malevolent Fagin and his menacing associate, Bill Sikes. Despite his innocence, Oliver is drawn into a world of crime, a stark contrast to his inherently good nature. As the narrative unfolds, readers follow Oliver's journey from the dangerous underworld to the compassionate embrace of Mr. Brownlow, who offers the boy a glimpse of a better life. 
   
  The narrative of "Oliver Twist" is a tale of contrasts, highlighting the stark divisions between the privileged and the impoverished, the forces of good and evil, and the corrupting influences of society. Dickens paints a vivid picture of the injustices and suffering experienced by the poor and orphaned, while also showcasing the potential for redemption and transformation. Through Oliver's journey, the narrative ultimately conveys a message of hope, resilience, and the belief that individuals, even those born into the most dire circumstances, can find their way to a better, more just life. Dickens' storytelling in "Oliver Twist" remains a powerful reminder of the enduring struggle for social justice and the resilience of the human spirit in the face of adversity.

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