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  Dark Dignum - From their pens to...

  Bernard Capes

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  Bernard Edward Joseph Capes was born on the 30th August 1854 in London.  He was one of 11 children. 
  His early work was as a journalist and this developed into writing many short stories for the periodicals of the time including Blackwood's, Cassell's, Cornhill Magazine, Illustrated London News, Macmillan's Magazine, Mall Magazine, Pearson's Magazine, The Idler, and The Queen. 
  It took him many years to decide that writing full-time could be a sustainable career path.  His initial success came with ‘The Mill of Silence’.  As well as being published it garnered second prize at a competition sponsored by the Chicago Record.  He exceeded that by winning it the following year with ‘The Lake of Wine’.   
  Capes quickly became both prolific and popular.  As well as his stories and articles for the periodicals he wrote around 40 volumes across novels, poetry, history as well as romance and mystery novels. 
  Bernard Capes died on 2nd November 1918 in the flu epidemic.

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  Czech Glory Hole Massacre

  Haely Bare

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  After a brutal assault in NYC, Haely moves to San Francisco to try and reinvent herself. Unfortunately, she isn’t prepared to teach in the men’s county jail, and all the inmates know it. Drawn into a reckless romance with Ghost, a charming but calculating burglar she meets inside, Haely's obsession with uncovering his disturbing secrets thrusts her into a waking nightmare of drugs and violence, from which she may not survive. 
  Meanwhile in Prague, frat boy Otto Tepidstein grapples with the emotional fallout of having been cheated on. His quest for unattainable justice leads him down a Kafka-esque rabbit hole into Prague's gritty underworld of sexual depravity. There he has a chance encounter with Milka, a phlebotomist seemingly out of place in the world of sex work. 
  When an unsettling video surfaces on a porn site, depicting unspeakable acts, the twisted connections between these four troubled souls leads each one to their own irreversible fate. 
  In this lurid tale, based on true events, we discover that no matter our backgrounds, we all stand on the brink—one poor choice away from an abyss of self-destruction from which there is no return. As Nietzsche said, "sometimes you stare into the hole, and sometimes the hole stares back."

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  Naturalism - Reality Through the...

  Hector Davidson

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  Naturalism is a philosophical worldview that asserts that everything that exists, and every phenomenon that occurs, is a product of natural laws and processes. It contends that the universe operates without the need for supernatural explanations or interventions. In essence, naturalism posits that the natural world, as observed through science, is all there is. This perspective has deep roots in both philosophy and science, offering a framework for understanding reality that relies heavily on empirical evidence and reasoned inquiry. 
  At its core, naturalism rejects supernatural forces, divine beings, or metaphysical entities as explanations for natural phenomena. Instead, it emphasizes that everything in the universe, from the smallest particles to the vastness of the cosmos, can be understood in terms of physical, biological, and chemical laws. Naturalism also suggests that humans, as part of the natural world, are subject to the same laws governing the rest of the universe. This view aligns closely with the scientific method, which is built upon observation, experimentation, and the continual refinement of theories based on evidence. 
  In defining naturalism, it is essential to recognize its distinction from other philosophical frameworks. Unlike idealism, which asserts that reality is primarily mental or spiritual, naturalism asserts the primacy of the material world. Similarly, it differs from supernaturalism, which attributes the workings of the universe to forces beyond natural laws, such as gods or spirits. Naturalism’s embrace of the empirical allows it to form the foundation for scientific inquiry, fostering advancements in fields ranging from physics and biology to psychology and medicine.

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  Leading the Dillinger Gang

  Editors Charles River

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  America has always preferred heroes who weren’t clean cut, an informal ode to the rugged individualism and pioneering spirit that defined the nation in previous centuries. The early 19th century saw the glorification of frontier folk heroes like Davy Crockett and Daniel Boone. After the Civil War, the outlaws of the West were more popular than the marshals, with Jesse James and Billy the Kid finding their way into dime novels. And at the height of the Great Depression in the 1930s, there were the “public enemies”, common criminals and cold blooded murderers elevated to the level of folk heroes by a public frustrated with their own inability to make a living honestly. 
  	Two months after Franklin D. Roosevelt’s inauguration in 1933, a petty thief who had spent almost a decade behind bars for attempted theft and aggravated assault was released from jail. By the end of the year, that man, John Dillinger, would be America’s most famous outlaw: Public Enemy Number One. From the time of his first documented heist in early July 1933, until his dramatic death in late July of the following year, he would capture the nation’s attention and imagination as had no other outlaw since Jesse James. 
  	The man who became Public Enemy Number One after the deaths of John Dillinger and Pretty Boy Floyd was Lester Joseph Gillis, whose alias “George Nelson” eventually gave way to the nickname “Baby Face Nelson”. Despite the almost playfully innocent nickname, and the fact that he was not as notorious as two of his partners in crime, Dillinger and Floyd, Baby Face Nelson was the worst of them all. In an era where the outlaws were glorified as Robin Hood types, Baby Face was a merciless outlier who pulled triggers almost as fast as he lost his temper. He was believed to have been responsible for the deaths of more FBI agents than anybody else in American history.

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  A Successful Rehearsal - From...

  Anthony Hope

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  Sir Anthony Hope Hawkins was born on 9th February 1863 in Clapton, London.  
  He was educated at St John's School, Leatherhead, Marlborough College and Balliol College, Oxford.  Hope trained as a lawyer and barrister and was called to the Bar by the Middle Temple in 1887. Despite what was thought to be a promising legal career he had literary ambitions and wrote in his spare time. 
  His early works appeared in various periodicals of the day but for his first book ‘A Man of Mark’ (1890), with no publisher interested, he published with his own resources.  
  More novels and short stories followed, including the mildly successful ‘Mr Witt's Widow’ in 1892. Hope even found time to run as the Liberal candidate for Wycombe in the election that same year but was unsuccessful. 
  His first major literary success came with ‘The Dolly Dialogues’, a collection of previously published magazine pieces followed very quickly by his instant classic, ‘The Prisoner of Zenda’. He now gave up the vestiges of his legal career to pursue writing full-time. 
  Despite never again reaching the same pinnacle of success he was popular and wrote prolifically across novels, plays and of course, short stories though his writing output rapidly diminished after the war. 
  In 1918 he was knighted for his contribution to propaganda efforts during World War I.  
  His short stories are delicate, mannered and often surprising with their wit, humour and interplay of characters who say one thing and usually mean another.  He was very definitely a writer of escapist rather than serious fare but they are no less enjoyable for that. 
  Anthony Hope died of throat cancer on 8th July 1933 at his country home, Heath Farm at Walton-on-the-Hill in Surrey. He was 70.

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  The Elements of Marie Curie -...

  Dava Sobel

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  The acclaimed Pulitzer Prize finalist and #1 New York Times bestselling author of Galileo’s Daughter crafts a luminous chronicle of the most famous woman in the history of science, and the untold story of the remarkable young women trained in her laboratory 
   
  “Even now, nearly a century after her death, Marie Curie remains the only female scientist most people can name,” writes Dava Sobel at the opening of her shining portrait of the sole Nobel laureate decorated in two separate fields of science—Physics in 1903 with her husband, Pierre, and Chemistry by herself in 1911. And yet, as brilliant and creative as she was in the laboratory, Marie Curie was equally memorable outside it. Grieving Pierre’s untimely death in 1906, she took his place as professor of physics at the Sorbonne, devotedly raised two brilliant daughters, drove a van she outfitted with X-ray equipment to the front lines of World War I, befriended Albert Einstein and other luminaries of twentieth-century physics, won support from two US presidents, and inspired generations of young women to pursue science as a way of life.  
   
  As Sobel did so masterfully in her portrait of Galileo through the prism of his daughter, she approaches Marie Curie from a unique angle, narrating her remarkable life of discovery and fame alongside the women who became her legacy—from France’s Marguerite Perey, who discovered the element francium, and Norway’s Ellen Gleditsch, to Mme. Curie’s elder daughter, Irène, winner of the 1935 Nobel Prize in Chemistry. For decades the only woman in the room at international scientific gatherings that probed new theories about the interior of the atom, Marie Curie traveled far and wide, despite constant illness, to share the secrets of radioactivity, a term she coined. Her two triumphant tours of the United States won her admirers for her modesty even as she was mobbed at every stop; her daughters, in Ève’s later recollection, “discovered all at once what the retiring woman with whom they had always lived meant to the world.” 
   
  With the consummate skill that made bestsellers of Longitude and Galileo’s Daughter, and the appreciation for women in science at the heart of The Glass Universe, Dava Sobel has authored a radiant biography and a masterpiece of storytelling, illuminating the life and enduring influence of one of the most consequential figures of our time.

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