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  Paradise Lost

  John Milton

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  An angel's rebellion. A world newly created. A choice that changes everything.
  In this towering epic, Milton brings to life the cosmic struggle between Heaven and Hell, led by the proud and compelling figure of Satan. Through breathtaking verse, we witness the creation of Earth, the innocence of Adam and Eve, and the tragic temptation that reshapes human destiny forever. The poem's grandeur, emotion, and moral complexity have made it a cornerstone of world literature.
  
  Celebrated as "the greatest English poem ever written," Paradise Lost combines drama, theology, mythology, and unforgettable imagery into a work that continues to inspire awe centuries later.
  
  If you love epic storytelling, powerful language, and timeless battles between freedom, obedience, pride, and love, this masterpiece is essential reading.
  
  Open the book—and enter the epic realm where Heaven trembles and humanity begins.

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  Yoga The Science Of Self...

  Justin Wesenberg

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  Yoga is a channeled poetry book about the different yogic paths you can take to self realization and enlightenment.  
  This poetry book is for those who are seeking the most aligned path to find their True Self. 
  Yoga is the art 
  Of merging your soul with the One 
  So that you can shine bright 
  Like the blazing Sun 
  Illuminating the Earth 
  Making it a home 
  So that no one here 
  Has to walk alone 
  Together we rise 
  With the power of unity 
  And stand together 
  As a global community 
  The time has come 
  To shine your light 
  So that others can dissolve 
  The dark of night 
  And know the truth 
  That lies in the soul 
  Realize your divinity 
  Let yourself become whole 
  This channeled poetry book was inspired by the different yogic paths that lead to self realization and enlightenment. 
  If you’re on the path of enlightenment, and searching for truth, allow Yoga The Science Of Self Realization to guide you back to your true self!

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  The Unrooted Bloom

  Amber Allen-Peirson

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  The Unrooted Bloom is a deeply personal poetry collection by Amber Allen-Peirson that explores themes of racial identity, belonging, and the complexities of navigating life as a biracial woman in a racially divided society. Through lyrical and evocative language, Amber’s writing captures the internal struggle of reconciling her Black and White heritage, often torn between two worlds that don’t fully accept her. Her style combines vivid imagery with raw emotional honesty, drawing the reader into her journey of self-discovery and the tension she feels between multiple identities. The collection also delves into the intricate dynamics of family, exploring how generational trauma, love, addiction, and complicated relationships have shaped her sense of self. Grief plays a central role in her work, reflecting the loss of loved ones, both through death and emotional distance, and how this grief intertwines with her search for identity. Amber’s resilience shines through, offering a powerful narrative on healing and the strength required to rebuild after hardship. The Unrooted Bloom is a profound exploration of what it means to exist in the space between, encouraging readers to embrace the complexities of their own identities while finding strength in their multifaceted selves.

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  Pretty Fire

  Charlayne Woodard

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  In five autobiographical vignettes, Charlayne Woodard tells the moving tale of her African-American family through three generations of love, struggle, and triumph. This NAACP award-winning play is a one-woman tour de force. Chosen as a “Recommended Young Adult Audiobook” by the Young Adult Library Services Association, a division of the American Library Association. Pretty Fire is the first play of a trilogy that continued with Neat and ended with In Real Life. An L.A. Theatre Works performance featuring Charlayne Woodard.

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  The Poetry of Rainer Maria Rilke...

  Rainer Maria Rilke

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  René Karl Wilhelm Johann Josef Maria Rilke was born into a troubled marriage on the 4th December 1875 in Prague, then part of the Austro-Hungarian Empire.  His mother, having previously lost a baby girl, would dress the young boy up in girl’s clothing.   
  Later his father dispatched him to a military academy at age 10 but after a miserable 5 years the young Rilke left due to illness and instead entered first Prague and then Munich and finally Berlin university to study art history, philosophy and literature. 
  His initial forays into literature was in poetry.  His intense, mystical and lyrical style was much admired and over time inspired many in succeeding generations.    
  His short prose collection ‘Stories of God’, written in an impassioned burst over several nights was published in 1900 and offers a beguiling view of much of Rilke’s influences and outlook.  
  The following year he married the pioneering sculptor and artist Clara Westhoff.  The union produced one child, a daughter Ruth.   
  He lived in Paris for most of the Century’s first decade where he mixed with many great minds of the time.  Although he continued to write he also worked as a secretary to the sculptor, Rodin.   
  It was only after they settled in Switzerland in 1919 that his writing output was in full flow.  Here he wrote profusely in both German and French, which included much on his previous travels, his left-wing sympathies, his religious and existential thoughts, all part of a unique and consummate style. 
  From 1923 on, Rilke increasingly struggled with his health which was now in constant decline and often spent time rehabilitating at a sanatorium.   
  Rainer Maria Rilke died of leukaemia on the 29th December 1926 in Montreux, Switzerland.  He was 51.

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  The Tent Generations -...

  Fadwa Tuqan, Salem Jubran,...

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  From the Introduction by Mohammed Sawaie:
  The Palestinian poets included in The Tent Generations, Palestinian Poems represent different age groups and backgrounds, yet they all express a strong sense of "Palestinian-ness". They include Israeli citizens, the offspring of those who remained in Palestine after 1948. They also include poets who lived or continue to live in the West Bank and Gaza, areas that are still occupied, or controlled by Israelis as of this writing. Finally, they include poets born in Palestine, but whose families were expelled, or migrated to neighboring Arab countries as a result of the Arab-Israeli wars of the Nakba in 1948, and then of 1967 and 1973.
  The educational backgrounds of the poets represented here vary. Salem Jubran, Samih al-Qasim, Tawfiq Zayyad, and Marwan Makhoul, for example, were products of the Israeli educational system. Others attended institutions of learning in various Arab countries. Fadwa Tuqan received little formal education in her city of Nablus; she, however, acquired instruction in language, support in writing poetry, and encouragement to publish her poems from her brother, the well-known poet Ibrahim Tuqan, mentioned previously.
  All these poems are written in fusha Arabic, Modern Standard Arabic, the codified literary, written language shared by educated speakers of Arabic in their various respective regions. Palestinian folkloric poetry, referred to as al-Shi'r al-Sha'bi or Shi'r al-'Ammiyya, is not included in this work. Folk poetry, richly expressed orally in the Palestinian dialect, 'Ammiyya, embraces a variety of themes (national pride, panegyric, love, generosity toward guests/strangers, and so on), including the political themes expressed in the poems in this work. There is a rising interest in collecting and preserving this folkloric poetry, and several anthologies of oral poetry as well as studies have recently appeared.
  The 1948 Nakba, the wars of 1967 and 1973, and their subsequent tragic impact find expression in the work of Palestinian poets. Some of the authors in this collection had firsthand experience of the loss of home, and the up-rootedness from and destruction of their villages and cities. Others acquired knowledge of such experiences, the tragedy that befell Palestinians, through stories told by grandparents or parents, stories of hardship and deprivation transmitted from one generation to another. Thus, poets express in vocabulary specific to the Palestinian experience of the dispossession of homeland, the forced expulsion, the pain of living in the miserable conditions of refugee camps in the diaspora.

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