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  There Are Still Woods

  Hila Ratzabi

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  There Are Still Woods is a radiant appraisal of life at the precipice of climate crisis and a haunting elegy for all we stand to lose. Through alternating lenses, from the speculative to the spiritual, from motherhood to science to mythology, Hila Ratzabi looks out at our wounded but vibrant planet and the animal experience of living on it. These poems bear witness to the force and fragility of the natural world and grapple with the complexities of being a human in that landscape: being implicated, vulnerable, humbled, dazzled. These poems are ways of framing and enduring loss, personal and collective and cultural, real and potential and anticipated. They impart a heightened appreciation for the solid and fleeting beauty that surrounds us. Here is an ode to the earth, a vision of its end, a celebration of its endurance, an aching and eloquent plea for intercession on its behalf. Ratzabi’s first collection is a howl, a prayer, a premonition, a reawakening, and an urgent call to action.

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  Bitter Punch

  Loh Guan Liang

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  Shortlisted for the 2018 Singapore Literature Prize 
   
   
  Bitter Punch is Loh Guan Liang’s second collection of poetry. With a wry eye for the everyday and its often forgotten characters, Loh explores what it means to live and love in the city. Even as it depicts the tension between ourselves and the spaces we inhabit, Bitter Punch still seeks sweetness in life’s hard, bitter moments. 
   
  "At the heart of Bitter Punch is the passing of love. Loh Guan Liang has constructed a personal map of elegiac half-escapes although his book is also a love letter to the enigmatic city that has been sustaining him. These poems will haunt you with its cool detachment, its overthinking, and its sombre rhythm in search of connection through words." 
  -Gwee Li Sui, poet and critic

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  After All We Have Travelled

  Sarala Estruch

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  After All We Have Travelled,the debut poetry collection by Sarala Estruch, is a distinctive journey across time, continents and cultures, through memory and generations of family history, exploring the long legacies of empire and its personal and political effects. It is a story of intergenerational trauma, grief and disconnection, but it is also a story of the enduring power of love, of connection, and of embarking into motherhood.
  Combining elements of memoir, biography, and fiction with formal and experimental poetry, Estruch's work explores the losses incurred by forbidden interracial and intercultural marriage, and is a potent reclamation of voice, story, and mixed-race identity. An important, compelling collection, it asks: What or who is family? What or where is home? And like the modern rose – a hybrid species with origins spanning the globe – to where do we return?
  'After All We Have Travelled follows a young woman discovering her own complex history across cultures and languages, religions and lost histories. Where family mythologies meet silence, memory gives an emotive reasoning, singing into the void left by death and distance, using the lyric voice of self-making. This book charts a new terrain, a multiplicity of being mapped for future generations whose relationship to home is as yet unknown to its forebears.' – Sandeep Parmar

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  Word-Play (NHB Modern Plays)

  Rabiah Hussain

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  In the Downing Street Press Office an emergency meeting has been called. The Prime Minister has been ad-libbing on live TV (again) and his words are going viral.
  There is a flurry of accusations, and demands for an apology; but as his team debate what to do next, it's already too late. His words have found their way to dinner parties, bus journeys and newspaper columns across the nation – and not everyone is angry.
  Rabiah Hussain's play Word-Play explores how language seeps into public consciousness and reverberates with far-reaching consequences that will last for generations. It premiered at the Royal Court Theatre Upstairs, London, in July 2023, directed by Nimmo Ismail.

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  Boat

  Lisa Robertson

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  From the author of The Baudelaire Fractal, a poetry classic, with new work
  		 
  In 2004, boldly original poet Lisa Robertson published a chapbook, Rousseau’s Boat, poems culled from years of notebooks that are, nevertheless, by no means autobiographical. In 2010, she expanded the work into a full-length book, R’s Boat. During the pandemic, she was drawn back into decades of journals to shape Boat. These poems bring fresh vehemence to Robertson’s ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself.

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  Behind the Staffroom Door

  Brian Moses

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  Here is a monster collection of poems by the hugely talented Brian Moses. These are Brian Moses' greatest hits! This brilliant audiobook is packed with old friends: "What Teachers Wear in Bed", "An Alien Stole My Underpants", "Shopping Trolley", and "Monster Crazy", and introduces us to some wonderful new poems too.

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