D'autres livres qui pourraient vous intéresser

• 

  Echoes of love

  MOUMITA CHOUDHURY

  • 0
  • 0
  • 0

  “Echoes of Love” is not just a collection of poems; it is a reflection of the emotions we all carry — the beauty of love, the ache of loss, and the quiet strength that comes with healing. Each piece is a heartbeat, a sigh, a silent memory brought to life through words. As you read or listen, I invite you to journey with me — to feel every rise and fall of emotion, to breathe in the pauses, and to find pieces of your own story within mine. I hope it makes you feel seen, understood, and deeply connected, as if each verse was waiting just for you. May it whisper to your soul and leave behind an echo of comfort and love.

  Voir livre

• 

  The Love Poems

  Ovid

  • 0
  • 0
  • 0

  The Roman poet Publius Ovidius Naso (Ovid) is best known for his epic poem Metamorphoses, a collection of myths and legends from Ancient Greece and Rome. His works continue to be widely read and admired, and he is regarded as one of the most significant poets of ancient Rome.
  Ovid’s love poems are both brilliant and evocative. In Amores (‘Loves’), the romantic mysteriousness of elegiac love-poetry is exploded by his witty and ironic treatment of the form. Ars Amatoria (The Art of Love) and Remedia Amoris (The Cures for Love) both lay down the rules for the game of love, which both sexes can play.
  A.D. Melville’s translations, which also include the lesser-known Cosmetics for Ladies, have been specially licensed for this recording. It is delivered with customary panache by David Timson.

  Voir livre

• 

  Moments We Stand The: Silence...

  Ashlee Boyson

  • 0
  • 0
  • 0

  My name is Ashlee. I am a victim of murder. Through a series of events and by two shots of a gun, I was made a widow at the age of 28, with my youngest child just six weeks old. I am a victim of infidelity. I have felt unlovable. I have felt rejected. I have had days in my life when I wasn’t sure if I would ever take a breath again, let alone be able to raise my five children by myself. I have lived in fear. I have felt much heartache. I have felt truly broken to my core. I have carried some heavy burdens...not only of my own, but burdens put upon my shoulders by the death of my husband. I have felt alone. I have felt humiliated. I have been humbled to my knees. I have searched my soul to find my worth in this world, and in the life that was left for me. My world has been totally shattered. I have faced realities I never knew were possible, and found strength within myself to keep up the fight and live every day as if it was on purpose. I have been carried by Angels...both earthly beings and those unseen. I have found that being a “victim” doesn’t mean we have an excuse to stop living. Being a victim means finding a reason for seeking a higher road. I have picked up the pieces left and carried on. I am a mother. We are survivors. In one way or another, we are all victims. There are times in our lives when we are forced to question who we are at our core. This is my story...the defining moments that have truly brought me to my knees, the times when I’ve questioned to my core my very existence, and the experiences I’ve had that have shown me who I really am and who my Heavenly Father still needs me to become. The night of my husband’s death was my darkest hour, but also the very moment when I saw firsthand that my Heavenly Father sent Angels on errands for me. He carried me. It was the hour when all my fears and all the pain of this world collided together and He was there...putting back together all the pieces, one step at a time.

  Voir livre

• 

  Open Mouths

  Sharan Hunjan

  • 0
  • 0
  • 0

  In Open Mouths Sharan Hunjan presents a vision of a world simultaneously familiar and strikingly strange. The quotidian, the domestic, the commonplace are interrogated and manipulated through the poet's eye for detail, linguistic sense of play and restless imaginative and philosophical impulses. The shortcomings of language, the gulf between words and meaning, between experience and description, the space between translation, between places, between generations—these are the problems with which Hunjan grapples. Full of seemingly quiet, yet startlingly profound thought, razor-sharp wordplay, raw emotion and dazzling image and phrase-making, Open Mouths marks the emergence of another stellar talent from the 4 BROWN GIRLS WHO WRITE stable.

  Voir livre

• 

  Little Brother

  Mary E Mann

  • 0
  • 0
  • 0

  Mary E. Mann does not flinch. In Little Brother, she leads us by the hand into a world where hunger is constant, sorrow is routine, and the arrival of a child is met with neither joy nor mourning—just another mouth, another burden, another resignation. Yet even in this bleakness, life goes on, in ways both unsettling and eerily familiar. A stark, unflinching glimpse into the realities of the forgotten, this story is as haunting as it is quietly devastating.

  Voir livre

• 

  My Mother's Funeral: The Show

  Kelly Jones

  • 0
  • 0
  • 0

  Abigail's mum is dead. But it turns out she can't afford her to be. Did you know how expensive it is to die? It's £4,000 for the funeral. Extra for flowers. And even more if you want sausage rolls. Otherwise, she'll get a council funeral and an unmarked grave.
  In her work as a playwright, Abigail has been asked to write about something raw, from her 'unique working-class lens'. Something that will make the audience feel gratifyingly bad about themselves. And so, to afford the funeral, she has to write about her mum.
  Kelly Jones's My Mother's Funeral: The Show playfully tackles the inequalities we face around death, and the cost of turning your loved ones into art. It was co-produced by Paines Plough; Mercury Theatre, Colchester; Belgrade Theatre, Coventry; Landmark Theatres and Royal & Derngate, Northampton – and premiered in 2024 at the Belgrade, before a UK tour including a run at Paines Plough's Roundabout at the Edinburgh Festival Fringe, where it won a Fringe First Award and a Summerhall Lustrum Award.

  Voir livre