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  A Coalition of Cheetahs

  Doreen Gurrey

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  Varied in subject matter, these poems are clearly in the control of a singular voice. There is wonderful use of imagery throughout and surprising metaphor in abundance, in gentle and inventive poems that explores ideas of love, home, family and loss.– Hannah Lowe

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  The Poetry of Robert Southey -...

  Robert Southey

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  Robert Southey was born on the 12th of August 1774 in Bristol. A poet of the Romantic school and one of the "Lake Poets". 
  Although his fame has been eclipsed by that of his friends William Wordsworth and Samuel Taylor Coleridge, Southey's verse was highly influential and he wrote movingly against the horrors and injustice of the slave trade.  Among his other classics are Inchcape Rock as well as a number of plays including Wat Tyler. 
  He was great friends with Coleridge, indeed in 1795, in a plan they soon abandoned, they thought to found a utopian commune-like society, called Pantisocracy, in the wilds of Pennsylvania. 
  However, that same year, the two friends married sisters Sarah and Edith Fricker. Southey's marriage was successful but Coleridge's was not. In 1810 he abandoned his wife and three children to Southey's care in the Lake District.  Although his income was small and those dependent upon him growing in number he continued to write and burnish his reputation with a wider public. 
  In 1813 on the refusal of Walter Scott he was offered by George II the post of Poet Laureate, a post Southey accepted and kept till his death 30 years later. 
  Southey was also a prolific letter writer, literary scholar, essay writer, historian and biographer. His biographies included those of John Bunyan, John Wesley, William Cowper, Oliver Cromwell and Horatio Nelson. 
  He was a renowned scholar of Portuguese and Spanish literature and history, and translated works from those two languages into English and wrote a History of Brazil (part of his planned but un-completed History of Portugal) and a History of the Peninsular War. 
  Perhaps his most enduring contribution is the children's classic The Story of the Three Bears, the original Goldilocks story, first published in Southey's prose collection The Doctor. 
  In 1838, Edith died and Southey married Caroline Anne Bowles, also a poet, on 4 June 1839. 
  Robert Southey died on the 21st of March, 1843 and is buried in Crosthwaite Church in Keswick. 
  This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  The Infernal Garden

  Gregory Leadbetter

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  In The Infernal Garden, Gregory Leadbetter's poetry leads us into dark and verdant places of the imagination, the edge of the wild where the human meets the more-than-human in the burning green fuse of the living world. This liminal ground becomes a garden of death and rebirth, of sound and voice, in poems that combine the lyric with the mythic, precision with mystery.
  Responding to the intricate crisis in our relationship to our planet and the life around us, the garden here assumes a haunting, otherworldly aspect, as a space of loss, grief and trial, which nonetheless carries within it the energies of regeneration and growth. At the heart of this bewitching book is the force of language itself – at once disquieting and healing – through which we are drawn to the common roots of art, science, and magic, in exquisite poetry of incantatory power.
  "This is heavy-metal poetry, dark and decidedly theatrical." - Jeremy Wikeley, 'The best poetry books of 2025 so far', The Telegraph.

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  The Wood Between the Worlds - A...

  Brian Zahnd

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  The cross is the heart of Scripture 
   
   
   
  Everything about the gospel message leads to the cross, and proceeds from the cross. In fact, within the narrative of Scripture, the crucifixion of Jesus is literally the crux of the story—the axis upon which the biblical story turns. But it would be a mistake to think we could sum up the significance of the crucifixion in a tidy sentence or two. That kind of thinking only insulates us from the magnificence of what God has done. In our ongoing quest to make meaning of the cross, we need to recognize that this conversation will never conclude—that there is always something more to be said. 
   
   
   
  Brian Zahnd reminds us that the meaning of the cross is multifaceted and should touch every aspect of our lives. Just as gazing through the eyepiece of a kaleidoscope reveals a new geometric image with every turn, Zahnd helps us see that there are infinite ways to behold the cross of Christ as the beautiful form that saves the world. The Wood Between the Worlds is an invitation to encounter the cross of Christ anew.

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  How to Tame a Wild Tempest

  Helle Gade

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  This new edition contains an award-winning collection of poems will draw you in with their beauty and elegance. Encourage self-reflection and help you on your journey to find yourself. Deeply felt and from the heart this collection showcases the authors immense talent as she celebrates the true emotions in each of us.

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  Drive

  Elaine Sexton

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  " Silently / pulling for itself, / the will wants the body to // give it what it wants," Sexton writes in " Between the Car and the Sea," at once a description of a car' s body propelling her onward, and of the poet herself, the one behind the wheel of this masterful fourth collection. In an extraordinary act of volition, the author does not stop at the trope of ambition, but powers instead toward the urgent concerns of the will, and intention.
  
  
  In Drive, Sexton explores our most fragile points of connection— to lovers and family, to the living and the dead, and to oneself, one' s own life' s work— with the care and wisdom of one who knows these roads. In her hands, these delicate boundaries become navigable. They are both her route and her destination.

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