Altri libri che potrebbero interessarti

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  Cymbeline

  William Shakespeare

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  Cymbeline is one of Shakespeare's late romances, which (like The Tempest and The Winter's Tale) combines comedy and tragedy. Imogen, the daughter of King Cymbeline of Britain, angers her father when she marries Posthumus, a worthy but penniless gentleman. The King banishes Posthumus, who goes to Rome, where he falls prey to the machinations of Iachimo, who tries to convince him that Imogen will be unfaithful. Meanwhile, the Queen (Imogen's stepmother) plots against her stepdaughter by trying to plan a match between Imogen and her worthless son Cloten. (Summary by Elizabeth Klett)Cast: 
  Arviragus: om123Attendant and First Gaoler: Bill MosleyBelarius: Algy PugCaius Lucius: Mark F. SmithCloten: mbCornelius: Amy GramourCymbeline: Bruce PirieFirst British Captain and Messenger: Elizabeth KlettFirst Brother: John FrickerFirst Gentleman and First Senator: Algy PugFirst Lady: rashadaFirst Lord: rfFirst Tribune and Roman Captain: Bill MosleyFrenchman and Soothsayer: Timothy FergusonGuiderius: Denny SayersIachimo: John FrickerImogen: Elizabeth KlettJupiter: Elizabeth KlettMother: SweetlilbirdyPhilario: RakenPisanio: Matthew ReecePosthumus Leonatus: David GoldfarbQueen: Arielle LipshawSecond British Captain, Second Gentleman, and Second Senator: John FrickerSecond Brother, Second Lord, and Second Gaoler: Arielle LipshawSicilius Leonatus: Jason BortlesNarrator: David LawrenceAudio edited by: mb

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  Touch the Earth - Poems on The Way

  Drew Jackson

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  Gather it from memory.
  
  Let it touch the earth.
  In Touch the Earth, Drew Jackson continues the project he began in God Speaks Through Wombs, reflecting on the Gospel of Luke through poetry. Touch the Earth picks up in chapter nine and continues through the end of Luke's Gospel. Part protest poetry, part biblical commentary, Jackson presents the gospel story in all its liberative power. Here the gospel is the "fresh words / that speak of / things impossible."
  From the feeding of the multitude ("The best hosts always provide / take home containers") to the resurrection of Jesus ("the belly of mother Earth / is, indeed, a womb . . . the humus of life is where we become fully human"), this collection helps us hear the hum of deliverance—against all hope—that's been in the gospel all along.

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  Routes

  Rhiya Pau

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  At the core of this debut collection is a question – what is worth holding onto?
  Through poetic experiments that blend the academic and the artistic, Rhiya Pau queries complex characters and tender landscapes. Routes journeys from Ba's kitchen in Sonia Gardens to Independence hour in Delhi, across the pink shores of Nakuru, to meet a painter on Lee High Road.
  Celebrating fifty years since her community arrived in the UK, Pau chronicles the migratory histories of her ancestors and simultaneously lays bare the conflicts of identity that arise from being a member of the East African-Indian diaspora. In this multilingual discourse exhibiting vast formal range, Pau wrestles with language, narrative and memory, daring to navigate their collective fallibilities to architect her own identity.
  '[Routes]...holds up to the light the wisdom of the past, and asks what else is passed down along with it...a work of humane intelligence, formal experiment and linguistic verve' - Sarah Howe, Judge of Eric Gregory Awards 2022

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  Twilight Burns the Sky

  Kathleen Gallagher

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  Christchurch lies on the edge of the Canterbury Plains bounded by the Cashmere Hills the home of Kahukura - Red Cloak of the Sky - to the east and the Southern Alps to the west. Even in the heart of winter, hot winds come and Kahukura rises from the Cashmere Hills and fans out, red hued across the sky, forming the Nor'West Arc. This collection of poetry tells the tale of growing up, living and dreaming here in this place - where twilight burns the sky. 
  "This is New Zealand poetry at its finest. The imagery is strong and violent yet suprisingly beautiful. These poems sound good. They strike a raw nerve." Naomi Edwards, Canta 
  "Kathleen weaves together te ao mauri and her experiences  of te ao wairua - giving resonance to the multiple feathers worn by manu kaitiaki kōtuku. Whether you wade in the foreshore or seek the heights of fligth Kathleen's poetic kōtrto will find you whispering āe tika - I understand." Te Awhina Arahanga

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  Waley's Chinese Poetry -...

  Arthur Waley

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  There have been many translators of Chinese literature and poetry over time, but Arthur Waley stands out as one of the best known and most loved. This is perhaps because he had an attribute that most others lacked, which is his poetic abilities. Waley was as much a poet himself as a translator, and while his scholarly erudition was matched by a few others at his time, none ever managed to bring out the true character of Chinese poetry quite so well. 
  Contained in this collection:The Poet Li Po A.D. 701-762, 1918A Hundred and Seventy Chinese Poems, 1918, Arthur WaleyMore Translations from the Chinese (Alfred A. Knopf, New York, 1919)Arthur Waley (Poems from the Chinese) 1920

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  The Book of Jonah - A Telegraph...

  Luke Kennard

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  Read by the author, Luke Kennard‘Kennard’s distinctive voice – surreal, funny, anxious, always overthinking, and cringingly self-deprecating – has made him one of the most widely liked and imitated British poets’ – Tristram Fane Saunders, TLSNone of the Old Testament prophets were especially happy or confident in their calling, but Jonah was the only one who rejected it outright, disobeying direct instruction from God and literally running away. In The Book of Jonah, Luke Kennard transforms the unique and awkward position Jonah’s story occupies in scripture – part dream, part joke, part provocation – into a madcap picaresque which marries the sacred and the absurd.Though Jonah’s encounter with the whale is most commonly interpreted as the story of a reluctant prophet being punished by his maker, Kennard’s Jonah is more wily business traveller than seer. Taking his instruction instead from non-governmental organizations, arts development agencies and public-relations gurus, this Jonah keeps relentlessly busy, accepting any assignment that will take him further away from Nineveh and drown out the word of God in his ears. On his travels he meets errant writers, fixers, artists and consultants, but nobody who can give him a sense of what his work might be beyond a five-star capitalist purgatory in a series of exotic locations. What would it mean to be a prophet – or even a false prophet – in this milieu?Taking on the decimation of funding for the arts, the emptiness of the hero’s journey and a literary culture regarded by wider society with cynicism, ignorance and apathy, The Book of Jonah is a blistering poetry collection from the Forward Prize-winning author of Notes on the Sonnets.

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