D'autres livres qui pourraient vous intéresser

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  This Way to Change - Poems Prose...

  Jezz Chung

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  Artist, poet, and performer Jezz Chung (they/them) focuses on cultural change through personal transformation. In This Way to Change, Jezz shares contemporary poetry, accessible prose, and healing practices from different therapeutic modalities to explore subjects like healing your inner child, nourishing friendships, decolonizing your thinking, deconstructing binaries, and intentional community-making. The interactive healing practices in this book include writing and reflection prompts, somatic exercises, guided meditations, and more to help listeners tap into their powers of self-healing on their journey through change. 
   
   
   
  For anyone interested in: 
   
   
   
  ● Healing through the lens of race, gender, trauma, disability, and neurodivergence 
   
   
   
  ● Building community to address collective crisis, interdependence as the intersection of self care and community care 
   
   
   
  ● Transforming yourself to transform the world 
   
   
   
  ● Holistic and alternative approaches to wellness including guided meditations, reflection prompts, somatic practices 
   
   
   
  ● AAPI listeners interested in Jezz Chung's Korean American perspective on identity, sociopolitical engagement, and intergenerational trauma 
   
   
   
  ● Self-Love Poetry, Heart Talk, and such bestselling authors as Alexandra Elle and Yung Pueblo

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  Smile People are watching

  Faaiz Mbelizi

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  Faaiz Mbelizi is an actor, writer and spoken word artist. This poetry collection is an accumulation of his poetry over the years. 
  In this poetry collection Mbelizi delves deep into the realms of pain and anxiety through vivid verses. A raw and honest representation of the struggles and inner turmoils faced. 
  Through evocative imagery and metaphors this collection explores the nature of these emotions and goes back and forth between darkness and moments of hope. Throughout the audiobook listeners are taken on a cathartic journey that resonates with their own experiences, providing solace and understanding in the midst of emotional upheaval.

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  HOMER: The Iliad & the Odyssey

  Homer

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  Nearly three thousand years after they were composed, The Iliad and The Odyssey remain two of the most celebrated and widely read stories ever told, yet next to nothing is known about their author. He was certainly an accomplished Greek bard, and he probably lived in the late eighth and early seventh centuries BCE Authorship is traditionally ascribed to a blind poet named Homer, and it is under this name that the works are still published. Greeks of the third and second centuries BCE, however, already questioned whether Homer existed and whether the two epics were even written by a single individual. 
  Most modern scholars believe that even if a single person wrote the epics, his work owed a tremendous debt to a long tradition of unwritten, oral poetry. Stories of a glorious expedition to the East and of its leaders’ fateful journeys home had been circulating in Greece for hundreds of years before The Iliad and The Odyssey were composed. Casual storytellers and semiprofessional minstrels passed these stories down through generations, with each artist developing and polishing the story as he told it. According to this theory, one poet, multiple poets working in collaboration, or perhaps even a series of poets handing down their work in succession finally turned these stories into written works, again with each adding his own touch and expanding or contracting certain episodes in the overall narrative to fit his taste.

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  Poets & Their Inner Demons –...

  John Gould Fletcher, Marina...

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  The stereotypical image of a poet is one of unknown talent starving in a garret and who’s faithfulness and legacy to the art is discovered only after their death. 
  In some cases this is undoubtedly true, but Poets being human and with the same building blocks of physical and mental health as the rest of us, also had the same afflictions and problems as the rest of us.   
  The long roll call of names and the truncated legacies that were left behind is filled with these lost talents. 
  In this volume the despair at life in general and their art in particular ruins lives in a few short moments.  Do their poems reflect this upcoming tragedy or at a particular point are they simply overwhelmed by what they see as a hopeless situation.   
  The long roll call and the truncated legacies that were left behind is filled with the names of these lost talents.

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  Love Poems and other Stuff

  E. R. Vogel

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  This is a collection of what has brought me to who I am today, always reminding me of where I should be going. I do hope it helps you more.

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  Room Swept Home

  Remica Bingham-Risher

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  Room Swept Home serves as a gloriously rendered magnifying glass into all that is held in the line between the private and public, the investigative and generative, the self and those who came before us. In a strange twist of kismet, two of Bingham-Risher's ancestors intersect in Petersburg, Virginia, forty years before she herself is born: her paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child. Marrying meticulous archival research with Womanist scholarship and her hallmark lyrical precision, Bingham-Risher's latest collection treads the murky waters of race, lineage, faith, mental health, women's rights, and the violent reckoning that inhabits the discrepancy between lived versus textbook history, asking: What do we inherit when trauma is at the core of our fractured living?[sample poem]XI. the more ground covered, the more liberated you becameI am scared my mind will turn on me. I am scared I will be naked in a burning house. I am scared my children won't outpace me.I am scared my children (who aren't made by me) believe I am a sad imitation of the others.I am scared I will gather in a roomwhere everyone will ask me to rememberand when I don't lie they'll say I'd hate to be you. I've lived long enough to be scared my kidneys will give out on me. I've lived long enough to know just when they should. I have never shared my fears with anyone; I am scared they will map the land and take liberties. Will the women be ashamed? I'm scared to ask. What will live again? What will die with me?

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