Weitere Bücher, die Sie mögen werden

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  Secret Agent The (Argo Classics)

  Joseph Conrad

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  William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic fiction read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly abridged and remastered stories are now available to download for the first time. 
  Intrigue, espionage, and anarchy abound in what is still considered Conrad’s finest novel. Adolf Verloc, a Russian spy working for the police, is embroiled in a plot to blow up the Greenwich Observatory. When the attack goes awry, Verloc must face the consequences. 
  Beloved star of the screen and stage, Tim Pigott Smith provides a thrilling narration of this strikingly relevant tale. 
  This top-notch political adventure, masterfully narrated by Tim Pigott Smith, takes you on a rollercoaster ride of action and crime. The best of Conrad's works, it's a tale that resonates with the current times, making it a must-read for all. 
  For fans of Fjodor M. Dostojewskij (THE COMPLETE WORKS OF FYODOR DOSTOYEVSKY), James Joyce (Dubliners), Cormac Mccarthy (Stella Maris), Herman Melville (Bartleby, the Scrivener), and George Eliot (Middlemarch).

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  The Star

  H. G. Wells

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  "The Star" is an 1897 apocalyptic short story by H. G. Wells.
  Here is an impressive story based on the inter-action of planetary bodies and of the sun upon them. A great star is seen approaching the earth. At first it is only an object of interest to the general public, but there is an astronomer on the earth, who is watching each phase and making mathematical calculations, for he knows the intimate relation of gravitation between bodies and the effect on rotating bodies of the same force from an outside source. He fears all sorts of wreckage on our earth. He warns the people, but they, as usual, discount all he says and label him mad. But he was not mad. H. G. Wells, in his own way, gives us a picturesque description of the approach of the new body through long days and nights—he tells how the earth and natural phenomena of the earth will react. Though this star never touches our sphere, the devastation and destruction wrought by it are complete and horrible. The story is correct in its astronomical aspects.

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  Twenty Thousand Leagues Under...

  Jules Verne

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  Published in 1870, "Twenty Thousand Leagues Under the Sea" is one of Jules Verne's most famous works. This science fiction novel takes readers on an underwater journey with Captain Nemo and his submarine, the Nautilus. The story is narrated by Professor Pierre Aronnax, who, along with his assistant Conseil and the harpooner Ned Land, becomes an unwilling guest of Captain Nemo. The trio experiences a series of adventures under the sea, encountering exotic sea creatures, exploring sunken ships, and discovering the wonders and dangers of the ocean depths. The book is renowned for its scientific foresight and imaginative storytelling.

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  Old Greek Stories

  James Baldwin

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  Baldwin recounts many legends and stories from Ancient Greek in manner appropriate to grammar school children. Most of the Greek tales are told in the manner of fairy tales and should be appealing to students of any age. Some of the more famous stories retold in this volume include the legends of Atlanta, Cadmus and Europa, Prometheus, Io and Hera, and Medusa.An Author's Republic audio production.

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  The Smile of La Gioconda

  Morley Roberts

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  Morley Roberts (1857-1942) was an adventurer who worked on railways, cattle, and sheep ranches all over Africa and the Americas and still found time to write a large number of very varied novels and stories with a zest that only real-life experience can give.In "The Smile of La Gioconda" he is concerned with the subtle psychological aspects of the love triangle and the perils of repressed emotions.

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  American Short Story The -...

  Mark Twain, Henry James, Kate...

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  The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. 
   
  From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. 
   
  America prides itself on liberty, on justice for all and, if you are a wealthy white man, that is essentially true.  Sadly, many other segments of society find it difficult to feel or become part of this endeavour. 
   
  Within this chronological history of the American short story, that prejudice has helped shape the borders of those two endless questions about any anthology.  Why that story? Why that Author? 
   
  We made some hard choices.  We start with Uriah Derrick Dárcy, an unlikely American name and, to all intents, it appears to be a pseudonym, about whom little is known or can be verified. He leads our literary parade.  From here leviathans appear on a regular basis; Hawthorne, Poe, Melville, Twain but also note how many women are here and not just Stowe, Alcott and Chopin.  Women’s status as writers is often neglected or undervalued, predominantly due to their second-class social status throughout much of history but their stories, their angles of approach to writing are both expertly crafted and refreshing.   
   
  Another stain on the social and cultural fabric of American has been that of Race.  Black people were harshly and unfairly treated as a matter of course.  The Civil War may have opened the door but in reality little changed.  The majority of the stories included here written by black authors are disturbing in the wrongs they were accused of, and the burdens they were forced to carry.  This eye-opening literature enables us to once more take stock and applaud and bring some glimmers of recognition to their struggles and their art.  
   
  There are some authors, liberally sprinkled throughout, both male and female who may previously have escaped your attention.  Enjoy them.  Adore them.  Make them part of your everyday reading and listening.  These forgotten voices are fine examples both of their craft, their art, and their take on society as it was then. 
   
  In the period we cover from the late 18th Century, around the time of the American Revolution, up until the catastrophe of World War 2, the printing press was creating a market to share words.  With industrialization and a large swathe of people eager to be distracted from hard working lives, a plethora of magazines and periodicals shot up, all clamoring for works to publish, to share those words, to introduce new ideas and explain how some of us view ourselves and each other.  Some of these authors were only published that way, one story wonders—hitched to the fading star of a disposable periodical.   
   
  And, of course, the elephant in the room was the English.  In its early days US copyright law was non-existent and didn’t recognise anyone else’s.  Publishers were free to take the talents of Dickens or Trollope and freely print it without permission or coin.   Competing against that, gave you a decided disadvantage. 
   
  Within these stories you will also find very occasional examples of historical prejudice.  A few words here and there which in today’s world some may find inappropriate or even offensive.  It is not our intention to make anyone uncomfortable but to show that the world in order to change must reconcile itself to the actual truth rather than put it out of sight.  Context is everything, both to understand and to illuminate the path forward.  The author’s words are set, our reaction to them encourages our change. 
   
  Within this melting pot of styles, genres and wordplay one fact stands out: The American short story Literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.  Which is here

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