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  Greatest Radio Shows Volume 4 -...

  Various Various

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  OASIS AUDIO CLASSIC RADIO SHOWCASE SERIES   Oasis Audio has gone into the vaults and dusted off the very earliest form of audio book, old time radio shows, for our listeners. Introduced episode by episode by Jim Engel, old time radio authority and board member of the Museum of Broadcast Communications in Chicago, this series of classic radio shows is sure to have something for everyone. Celebrity casts and top-notch writers made the 1920s through the early 1950s, the golden era of radio. The series features seven exciting themes with 100 episodes in each. That is 700 classic radio programs in all.   Greatest Radio Shows   New to Old-time Radio? Join Oasis Audio for 100 radio shows from across all genres. Thrill to detective stories and mysteries, Dig your spurs in for some dusty trail western adventures, laugh until you cry with the kings and queens of radio comedy, sit on the edge of your seat for the greatest radio dramas. Be filled with nostalgia as you enjoy this unique collection of 100 of the all-time best radio shows. Volume 4 Dr. Christian 1938_01_09 Hit and RunDragnet 1953_09_15 The Big CabDuffy’s Tavern 1949_03_16 The BullyEscape 1950_03_17 Three Skeleton KeyThe Fat Man 1951_01_17 The Nightmare MurdersFather Knows Best 1952_12_18 The Kids RevoltFBI in Peace and War 1957_01_20 Ladies in LaceFibber McGee and Molly 1941_05_20 Molly’s Birthday CakeThe First Nighter Program 1948_02_12 Love IS Stranger Than FictionFort Laramie 1956_01_29 The Boatwright’s Story

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  Remission

  Kirk Wood Bromley

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  This is a full recording of Daniel Martin Berkey performing the play Remission, which Backstage magazine called "mind-blowing" and NYTheater called "90 intense and harrowing minutes of spectacular wordplay." Written by playwright Kirk Wood Bromley ("Shakespeare on mushrooms" - LA Weekly), produced by NYC's Inverse Theater (“Best Downtown Theater Company" - NYPress 2001), scored by John Gideon, and originally performed by Berkey himself in the NYC Fringe Festival in 2009 (winning "Outstanding Solo Show"), Remission tells the story of Berkey’s journey into and out of schizophrenia in dramatic verse that one reviewer termed "a terrifying, violent freefall into insanity" (JustShowsToGoYou). 
  With his symptoms beginning at age six, Berkey experienced a spectrum of challenges, including berating voices and haunting visions, paranoia and catatonia, and addiction to sex, heroin, and alcohol. Then, at the age of 51, homeless and deranged, while walking along a freeway on Long Island, he saw a vision – a giant golden cube suspended in the sky from which emanated 3000 winged humanoid figures beckoning him to join them in the World Self. Awaking from the splendor, he walked home, flushed his medications, and has been symptom-free ever since. 
  And while this journey is central to Remission's narrative, the play is more than a retelling. With each line, the play "stretches, exercises, jolts, and exalts the audience" (NYTheater) by immersing it in an experience of actually having schizophrenia, creating a "one-of-a-kind, undiluted and unforgettable trip into the crazy." (JustShowsToGoYou).

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  Rhythm of Resistance - The...

  Eroms Ehiagwina

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  "Rhythm of Resistance: The Soulful Echoes of Black Musicians in the Era of Martin Luther King Jr. (1957-1968)" is a must-read book that sheds light on the pivotal role of music in the Civil Rights Movement. It provides a comprehensive overview of the social, political, and cultural context of the era, highlighting how music served as a powerful tool for expressing the aspirations and frustrations of African Americans. Through songs such as "We Shall Overcome" and "A Change Is Gonna Come," music became an anthem of the movement, inspiring activists and mobilizing communities across America and beyond, it also highlights the struggles of people of color in the United Kingdom at this time. This book is a testament to the enduring spirit of resistance and resilience that drives us towards a more just and equitable society. It serves as a reminder that the struggle for racial justice is ongoing, and the power of music to inspire social change remains as relevant today as it was during the Civil Rights era. Get ready to be inspired and motivated by the transformative power of music in the fight for civil rights. 
   

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  Moving Toward Life - Five...

  Anna Halprin

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  Anna Halprin is one of the most important innovators in the history of modern dance, performance art, and post-modern dance. Moving Toward Life brings together for the first time her essays, interviews, manifestos, and teaching materials, along with over 100 illustrations, providing a rich account of the work that radicalized an entire generation of performers.Since the late 1950s, Halprin has been at the forefront of experiments in dance, from improvisation and street theatre to dances in the environment and healing dances. A brief overview of Halprin's career shows how her work has prefigured — and transfigured — crucial developments in postmodern dance. In the 1960s, Halprin invented the "workshop," and in the wake of the Watts riots, her multiracial company broke boundaries in their confrontational political performances. In the 1970s, she organized "community rituals" to explore how individual creativity feeds positively into group dynamics. These healing social events led to her current work with cancer survivors and people challenging AIDS and their caregivers.Depicting Halprin's deep commitment to social change, Moving Toward Life presents an engaging, critical document of the life of one of the most influential and least known luminaries of American dance. Sally Banes and Janice Ross join Rachel Kaplan in providing introductory essays to sections of the book.

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  Bruce Springsteen's Born in the USA

  Geoffrey Himes

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  When Bruce Springsteen went back on the road in 1984, he opened every show by shouting out, ""one, two, one, two, three, four,"" followed by the droning synth chords of ""Born in the U.S.A."" Max Weinberg hit his drums with a two-fisted physicality that cut through the swelling chords. With a rolled-up red kerchief around his head and heavy black boots under his faded jeans, Springsteen looked like the character of the song, and from the very first line (""Born down in a dead man's town"") he sang with the throat-scraping desperation of a man with his back against the wall. When he reached the crucial lines, though, the guitars and bass dropped out and Weinberg switched to just the hi-hat. Springsteen's voice grew a bit more private and reluctant as he sang, ""Nowhere to run. Nowhere to go."" It was as if he weren't sure if this were an admission of defeat or the drawing of a line in the sand. But when the band came crashing back at full strength—building a crescendo that fell apart in the cacophony of Springsteen's and Weinberg's wild soloing, paused and then came together again in the determined, marching riff—it was clear that the singer was ready to make a stand.

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  Hollywood Stage - Goodbye Mr...

  Various Authors

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  Hollywood is indelibly printed in our minds as the ‘go-to place for entertainment and has been for decades.  When there really did seem to be more stars in Hollywood than in Heaven Hollywood Stage had them performing films as radio plays – on the sponsors dime of course.  The Hollywood Ringmaster himself, Cecil B DeMille unveils the treasures and the stars for you right here…..

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