Editorial: BookRix
How Great Thou Art Sheet Music for String Quartet 1. Full Score C-Major 2. Solo Instruments: (Violin 1, Violin 2, Viola, Cello) Tune: Swedish Folk Melody Instrumentation: String Quartet Type of Score: Full Score, 4 Solo Parts Difficulty Level: Professional Arranged and Produced by Viktor Dick
"Rhythm of Resistance: The Soulful Echoes of Black Musicians in the Era of Martin Luther King Jr. (1957-1968)" is a must-read book that sheds light on the pivotal role of music in the Civil Rights Movement. It provides a comprehensive overview of the social, political, and cultural context of the era, highlighting how music served as a powerful tool for expressing the aspirations and frustrations of African Americans. Through songs such as "We Shall Overcome" and "A Change Is Gonna Come," music became an anthem of the movement, inspiring activists and mobilizing communities across America and beyond, it also highlights the struggles of people of color in the United Kingdom at this time. This book is a testament to the enduring spirit of resistance and resilience that drives us towards a more just and equitable society. It serves as a reminder that the struggle for racial justice is ongoing, and the power of music to inspire social change remains as relevant today as it was during the Civil Rights era. Get ready to be inspired and motivated by the transformative power of music in the fight for civil rights.Ver libro
For Claude Monet the designation 'impressionist' always remained a source of pride. In spite of all the things critics have written about his work, Monet continued to be a true impressionist to the end of his very long life. He was so by deep conviction, and for his Impressionism he may have sacrificed many other opportunities that his enormous talent held out to him. Monet did not paint classical compositions with figures, and he did not become a portraitist, although his professional training included those skills. He chose a single genre for himself, landscape painting, and in that he achieved a degree of perfection none of his contemporaries managed to attain. Yet the little boy began by drawing caricatures. Boudin advised Monet to stop doing caricatures and to take up landscapes instead. The sea, the sky, animals, people, and trees are beautiful in the exact state in which nature created them – surrounded by air and light. Indeed, it was Boudin who passed on to Monet his conviction of the importance of working in the open air, which Monet would in turn transmit to his impressionist friends. Monet did not want to enrol at the Ecole des Beaux-Arts. He chose to attend a private school, L'Académie Suisse, established by an ex-model on the Quai d'Orfèvres near the Pont Saint-Michel. One could draw and paint from a live model there for a modest fee. This was where Monet met the future impressionist Camille Pissarro. Later in Gleyre's studio, Monet met Auguste Renoir Alfred Sisley, and Frédéric Bazille. Monet considered it very important that Boudin be introduced to his new friends. He also told his friends of another painter he had found in Normandy. This was the remarkable Dutchman Jongkind. His landscapes were saturated with colour, and their sincerity, at times even their naïveté, was combined with subtle observation of the Normandy shore's variable nature. At this time Monet's landscapes were not yet characterized by great richness of colour. Rather, they recalled the tonalities of paintings by the Barbizon artists, and Boudin's seascapes. He composed a range of colour based on yellow-brown or blue-grey. At the Third Impressionist Exhibition in 1877 Monet presented a series of paintings for the first time: seven views of the Saint-Lazare train station. He selected them from among twelve he had painted at the station. This motif in Monet's work is in line not only with Manet's Chemin de fer (The Railway) and with his own landscapes featuring trains and stations at Argenteuil, but also with a trend that surfaced after the railways first began to appear. In 1883, Monet had bought a house in the village of Giverny, near the little town of Vernon. At Giverny, series painting became one of his chief working procedures. Meadows became his permanent workplace. When a journalist, who had come from Vétheuil to interview Monet, asked him where his studio was, the painter answered, "My studio! I've never had a studio, and I can't see why one would lock oneself up in a room. To draw, yes – to paint, no". Then, broadly gesturing towards the Seine, the hills, and the silhouette of the little town, he declared, "There's my real studio."Monet began to go to London in the last decade of the nineteenth century. He began all his London paintings working directly from nature, but completed many of them afterwards, at Giverny. The series formed an indivisible whole, and the painter had to work on all his canvases at one time. A friend of Monet's, the writer Octave Mirbeau, wrote that he had accomplished a miracle. With the help of colours he had succeeded in recreating on the canvas something almost impossible to capture: he was reproducing sunlight, enriching it with an infinite number of reflections. Alone among the impressionists, Claude Monet took an almost scientific study of the possibilities of colour to its limits; it is unlikely that one could have gone any further in that direction.Ver libro
In "Sustainability in Software Engineering: Harnessing Eco-Efficient Techniques for Modern Development," readers are invited into the evolving world of sustainable software practices where innovation meets environmental responsibility. This book equips software engineers, tech leaders, and sustainability advocates with the essential knowledge and tools needed to integrate eco-efficiency into every stage of software development. From foundational concepts and principles of sustainability to advanced techniques and strategies, the book provides a thorough exploration of how software engineering can contribute positively to the environment. Readers will discover how to optimize code for energy efficiency, select the right tools and technologies that reduce environmental impact, and implement green algorithms and architectures that promote sustainability. Each chapter is enriched with real-world case studies, practical examples, and actionable insights that illuminate the path toward more sustainable software practices. Metrics and measurement tools are discussed in detail, providing readers with the means to assess their progress and impact. "Sustainability in Software Engineering" is more than just a guide—it's a call to action for software professionals to lead the charge in creating a more sustainable future through thoughtful, responsible, and innovative engineering practices. Whether you're a developer, a project manager, or a CTO, this book will inspire and challenge you to make sustainability a core part of your professional projects and products.Ver libro
Behind every graceful pirouette is a ballet teacher silently questioning their life choices—and probably wishing for a timeout from reality. The Ballet Teacher’s NLP Survival Guide is your backstage pass to mastering the mental chaos lurking beneath the tulle and toe shoes. This isn’t your typical feel-good teaching manual. It’s packed with sharp, practical NLP techniques wrapped in ballet jargon and just enough dark humor to keep you sane while dealing with students who think “assemblé” is a fashion statement and not a step. Inside, you’ll learn how to:Build instant rapport without losing your mindDeliver feedback so precise it hurts (but in a good way)Reprogram the “I can’t” chorus into “Watch me”Tame stage fright without resorting to hiding behind the curtainsModel calm and confidence even when your hip flexors scream for mercy If you’ve ever wanted to pirouette right out of the studio (but didn’t because, well, responsibilities), this book is your mental barre—steady, supportive, and ready to help you survive and thrive in the wonderfully exhausting world of ballet teaching.Ver libro
This story is about Tricki, a dog who is the pet of a rich lady named Mrs. Pumphrey. She loves her dog very much and is unable to refuse him anything he wants.Ver libro
The Mississippian culture, a sophisticated and influential civilization, thrived in the southeastern United States from approximately 800 CE to 1600 CE. This culture, named after the Mississippi River, was centered around the river valleys and floodplains of the American Midwest, particularly in areas that are now parts of modern-day Illinois, Missouri, Arkansas, and Mississippi. It is best known for its massive earthworks, especially mounds, which were used for both ceremonial and burial purposes. The Mississippian people developed a complex society that was marked by large-scale agriculture, intricate trade networks, and powerful political and religious institutions. The origins of the Mississippian culture can be traced back to the earlier Woodland period, during which smaller villages and simple mound-building practices began to emerge. By around 800 CE, however, the Mississippian culture had fully developed, distinguished by its highly organized cities, monumental architecture, and wide-reaching trade connections. The Mississippians were expert farmers, cultivating staple crops such as maize, beans, and squash, which allowed their settlements to flourish and grow in both size and complexity. One of the most notable features of the Mississippian culture was its social and political structure. The culture was organized around large chiefdoms, with powerful leaders who held both political and religious authority. These chiefs often resided in large, fortified towns that served as hubs of trade, governance, and religious activity. The largest and most famous of these urban centers was Cahokia, located near present-day St. Louis, Missouri. At its height, Cahokia had a population of over 10,000 people, making it one of the largest urban centers in pre-Columbian North America.Ver libro
