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  A Trace of Poison

  Colleen Cambridge

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  In England's stately manor houses, murder is not generally a topic for polite conversation. Mallowan Hall, home to Agatha Christie and her husband, Max, is the exception. And housekeeper Phyllida Bright delights in discussing gory plot details with her friend and employer . . . 
   
   
    
  The neighboring village of Listleigh has also become a hub of grisly goings-on, thanks to a Murder Fête organized to benefit a local orphanage. Members of The Detection Club—a group of celebrated authors such as G. K. Chesterton, Dorothy L. Sayers, and Agatha herself—will congregate for charitable events, including a writing contest for aspiring authors. The winner gets an international publishing contract, and entrants have gathered for a cocktail party—managed by the inimitable Phyllida—when murder strikes too close even for her comfort. 
   
   
    
  It seems the victim imbibed a poisoned cocktail intended for Alastair Whittlesby, president of the local writers' club. The insufferable Whittlesby is thought to be a shoo-in for the prize, and ambition is certainly a worthy motive. But narrowing down these suspects could leave even Phyllida's favorite fictional detective, M. Poirot, twirling his mustache in frustration.

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  Daughters Of The Steppes: The...

  Brooks Carver

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  During World War II, the Night Witches were the only all-female fighting force facing the dreaded German Luftwaffe. These 18 to 23 year-old Russian women became the first in the world to fly combat missions. The young pilots of these first “stealth” bombers were among the most feared units by the Germans during the war. The Night Witches, as the Germans called them, were also the most highly decorated regiment in the Soviet air force, despite derision by their male counterparts. They were heroes in the truest sense of the word.

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  Forgotten Authors The - Volume...

  Josephine Tey, Hesba Stretton,...

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  Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. 
  In literature the ambition is much narrower.  In order to be known, to be popular, you had to be published.  And for that people had to know you existed and your ideas worth reading.  Obviously for most of humanity’s time people couldn’t read and texts couldn’t be published in any great number. 
  In the 15th Century Gutenberg’s printing press began the revolution to address the second and by the 19th century had gathered pace with startling speed and mass distribution.  Education for the many was brought in to help people understand more of their world and, with new skills, how to have a better place within it.  Now, if the powers that owned the presses and means of distribution agreed an audience would now be able to avail themselves of your ideas, your printed words.  
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.   
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.    
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  In this volume we offer up a small selection of those talents whose time has now come again.

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  The Picture of Dorian Gray

  Oscar Wilde

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  The Picture of Dorian Gray is an acclaimed novel by Oscar Wilde, first published in 1890. It tells the story of a handsome and wealthy young man, Dorian Gray, who discovers a portrait of himself. After making a wish to stay young and beautiful forever, the painting begins to age instead of him and Dorian must keep it hidden from the world. As he lives a life of pleasure and excess, the painting continues to reveal Dorian's true self and ultimate fate. With its themes of morality, innocence, and self-destruction, The Picture of Dorian Gray remains one of the most important and influential works of literature. 
  Oscar Wilde (1854-1900) was an Irish playwright, novelist, poet, and wit. He was one of the most prominent figures of the late Victorian era and a leading light of the Aesthetic Movement. Wilde is best known for his plays “The Importance of Being Earnest” and “An Ideal Husband”, as well as his novel “The Picture of Dorian Gray”. His work was heavily influenced by his Irish background, as well as his love of the theater. His witticisms and epigrams are still widely quoted today. Wilde was also an outspoken critic of Victorian morality, often challenging the conventions of the day. His personal life was also the subject of much controversy and he was imprisoned for two years for “gross indecency”. Wilde’s life and work have inspired generations of writers, artists, and thinkers. He is still regarded as one of the most influential writers in English literature.

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  Nature's Fool

  Timothy Doyle

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  Magical realism meets historical fiction in this epic novel, loosely based on real events occurring in the first years of white incursion into South Australia from the 1830s to the 1870s. From Ireland to the land that would become Australia, Natures Foolk crosses oceans, lands and time in its exploration of identity, place and belonging. 
  Possessing enormous physical strength, Seamus has a sacred and intimate relationship with the sea, can shape-shift, and has been gifted with second sight. But he is no hero. Illiterate and largely mute, he is a warrior without a sword, a poet without words. In the absence of his own voice, Seamus' story is told by his son Tomas, a seannachie.

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  Legend of the Lost Ass

  Karen Winters Schwartz

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  I think we should take it through Guatemala. A random text from a stranger inspires agoraphobic Colin to leave New York. His first stop is Brownsville, Texas, where he meets the sender, half-Mayan Luci Bolon, her ancient but feisty great-uncle Ernesto, and Miss Mango, a bright-orange Kubota tractor. Ernesto’s dream is that Miss Mango be driven to Belize and given to the family he left behind nearly seventy years ago. Colin agrees to join Luci on the long journey through Central America. In 1949, seventeen-year-old Belizean Ernesto falls painfully in love with Michaela, an American redhead nearly twice his age. Their brief but intense affair changes everything Ernesto has ever known. When she leaves, Ernesto is devastated. Determined to find her, he “borrows” a donkey from his uncle and starts off for Texas. He meets a flamboyant fellow traveler, and the three of them—two young men and the donkey they name Bee—make their way to America. The past and present unfold through two journeys that traverse beautiful landscapes. Painful histories are soothed by new friendships and payments of old debts.

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