Weitere Bücher, die Sie mögen werden

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  Neptune's Projects

  Rishi Dastidar

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  What do you do when you are a god – but powerless and unable to prevent one of your favourite species from their insatiable, accelerating death wish? Do you try to shout louder and more insistently, or instead reinvent yourself as a troubadour of romantic ruin? Such are the dilemmas posed by Rishi Dastidar in his third poetry collection Neptune's Projects, a reshaping of mythology for the climate crisis era which gives bold consideration to the stark choices we face.
  A post-apocalyptic jig and reel, these poems are compelling, deadpan yarns of the sea, full of both fury and fun. In Neptune's Projects the end of humanity is made wry, thrilling – and alive.

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  The Southbury Child (NHB Modern...

  Stephen Beresford

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  Raffish, urbane and frequently drunk, David Highland has kept a grip on his remote coastal parish through a combination of disordered charm and high-handed determination.
  When his faith impels him to take a hard line with a bereaved parishioner, he finds himself dangerously isolated from public opinion. As his own family begins to fracture, David must face a future that threatens to extinguish not only his position in the town, but everything he stands for.
  Stephen Beresford's play The Southbury Child is a darkly comic drama exploring family and community, the savage divisions of contemporary society, and the rituals that punctuate our lives. It was co-produced by Chichester Festival Theatre and the Bridge Theatre, London, in 2022, starring Alex Jennings and directed by Nicholas Hytner.

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  I'm Sorry Here's a Plasma Rifle...

  Aaron N. Hall

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  SENT BACK FROM THE YEAR 2124, I’m Sorry, Here’s a Plasma Rifle is the last known work of author Aaron N. Hall before his tragic jet ski accident with a shipping container of rubber ducks. 
  It contains seven short stories, eighteen poems, and four pastry recipes that highlight his affection for fantasy, science fiction, and the endearingly odd. 
  The current edition has been republished including the notes of Dr. Arthur B. Salazar, who sent the book from the future before being cryogenically frozen and launched into space prior to Earth’s decay. 
  Listen, enjoy, then say hello to the void.

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  Losing Venice

  Joe Clifford

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  'Our duty is plain. To bring an end to peace.'
  An empire gone wrong; an empire completely gone, in fact. A nation with delusional ideas of its place in the world, making poor choices, involved in clumsy foreign adventures, constantly on the edge of war.
  At home, class divides are stark yet all attention is on a Duke's ceremonial marriage. And surging through the chaos, the absurdities of masculinity threaten to destroy everything.
  An epic fable set in the faraway Spanish Golden Age, Jo Clifford's play Losing Venice is a joyously original, witty take-down of dangerously daft machismo and the deranged behaviour of countries that have lost an empire and still not yet found a role…
  First seen at the 1985 Edinburgh Festival Fringe, Losing Venice was revived at the Orange Tree, Richmond, in 2018.

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  Gothic Poems

  Rachel Lawson

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  The Ravens 
  A flock of ravens floats upon the air over their prey, 
  Like a looming black storm cloud of gloom, 
  In the later hours of the death of the day, 
  They fight each other for room, 
  In the melee, one is injured it falls, 
  Blood and gore fill the air, 
  The air is filled with their dire calls, 
  Little did the observers of this carnage care, 
  To them, it was merely a display of the nature of the raven, 
  Upon the hour they fled, 
  They were neither crazed nor craven, 
  They were happy and well-fed.

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  The Letters of Jane Austen

  Jane Austen

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  Jane Austen’s letters afford a unique insight into the daily life of the novelist: intimate and gossipy, observant and informative–they read much like the novels themselves. They bring alive her family and friends, her surroundings and contemporary events, all with a freshness unparalleled in modern biographies. Most importantly, we recognize the unmistakable voice of the author of such novels as Pride and Prejudice and Emma. We see the shift in her writing from witty and amusing descriptions of the social life of town and country, to a thoughtful and constructive tone while writing about the business of literary composition. 
    
  Austen’s personal correspondence has stirred up controversy since her untimely death in 1817 at age 41. The next year her brother Henry Austen wrote in the ‘Biographical Notice of the Author’ included with the publication of her novels Northanger Abbey and Persuasion that she ‘never dispatched a note or a letter unworthy of publication’. Years later, a niece Caroline Austen did not agree, ‘there is nothing in those letters which I have seen that would be acceptable to the public.’ In comparison to her published works, the letters do dwell upon ‘little matters’ of domestic life in the county, but to the patient reader we begin to understand Austen’s life and experiences beyond the minutia and realize through her clever descriptions and acerbic observations how this simple parson’s daughter became the author of novels that are so valued and cherished close to 200 years after their publication. 
    
  The author gained far more status after her death, and her six fulllength novels have rarely been out of print. A significant transition in her posthumous reputation occurred in 1833, when her novels were republished in Richard Bentley's Standard Novels series, illustrated by Ferdinand Pickering, and sold as a set.  
   

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