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  Paper

  Chris Bush

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  'People don't need scissors. They don't need beautiful, handcrafted, ninety pound scissors, however impressive they might be. But they do need somewhere to live.'
  Faye and Mel have been together forever. Two kids, a mortgage and a diabetic hamster. A regular, unexceptional existence. They work hard, they get by, they do their best. So if it's true - if Faye's father really has left the factory to her - they'd deserve it, wouldn't they? The site could be worth a fortune - not for making scissors, but ripe for redevelopment. It could change everything. But first they need the paperwork.
  Paper is a play about family, heritage and legacy, and is part of Chris Bush's triptych of plays about a Sheffield manufacturing family, Rock / Paper / Scissors. The three plays were first performed simultaneously with the same cast moving between three theatres in Sheffield – the Crucible, the Lyceum and the Studio – as part of Sheffield Theatres' fiftieth birthday celebrations in 2022.

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  The Other Boleyn Girl - (stage...

  Philippa Gregory

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  Henry VIII's court is a stage for love and treachery, where the weapons of choice are sex, marriage – and the executioner's axe. As Henry's mistress, Mary Boleyn is a pawn in her family's lust for power. Queen Katherine of Aragon hasn't produced a male heir, and Mary's ruthless uncle scents the chance of putting his niece on the throne.
  But Henry's wandering eye has fallen on another: Mary's headstrong sister, Anne, whose ambition not only threatens to destroy her bond with Mary, but shakes the foundations of Church and State.
  Based on Philippa Gregory's internationally bestselling novel, The Other Boleyn Girl is a brilliant evocation of intrigue at the Tudor court – a racy and riveting drama of events that changed the course of English history. This stage adaptation by Mike Poulton was premiered at Chichester Festival Theatre in 2024, directed by Lucy Bailey.

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  rock flight

  Hasib Hourani

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  rock flight is a book-length poem that follows a personal and historical narrative to compose an understated yet powerful allegory of Palestine's occupation. The poem uses refrains of suffocation, rubble, and migratory bird patterns to address the realities of forced displacement, economic restrictions and surveillance technology that Palestinians face both within and outside Palestine. It depicts a restlessness brought about by dispossession, and a determination to find significance in fleeting objects and fragments. It looks to the literary form as an interactive experience, and the book as an object in flux, inviting the reader to embark on an exploration of space, while limited by the box-like confines of the page. Formally claustrophobic, the poem morphs into irony, declaring everything a box while refusing to exist within one.
  'rock flight is relentlessly potent. Merging resistance and poetry, Hasib Hourani writes back—against the "suffocating state" and imperial forces. Be ready to be transformed by Hourani's diasporic anticolonial poetics.' — Don Mee Choi
  'Here is a poetry of passion; a poetry of necessity; a poetry of survival, and a poetry-triumphant.' — Maxine Beneba Clarke

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  Folk Punk Literary Style - The...

  Patrick Schneeweis

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  There are artists out there able to lift the spirits of the downtrodden, who point towards a better world with all they are. Sometimes, they do this in DIY punk style: raw, unplugged, and deeply human.Patrick Schneeweis, better known as Pat the Bunny, is an artist who chose the road less travelled, instinctively deeming it more honest and less controlling. Freer. He grew up in Vermont, where he found people liked his voice and the controversial topics he tackled, and by 16 years old, he had released his first album ‘Fire Hazard’.Pat had the courage to test his reality, and then nakedly vocalise it (in both the metaphorical and literal senses). His lyrics saw conflicting ideologies meet and fight to the death, in outlooks that were as captivating as his personal anecdotes were relatable. Pat’s journey offers direction to the lost, if only in the promise that so is he; and for all his youthful anarchism and burn-it-to-the-ground spiritedness, his commentary of the world is ironically sobering.Pat’s music career only spanned thirteen years, from 2003-2016. He reincarnated several times in different bands of his own making, and split albums with other folk-punk artists equally hungry to change the world. He fought like hell for a vision of peace, and made the battlegrounds his own state of consciousness.Like a flashfire burning everything in its wake, towards the end of his career, Pat’s had simmered down, but shoots of new life had sprung up from the ashes, a new direction for which his life could take.This book paints the picture of Pat’s fallings and risings, a final cadence before he left the punk scene behind him for good.

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  The Top 10 Poets – Journalists -...

  Walt Whitman, Oscar Wilde,...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  In this volume we explore those who plied their trade for the Fourth Estate but whose natural talent with words we more readily associate with their poetry.  Their verse enshrines that view.

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  A Palace of Waning - A...

  Pamela Nocerino

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  Palace of Waning explores longing for a sense of home. Through themes of place, loss, and self, images wander into uneasy complexities of truth where the search for home distorts the view of its presence everywhere. Readers are invited as far as space and as near as the sound of moving fabric. 
  Review: 
  In A Palace of Waning, Pamela Nocerino’s luminous new chapbook, the poet traces the shifting landscapes of home, self, loss, and place. Here, “Red neon blinks / like it celebrates the danger” of icy roads, even as we are reminded that “The sun doesn’t rise / We rotate to see it.” Nocerino invites us into a world where beauty and peril intertwine, and where perception itself becomes a kind of illumination. 
  –Leah Huete de Maines, Poet-in-Residence Emerita at Northern Kentucky University

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