Rejoignez-nous pour un voyage dans le monde des livres!
Ajouter ce livre à l'électronique
Grey
Ecrivez un nouveau commentaire Default profile 50px
Grey
Abonnez-vous pour lire le livre complet ou lisez les premières pages gratuitement!
All characters reduced
Arden of Feversham - cover

Arden of Feversham

Various Various

Maison d'édition: DigiCat

  • 0
  • 0
  • 0

Synopsis

Arden of Feversham presents a gripping exploration of domestic tragedy, attributed to various playwrights, likely echoing the collaborative nature of Elizabethan drama. The play unfolds in a narrative steeped in darkness, centering on betrayal, jealousy, and murder, as it follows the doomed marriage of Arden and his unfaithful wife, Alice. Characterized by its raw emotional depth and vivid dialogue, the work serves as an early example of the domestic tragedy genre, challenging the ideals of love and fidelity while exposing the fragility of human relationships in a society grappling with moral ambiguity. While the true authorship remains debated, Arden of Feversham reflects the volatile social landscape of late 16th-century England, impacted by personal and political upheavals. Its focus on intimate domestic spaces contrasts sharply with the grand historical narratives of the time, offering an introspective look at individual lives. This thematic preoccupation mirrors contemporary anxieties about honor and betrayal, likely resonating with audiences who sought to critique the society around them. Recommended for both scholars and general readers, Arden of Feversham invites a profound reflection on the darker aspects of human nature and relationships. Its rich characterization and emotional complexity provide fertile ground for discussion, making it an essential read for those interested in the evolution of English drama and the human condition.
Disponible depuis: 15/09/2022.
Longueur d'impression: 65 pages.

D'autres livres qui pourraient vous intéresser

  • The Two Gentlemen of Verona - cover

    The Two Gentlemen of Verona

    E.A. Copen, William Shakespeare,...

    • 0
    • 0
    • 0
    Proteus loves Julia in Verona, Valentine loves Silvia in Milan. But when Proteus meets Silvia, he falls for her too, and the heartbroken Julia sets out in pursuit.  
    This delightful and sometimes disquieting early comedy of love lost and found offers lyrical poetry, disguise, clowning, outlaws, and a most unreliable dog.  
    Proteus is played by Michael Maloney and Valentine by Damian Lewis. Silvia is Saskia Wickham, Julia is Lucy Robinson, and John Woodvine plays Launce.
    Voir livre
  • Hamlet - cover

    Hamlet

    Tom Wheelwright, E.A. Copen,...

    • 0
    • 0
    • 0
    Shakespeare’s most famous play is one of the greatest stories in the literature of the world. 
    Distressed by his father’s death and his mother’s over-hasty remarriage, Hamlet, prince of Denmark is faced by a specter from beyond the grave bearing a grim message of murder and revenge. The young prince is driven to the edge of madness by his struggle to understand the situation he finds himself in and to do his duty. Many others, including Hamlet’s beloved, the innocent Ophelia, are swept up in his tragedy. 
    Hamlet is played by Simon Russell Beale. Imogen Stubbs plays Ophelia, Jane Lapotaire is Gertrude, and Bob Peck is Claudius. Polonius is played by Norman Rodway. 
    ACT IScene 1. The ghost of Old Hamlet, King of Denmark, has appeared to officers guarding the castle of Elsinore. When the apparition is witnessed by Horatio, friend of the Dead King’s son, he fears that it portends ill. He decides to tell young Hamlet, hoping that the ghost might reveal to him the cause of its restlessness.Scene 2. The dead king’s brother, Claudius, has assumed the crown and married the widowed Queen Gertrude. He dispatches emissaries to Norway where the king’s nephew Fortinbras is threatening Denmark with war. The King and Queen urge young Hamlet to cast off his dark mood. Once alone, the prince vents his violent grief at his father’s death and outrage at his mother’s “incestuous” remarriage. Wen Horatio tells Hamlet about the ghost, he too suspects foul play.Scene 3. Laertes warns his sister, Ophelia, not to take seriously Hamlet’s attentions because, being a prince, he is not free to make his own choices in matters of love. Scene 4. Hamlet and Horatio meet on the battlements. The ghost appears and beckons to Hamlet to follow him. Scene 5. The ghost describes to Hamlet how it was murdered by Claudius. It urges him to revenge the crime. 
    ACT IIScene 1. Polonius, a garrulous counsellor and father to Ophelia and Laertes, instructs Reynaldo to investigate the kind of life Laertes is leading in Paris. Ophelia describes Hamlet’s bizarre behavior to Polonius who attributes this to her recent rejection of him.Scene 2. The King and Queen ask Rosencrantz and Guildenstern, old friends of Hamlet, to discover the cause of the prince’s erratic behavior. The King of Norway has stopped Fortinbras’ preparations for war against Denmark. Polonius takes Hamlet’s scathing and capricious wit as proof of his insanity. Hamlet greets Rosencrantz and Guildenstern warmly, but becomes suspicious of their motives. He is, however, pleased to hear that a company of players has arrived at Elsinore. Once alone, he berates himself for his failure to undertake his revenge. He plans to have the players enact King Hamlet’s murder and to observe Claudius’ reaction as a way of ascertaining his guilt. 
    Act IIIScene 1. Rosencrantz and Guildenstern have failed to uncover the reason for Hamlet’s behavior. Hamlet shocks Ophelia with his crude and bitter contempt for women and marriage. Their conversation is overheard by Claudius, who recognizes that it is not thwarted love that is responsible for Hamlet’s dangerous instability. He resolves to send him on a diplomatic mission to England to get him away from the court. Polonius suggests that Gertrude should persuade Hamlet to confide in her; he himself will eavesdrop on their conversation.Scene 2. Hamlet tells Horatio to watch Claudius during the play for signs of guilt. As a murder identical to that of King Hamlet is enacted, Claudius rises in fright and calls for lights, thus ending the performance. Hamlet is summoned to his mother’s closet and vows to “speak daggers to her, but use none.”Scene 3. Claudius orders Rosencrantz and Guildenstern to accompany Hamlet to England. Once alone he expresses agony at his dreadful crime. Hamlet comes upon him trying to pray, but desists from killing him on the grounds that, were Claudius to die in prayer, his soul might go to heaven rather than hell.Scene 4. Hamlet harangues
    Voir livre
  • Bracing - cover

    Bracing

    Simone Broome

    • 0
    • 0
    • 0
    ‘Bracing’ is a full collection of poems, mostly about contemporary life, experienced richly, intensely, unsentimentally and with humour. The writing is humane and accessible, wearing its intelligence lightly. There is something for everyone in ‘Bracing’, even for those who were put off poetry at school. This is a mature, well-rounded piece of work. The subject matter ranges across modern life and beyond - childhood, parenthood, love, lust, loss, shopping, animals (and our connection to them), climate change, the complexities of the human heart and of relationships, spirituality, food, suffragettes, the status of women, homesickness, grief, illness, ageing, dementia, fear, the joy in small things. All the poems are underpinned by a keen eye, a sharp wit and a total absence of self-pity. Simone is a safe pair of hands, writing in an unshowy style, a poet who manages to be heartfelt, humorous and accomplished.
    Voir livre
  • Driftwood - cover

    Driftwood

    Tim Foley

    • 0
    • 0
    • 0
    'I should've seen him. Felt him. Walking across the sand. His antlers, twisting, reaching up to the moon. But the Mariner didn't come. The Mariner didn't come.'
    Mark and Tiny go for walks along the beach at Seaton Carew, County Durham. Their dad is dying, and their town is crumbling. Family rifts and political divides try to pull them apart, and a figure made of driftwood stalks the shore at night.
    Tim Foley's Driftwood is an intoxicating and mystical play about love, belonging and the tides within us. It was premiered in 2023 by Pentabus and ThickSkin on a tour of the UK, co-directed by Neil Bettles and Elle While.
    Voir livre
  • Saturn Peach - cover

    Saturn Peach

    Lily Wang

    • 0
    • 0
    • 0
    In Saturn Peach, Lily Wang establishes a distinctive voice that is part heartbreak and part wise witness chronicling the strangeness of a technologized world. When asked to describe her book, Wang answered in her quintessential way, “There are things I never want to know but always know. Every day I live with them. Every day I live. I am like a young fruit. Like a peach, common, not the popular kind but oblate, saturn. I live and inside me this pale fruit, yellow and white. I take bites out of myself and share them with you. Maybe you taste like me. Maybe you hold this fruit and become a tree.” If ever there were a book that disarmingly – and seemingly effortlessly – encouraged its reader to become a metaphor, then Saturn Peach is it.
    Voir livre
  • The Climbers - cover

    The Climbers

    Carmen Nasr

    • 0
    • 0
    • 0
    'In the death zone, your body starts eating itself. Time and space disappear. It's impossible to remember what happens up there.'
    When Yasmin and her guide, Tshering, return from a perilous expedition to Everest without a member of their party, they have a lot of questions to answer. Where is Yasmin's husband Charlie? What happened on the mountain? Why do Yasmin and Tshering's accounts differ so drastically?
    As private investigator Connie tries to distinguish hallucination from reality, and fact from delusion, it's clear that someone, somewhere, is not telling the truth.
    Set at an altitude where life hangs by a thread, Carmen Nasr's play The Climbers is a thrilling exploration of the lure of the mountains, the drive to conquer and the price of staying alive. It was first performed in June 2022 at Theatre by the Lake, Keswick, directed by Guy Jones.
    Voir livre