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  Damon Runyon Theater - Sense of...

  Damon Runyon

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  The Damon Runyon Theatre Hour.  Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.  Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe.  Runyon described himself as "being known to one and all as a guy who is just around".  That line seems to say a lot about Runyon and his life.  It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be.  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.  His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into a black and white type or, in our case, The Damon Runyon Theatre Hour.

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  Short Poetry Collection 126

  Various Various

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  This is a collection of 20 poems read by LibriVox volunteers for November 2013.

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  Fanny & Faggot (NHB Modern Plays)

  Jack Thorne

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  A troubled, disturbing but bleakly funny play from a leading writer of Channel 4's Shameless and Skins.
  Fanny and Faggot presents two distinct moments in the life of Mary Bell: her trial when accused of the murder of two small boys, and her escape from the open prison in 1977, when she spent the weekend on the run in Blackpool and lost her virginity.

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  Shakespeare's Love Sonnets

  William Shakespeare

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  The perfect gift for someone you love, an illustrated collection of love poems from the poet considered to be the greatest writer in the English language.   Shakespeare’s sonnets are revered the world over for perfectly capturing the torments and joys of love requited or otherwise in just fourteen lines of iambic pentameter. This treasure of a book collects twenty-nine of the bard’s most romantic sonnets, each one lovingly illustrated by the talented Caitlin Keegan. Pretty and contemporary, the illustrations tastefully accentuate the depth of sentiment in each sonnet. A brilliant sun rises over the Sonnet 17 ( Shall I compare thee to a summer’s day? ) and a graceful animal adorns the Sonnet 19 (Devouring time, blunt thou the lion s paws). A wonderful present for Valentine’s Day but appropriate for any spontaneous expression of love, this is an ideal, sophisticated gift for the legions of Shakespeare fans.

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  The Poetry of Emily Dickinson

  Emily Dickinson

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  Emily Elizabeth Dickinson was born in 1830 in Amherst Massachusetts. Rightly regarded as a major American poet, her life was sheltered, introverted, and reclusive. Despite writing over 1800 poems, only a dozen or so were published during her lifetime. Her structures and wordings are at times difficult to get to grips with, though recurring themes of religion and death certainly shadow many of her works. At her death is 1886, it is likely her work might have been lost had it not been for a publication by her sister. Indeed it was only in the 1950s that a complete and unedited collection of her works was published. In the ensuing half century she has gradually climbed into the pantheon of Greats.

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  Lances All Alike

  Suzanne Zelazo

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  Modernist poet-painters Mina Loy and Baroness Elsa von Freytag-Loringhoven had many friends in common (including Djuna Barnes and Marcel Duchamp), yet there is no record that the two ever met. Their non-relationship presents a curious “absent presence�* in modernist history. Zelazo weaves lines of poetry by both women into an imaginary conversation, exploring the way their work has been suppressed, stitched, spliced, and edited by male editors and arbiters of taste.

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