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  Death of a Salesman

  Arthur Miller

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  Stacy Keach and Jane Kaczmarek star in Arthur Miller’s 1949 masterpiece, a searing portrait of the physical, emotional, and psychological costs of the American dream. Willy Loman (Keach) is the play’s iconic traveling salesman, whose family is torn apart by his desperate obsession with success and social acceptance. As his two sons cast about aimlessly for their station in life, Willy begins to come unraveled when the reality of his life threatens his long-cherished illusions. 
   
  Recorded before a live audience at the Skirball Cultural Center, Los Angeles in March 2011. 
   
  Directed by Eric Simonson 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full cast performance featuring: 
  Steven Culp as Biff Loman 
  Maureen Flannigan as Letta/Jenny 
  Jason Henning as Bernard/Stanley 
  Jane Kaczmarek as Linda Loman 
  Stacy Keach as Willy Loman 
  Kathryn Meisle as The Woman 
  Tim Monsion as Uncle Ben 
  Sam McMurray as Charley 
  John Sloan as Happy Loman 
  Kate Steele as Miss Forsythe 
  Kenneth Alan Williams as Howard 
   
  Recording, Editing and Mixing Engineer: Mark Holden for The Invisible Studios, West Hollywood 
  Sound Effects Artist: Tony Palermo

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  A-Typical Rainbow

  JJ Green

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  'I can change colours of objects by looking at them, hear the symphonies of household simplicities, taste the emotions in a room like sweet or bitter wine, and feel life's every heartbeat breaking through my ribcage in glorious technicolour. Just don't ask me to make eye contact.'
  An imaginative child's glorious fantasies – of dolphins and dragonflies, gingerbread houses and chocolate rivers – offer him an escape from hostile reality.
  When reality dictates he has to conform to the 'real world', he has to make a choice. Should he live authentically and risk stigma, or can he continue to hide?
  Based on real events from the perspective of the writer and the autistic community, JJ Green's A-Typical Rainbow is an uplifting play about the experience of growing up neurodivergent and queer in early 2000s Britain.
  It premiered at London's Turbine Theatre in June 2022, produced by Aria Entertainment, directed by Bronagh Lagan, and starring playwright JJ Green, who is a passionate advocate for autistic artists like himself.
  This edition includes the full text of the play along with contributions from the largely – and proudly – neurodivergent cast and creative team.

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  Little Bits of Ruined Beauty...

  Tom Wentworth

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  When Eddie returns home to Shropshire, he falls back into his fractious, complicated relationship with his father, both skirting around things long left unsaid. As their connection starts to evolve, can they break through and find the new beginning they both need?
  Tom Wentworth's Little Bits of Ruined Beauty is a darkly comic play examining the subtle shift from cared-for to carer, and how dignity and independence are maintained in isolated rural areas.
  It was premiered in 2022 by Pentabus on a tour of the UK, directed by Nickie Miles-Wildin, and commissioned and supported by Unlimited, celebrating the work of disabled artists.

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  A Lick and a Promise

  Imelda May

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  The audiobook version of A Lick and a Promise read by Imelda May.
  A Lick and a Promise is the debut poetry collection of one of Ireland's most famed female musicians, Imelda May.
  Following the release of her first poetry EP Slip Of The Tongue  in 2020, this collection contains 100 poems, including two each from both her father and young daughter. Using the themes of Breast, Below, Blood, Eyes, Tongue and Temple, the poems are written in May's absorbing, visceral style and encapsulate heartbreak, sex, nature and womanhood. Included in the collection is 'You Don't Get to be Racist and Irish', the powerful poem which was written in support of the Black Lives Matter movement and was recently used by Rethink Ireland campaign.

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  King Lear

  William Shakespeare

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  I am a man more sinned against than sinning. 
  A Shakespeare Society Production. 
  The complete play in five acts.

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  Mike Bartlett Plays: Two (NHB...

  Mike Bartlett

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  Five ambitious and exciting plays by the multi-award-winning playwright, hailed as 'one of the prime movers in a new golden generation of British playwrights' (Independent), and introduced by the author.
  Earthquakes in London (National Theatre & Headlong, 2010) is an epic drama about climate change, population explosion, social breakdown and worldwide paranoia, travelling from 1968 to 2525 and back again. 'The theatrical equivalent of a thrilling roller-coaster ride' (Daily Telegraph)
  Love, Love, Love (Paines Plough & Drum Theatre Plymouth, UK tour, 2010; Royal Court & Paines Plough, 2012) examines the baby boomer generation, from coming-of-age in the 1960s to retirement-age more than forty years later, in a play that 'does the clash of generational world views with a devastating precision' (Guardian).
  The Enemy is a short play in which a journalist seizes an opportunity to interview the man who shot Osama bin Laden. It was staged by Headlong as part of Decade (St Katherine's Dock, London, 2011), exploring 9/11 and its legacy.
  13 (National Theatre, 2011) is a panoramic drama in which a young man returns to London, a city riven by social protest and upheaval, with a radical vision for the future. Premiered on the National's largest stage, it confirmed Bartlett's ability to tackle epic themes with supreme assurance: 'His ambition is distinctive and immense' (Evening Standard).
  Medea (Headlong, UK tour, 2012) is a startlingly modern version of Euripides' tragedy, exploring a woman's private fury at her husband's infidelity, while imprisoned in her marital home. 'A savage play for today, superbly well done' (Mail on Sunday)

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