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  Christ Brings All Newness -...

  Robert P. Imbelli

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  St. Irenaeus teaches that “Christ brought all newness in bringing himself.” This representative collection of the writings of Father Robert Imbelli proclaims, celebrates, and sounds the depths of the newness of Jesus Christ and the radical transformation to which Christ calls believers. Rooted in Scripture and the Fathers of the Church, these essays, reviews, and reflections explore the Christian faith’s rich liturgical, artistic, literary, and theological traditions across the centuries. At a time when Catholic theology too often risks being reduced to sociology and Christian faith and discipleship diluted to mere moralism, the author proposes a vibrant and profound mystagogic theology. In such theology, the mystery of Christ is not only notional but real, not only described but evoked. Imbelli offers a theology and vision of the Christian faith at once intellectually stimulating and deeply affective.

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  Sounds of Other Shores - The...

  Andrew J. Eisenberg

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  Sounds of Other Shores takes an ethnographic ear to the history of transoceanic stylistic appropriation in the Swahili taarab music of the Kenyan coast. Swahili taarab, a form of sung poetry that emerged as East Africa's first mass-mediated popular music in the 1930s, is a famously cosmopolitan form, rich in audible influences from across the Indian Ocean. But the variants of the genre that emerged in the Kenyan coastal city of Mombasa during the twentieth century feature particularly dramatic, even flamboyant, appropriations of Indian and Arab sonic gestures and styles. Combining oral history, interpretive ethnography, and musical analysis, Sounds of Other Shores explores how Swahili-speaking Muslims in twentieth-century Mombasa derived pleasure and meaning from acts of transoceanic musical appropriation, arguing that these acts served as ways of reflecting on and mediating the complexities and contradictions associated with being "Swahili" in colonial and postcolonial Kenya. The result is a musical anthropology of Kenyan Swahili subjectivity that reframes longstanding questions about Swahili identity while contributing to broader discussions about identity and citizenship in Africa and the Indian Ocean world.

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  First Flight Feathers - The Best...

  Gillian Warson, Janet Wootton

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  For more than 20 years, Worship Live drew together the best of new writing for worship. Many poets, musicians, hymnwriters and liturgists whose work would become well known first published in its pages. Worship Live honoured and nourished the many crafts involved in writing effective resources for worship, honing skills and sharpening tools, as we have worked with worship makers over the years. But the editors have also, to their great delight, given first flight to many who emerged newly fledged, feeling the wind of the Spirit under their wings, but tentative in trusting to their new plumage.
  
   
  First Flight Feathers is a celebration of Worship Live. It showcases a vibrant collection of items by writers and musicians grow and shows how they can develop into a community.

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  Heavyweight - Black Boxers and...

  Jordana Moore Saggese

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  In Heavyweight, Jordana Moore Saggese examines images of Black heavyweight boxers to map the visual terrain of racist ideology in the United States, paying particular attention to the intersecting discourses of Blackness, masculinity, and sport. Looking closely at the "shadow archive" of portrayals across fine art, vernacular imagery, and public media at the turn of the twentieth century, she demonstrates how the images of boxers reveal the racist stereotypes implicit in them, many of which continue to structure ideas of Black men today. With a focus on both anonymous fighters and notorious champions, including Jack Johnson, Saggese contends that popular images of these men provided white spectators a way to render themselves experts on Blackness and Black masculinity. These images became the blueprint for white conceptions of the Black male body—existing between fear and fantasy, simultaneously an object of desire and an instrument of violence. Reframing boxing as yet another way whiteness establishes the violent mythology of its supremacy, Saggese highlights the role of imagery in normalizing a culture of anti-Blackness.

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  The Witch's Door - Oddities and...

  Ryan Matthew Cohn, Regina M. Rossi

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  A taxidermied monkey named Mr. Peepers. A rare collection of anatomical wax figures for sale in Munich. A Tibetan Kapala skull decorated with bits of coral. Two Charlie McCarthy dolls that may (or may not) be haunted. The incredible memento mori collection of Richard Harris. An actual witch's door. That's all just for starters. 
   
   
   
  Welcome to a world of oddities curated by Regina and Ryan Cohn, trendsetters and tastemakers who have reinvented what the artifact collectors market looks like. Together, they are the founders of Oddities Flea Market, artfully curating a selection of the best artists and collectors at several events across the US throughout the year, with an eye towards expanding globally. In The Witch's Door, Ryan, who starred in the reality television show Oddities, and Regina, who comes from the world of fashion, give us a rare peek behind the curtain into the business of collecting the strange and unusual and the cast of eccentric characters they meet along the way. 
   
   
   
  Ryan and Regina take listeners all over the world, from Brooklyn to Bavaria, giving them the inside scoop on how they purchase artifacts to sell and those they want to keep. Perfect for fans of Oddities, Atlas Obscura, and Guillermo del Toro's Cabinet of Curiosities, this collectible book is a must-listen for those happily inclined toward the dark side.

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  The Devil Bat A Classic Horror...

  John Thomas Neville

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  The Devil Bat is a 1940 black-and-white American horror film written by John Thomas Neville, and directed by Jean Yarborough. The film stars Bela Lugosi along with Suzanne Kaaren, Guy Usher, Yolande Mallott, Dave O'Brien, and Donald Kerr. The storyline concerns Dr. Paul Carruthers (played by Bela Lugosi), a chemist and physician in the small town of Heathville, who seeks revenge for withheld profits from the company he works for, by developing ordinary bats into a massive size, and training them to be attracted to a new aftershave Carruthers distributes to his enemies as a "test" product. The following is the audio track to the feature film.

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