Verlag: e-artnow
This work is a collection of general audience works by American Latinist and banker Thomas Bulfinch. The posthumous work was named after him and published in 1867. This work was a highly successful popularization of Greek mythology for English-speaking readers.
A unique survivor memoir. Essays ranging from heartwarming to brutal. A trigger warning (TW) at the start of each essay allows listeners to practice self-care. Mary Knight’s parents were her pimps, but her focus in the book is on healing. Her current life is filled with safety, love, joy, and children. Happily married, she is a psychotherapist, a grandmother, and a foster parent.Zum Buch
Few people personified the advancements, abilities, and tactical adeptness of the Luftwaffe like Hans-Ulrich Rudel, the most successful dive bomber in the history of warfare. Like hundreds of millions of others born in the early 20th century, his life was shaped by the Second World War, which started when he was just 23. He was born into and shaped by one of the most brutal and infamous regimes in history, and once indoctrinated, he fought determinedly and with real commitment in support of that regime. He flew over 2,500 combat missions, reportedly destroying over 500 Soviet tanks, 170 artillery pieces, 800 other vehicles, and a battleship on the way to becoming the highest-decorated Nazi soldier of World War II, receiving the Knight’s Cross with Golden Oak Leaves, Swords, and Diamonds. He was shot down, or crash landed, multiple times, and even after having reportedly been told by Hitler to stop flying on several occasions, he insisted on returning to the front to fight with his comrades. He lost a leg to gunfire in early 1945 but carried on with his combat missions despite the pain and the practical difficulties of flying with one leg. There is no denying his bravery, however unpleasant the cause for which he fought. Hans-Ulrich Rudel is therefore a challenging character to analyze. His autobiography, Stuka Pilot, was originally entitled Trotzdem (“In spite of everything”), pointing strongly to his continuing support, post-war, for the Nazi ideology. But his book remains a detailed, fascinating, largely credible (and mostly ideology-free) account of his wartime experiences, even as his final pages include references to his proud insistence on performing the Nazi salute in front of the American soldiers who had taken him prisoner and who were providing medical care to his amputated stump.Zum Buch
José, a valet attendant from Monterrey, Mexico, arrives in Las Vegas with a heart full of hope and a dream of success. Leaving behind his family, he steps into the glittering city of opportunity, where fortunes are made as quickly as they’re lost. Drawn to roulette—a game of chance and calculated risk—José sees it as a reflection of his own journey. But when the pressures of survival mount, he faces a moral crossroads: a daring scheme to manipulate roulette chips that could make or break his future. Caught between ambition and integrity, José must navigate the high stakes of his choices. Will he achieve what he sacrificed for, or will the cost of his dreams prove too great for his loved ones? We will know as the story unfolds and characters confront their deepest desires, face impossible choices, and scuffle with the consequences of their dreams. Open Border Dreamers is a powerful story of hope, sacrifice, and survival. Crafted genuinely, it draws readers into the heart of the American Dream, exploring the risks we take and the price we pay to chase them.Zum Buch
Móric Jókay de Ásva was born on the 18th February 1825 in Komárom, then in the Kingdom of Hungary but now part of Slovakia. Due to his timid and delicate constitution he was educated at home until the age of 10 and then sent away to complete his studies at the Calvinist college at Pápa. At 12 his father died, and he was pushed to honour him by replicating his career as a lawyer. He studied hard and completed the curriculum at Kecskemét and Pest. He won his first case as a newly graduated lawyer. But he found a career in law to be dull and, encouraged by the positive reaction to his first play, he moved to Pest in 1845. There he published, first in a newspaper, and then as a novel ‘Hétköznapok’ (‘Working Days’). It was acclaimed as a masterpiece. To add to his promise he was appointed as the editor of Életképek, the leading Hungarian journal. In 1848 he married the actress, Róza Laborfalvi. That same year Europe was awash with revolutions and Jókai, a moderate Liberal, enthusiastically supported the nationalist cause and its decision to depose the Habsburg dynasty. The attempt failed. He was now classed as a political suspect and threw himself into his literary career, writing dozens of novels, many of them masterpieces, stories, essays and the like. In total he wrote several hundred volumes, many of them in the local Magyar language which helped arrest its declining relevance in society. By 1867 the political temperature had cooled, and he entered parliament as well as becoming the editor a government journal he had founded. His skills were much admired and helped the government navigate through several difficult matters. His wife died in 1886 but although grief-stricken he continued to work and to write. In 1897 the king appointed him a member of the upper house. Two years later he caused a minor scandal by marrying the young 20-year-old actress, Bella Nagy. At the time he was 74.Zum Buch
Emerson's Nature is not just an essay—it's a rebellion against confinement, an argument against secondhand wisdom. He strips away artifice, forcing us to confront the raw, untamed presence of the world. To walk through the woods, he suggests, is to be undressed of civilization, to shed the weight of customs, history, and ego. Nature demands no commentary, no theory—it simply is. This is not the sentimental nature of poets, nor the docile landscape of painters. Emerson's nature is unsettling, absolute. It dwarfs human concerns, shames our institutions, and reduces grandeur to irrelevance. It teaches, but never speaks. It heals, but never consoles. It is, above all, free—and it mocks those who try to own or define it. He challenges us: why do we live in exile from the elemental? Why do we build palaces only to stare longingly at the horizon? The stars, the trees, the shifting light—they whisper something we've forgotten. To listen is not just to understand nature, but to remember who we were before we forgot to look.Zum Buch
Dreamer at the End of the Universe tells the epic story of four generations of a Celtic family battling the elements and the animals to scrape a living from a land with no fat and little lean. Ours was a wilderness farm in Central Ontario populated by animals, insects, and rocks. And I loved that place. The early generations killed the animals and fought the land. My generation has come to realize who owns this place. Humans have been tenants for a handful of years, while the true owners are the animals who have their own lives. As Charles Darwin wrote, “There is no fundamental difference between man and animals in their ability to feel pleasure and pain, happiness, and misery.”The farm rested in a cradle of rocks called the “Land Between.” This is a region where two iconic environments collided, the Canadian Shield and the St. Lawrence Lowlands, to create a vast area rich in plants, animals, and people—the best of both ecosystems. Together with My Cousin & Me: And Other Animals plus Wolves: Ryders in the Whirlwind, this book comprises a trilogy, I call The Land. In the beginning, I had no conscious intention of writing a trilogy, but after a while, the people, the bears, the wolves, and the other animals in my stories took on a life of their own, thus demanding more description, time, and care. I was attentive to such pleading, such longing to be remembered, before the time when all this will be forgotten. This enchantment with the land, animals, and people is still fresh in my memory. This happiness is still felt in my heart. And had I the strength and the wisdom, I would write a fourth volume, but all good things end.Postscript:Gordon Harrison is an award-winning author of books on nature, science, and art. When he isn’t writing, or drinking Glenmorangie single malt scotch whiskey, he’s photographing the “endless forms most beautiful and most wonderful” of Ontario. The author has placed 193 of his wildlife photos in this new book.Zum Buch
