Weitere Bücher, die Sie mögen werden

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  Swansdown

  Donald Platt

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  In SWANSDOWN, the poet Donald Platt makes a study of lifeís inevitable transitions, from loveís astonishing evolutions, to aging and its attendant losses. With the poem "Cloud Study" Platt brings his own mortality into view. Returning to a painting by Constable, he considers his own perspective, sitting by the Liffey, tending an injured knee. Young mothers, lovers, and runners pass, reminding the poet of who he once was and how quickly life, like weather, shifts. "Two minutes later, // The clouds would have taken on a different cast of light and shape / just like the thunderheads / now piling up above the Liffey."Platt advises: "To approach old age, one needs a new harsher style." And yet these poems are proof of the softness that may follow life's harshest reckonings, like the wisps of hair on his beloved brother's head as he lies dying, "fine / as milkweed silk. / His head a split / dried pod whose seeds / wind will scatter." The poems of Swansdown point us to a "larger landscape," they are the clouds "that scud across the blue escutcheon of sky. . . Sun's blazon through rain rampant.""One of the finest American poets working today," writes poet and editor Adrian Matejka, "A writer of unparalleled lyric and formal integrity." It is indeed these qualities that gird Platt for this masterful eighth collection.

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  White Terror Black Trauma -...

  Philip C. Kolin

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  The 61 poems in White Terror Black Trauma concentrate on some of the most traumatic events in Black history from colonial to contemporary times, from the arrival of enslaved Africans in 1619 to Black revolts, Civil War atrocities, incalculable lynchings, the Tulsa massacre, the brave sacrifices of Rosa Parks, the Freedom Riders, the heroes of school desegregation, the murders of Emmet Till, Dr. King, Fred Hampton, Malcolm X, Trayvon Martin, Michael Brown, George Floyd, Breanna Taylor, Eric Garner, and Tyre Nichols. And so many other Black tragedies.  
   
   
  Each poem here carries a brief head note identifying the person, place, time, or event that addresses the historical context of the poem. Some poems are written in a his/her recollection of the historical event. Above all, each poem highlights the topography of Black trauma, be that a Civil War fort, a lynching tree, a prison, a school, an island, a ghetto, a river, a national monument, a church, or city street. These resistance poems are chronicles, laments, petitions, heroic recollections about racial attacks on Black people in America.

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  Tormentil

  Ian Humphreys

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  'I can't face the big stuff so I comb the moors for a tiny yellow flower' – so begins Tormentil, the second poetry collection by Ian Humphreys. Set largely in the starkly beautiful West Yorkshire moorlands, these poems creep and bloom across geographies and time. Isolated by grief in the first months of the pandemic, Humphreys goes in search of hope and blessings among the burnt heather, tumbledown mills and canal locks near his home in the Calder Valley. He unearths a landscape of wildflowers and wildlife, a soundscape of rain and birdsong, at once healing, threatening and under threat.
  These are richly textured poems of living and resisting, anchored by connections to family, food, community – and an acknowledgement of the precarious root-holds of hard-won freedoms. A soaring, defiant hymn to recovery, this vital book contemplates migration, otherness, and all the internal and external elements that bind us, make us unique.

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  The Poetry of Sarojini Naidu -...

  Sarojini Naidu

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  Sarojini Chattopadhyay was born into a Bengali family in Hyderabad, India on 13th February 1879, the eldest of the eight siblings. The family was well-respected in Hyderabad and were established artists. 
   
  Naidu passed her matriculation examination at the University of Madras and took a four-year break from her studies.  
   
  In 1895, H.E.H. the Nizam's Charitable Trust founded by the 6th Nizam, Mahbub Ali Khan, gave her the chance to study in England, first at King's College, London and later at Girton College, Cambridge.  
   
  Even in these early times she was a social activist.  It was whilst in England that she worked as a suffragist and was first drawn to the Indian National Congress' Hindu movement for India's independence from British Colonial rule.  
   
  She began writing at the age of twelve. Her play, ‘Maher Muneer’, written in Persian, impressed the Nawab of Hyderabad. It was an auspicious start. 
   
  Sarojini met Paidipati Govindarajulu Naidu, a physician, and after finishing her studies at age 19 married him. The couple would have five children.  Interestingly their families approved their marriage even though they were from different castes and society was not as tolerant as it might be today.  Additionally, Sarojini was from Bengal and Naidu from Andhra Pradesh and marriages between those from the north and south were frowned upon.  Happily, they overcame these problems and both marriage and careers thrived. 
   
  In 1905, her first collection of poems, ‘The Golden Threshold’ was published. 
   
  Naidu became a part of the Indian nationalist movement and was a follower of Mahatma Gandhi and his idea of swaraj (this was an India without its colonial administration systems).  Despite her growing political career she still found time to write and published several further volumes of poetry. Such was her eloquence that she became known as the ‘Nightingale of India’. 
  Sarojini was appointed the President of the Indian National Congress in 1925 and was a major influence and figure in the Independence movement.  
   
  Along with several other Congress leaders including Gandhi and Jawaharlal Nehru she was arrested for taking part in the 1930 Salt March.  Indeed Sarojini faced frequent arrest by the British Authorities and spent, in total, many months in prison. 
   
  Following India's independence from British rule in 1947, Sarojini was appointed as the governor of the present-day Uttar Pradesh in so doing she became India's first female governor. 
   
  Returning from work in New Delhi on 15th February, 1949 she was advised to rest by her doctors, and her official engagements were cancelled.  Her health deteriorated rapidly and on 1st March bloodletting was performed after she complained of severe headache.  
   
  Sarojini Naidu died of a cardiac arrest on 2nd March 1949.  She was 70.

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  I know something you don't know

  Amy LeBlanc

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  Amy LeBlanc’s debut poetry collection, I know something you don’t know, resides in the intersection of folklore and femininity. With fairy-tale lucidity and fluid voice, the poems in this collection weave through the seams between story and fact. This debut collection is alluring and noxious like hemlock, foxglove, and blooming wildflowers.

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  50 Poems to Read at Weddings -...

  William Shakespeare, Christina...

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  The wedding.  The legal and public union of two people. 
   
  A very simple concept and one we all, at one time or another, have thought about. 
   
  In life that’s the easy part.   
   
  The difficult part is the ceremony, not for the dewy-eyed couple, family and friends but for those who are now called to stand and offer words of tribute, of jest and of satisfaction with the couple, on their past lives and future happiness.   
   
  Even the most socially hardened are certain nerves will fray and know the importance of confidence and delivery at this unique moment.  Expectations are high and a badly punch-lined joke or story has the glaring eyes of the room upon you.  
   
  In this volume our classic and well-loved poets take the work out of words and offer up lines and verse of unrivalled beauty, telling knowledge and the comfort of love.  Elizabeth Barrett Browning, W B Yeats, Rainer Maria Rilke, Khalil Gibran are but a handful of the poets who will speak for you and on behalf of us all.

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