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  Medea

  Euripides

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  Medea by Euripides is one of the most powerful and haunting tragedies of ancient Greek drama. First performed in 431 BCE, this timeless play explores the depths of human passion, betrayal, and revenge, presenting one of the most complex and unforgettable characters in classical literature.
  
  The story centers on Medea, a foreign princess and powerful sorceress who has sacrificed everything for her husband, Jason. Years earlier, she betrayed her own family and homeland to help him obtain the Golden Fleece, leaving her past behind to build a new life together. Yet in the city of Corinth, Medea's devotion is cruelly repaid when Jason abandons her in order to marry the daughter of King Creon, seeking wealth and political advantage.
  
  Cast aside and humiliated, Medea finds herself isolated in a society that already views her as an outsider. Stripped of status and threatened with exile, she confronts the devastating betrayal that has shattered her life. What begins as grief soon transforms into a fierce and calculated desire for justice.
  
  Through Medea's struggle, Euripides explores the intense emotions of love, anger, pride, and wounded dignity. The play reveals the dangers of arrogance and the devastating consequences of betrayal. Medea's intelligence and determination make her both terrifying and compelling, forcing audiences to confront the darker aspects of human nature.
  
  As her plan unfolds, the tragedy builds toward one of the most shocking and unforgettable climaxes in classical theatre. Euripides challenges traditional ideas about heroism, morality, and gender roles, presenting a character who refuses to accept humiliation or powerlessness.
  
  Rich with emotional intensity and poetic language, Medea examines themes of revenge, exile, injustice, and the struggle for dignity in a hostile world. The play remains deeply relevant, continuing to provoke debate about justice, loyalty, and the limits of human rage.
  
  Dark, dramatic, and profoundly thought-provoking, Medea stands as a masterpiece of ancient tragedy—a gripping exploration of betrayal and the destructive power of wounded pride.

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  Bogboy

  Deirdre Kinahan

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  Two lost souls – a young heroin addict and a reclusive middle-aged farmer – discover a budding friendship in the bogs of Meath, until a terrible secret comes to light.
  Deirdre Kinahan's short play Bogboy was originally written as a radio play for RTÉ. It was first staged by Tall Tales theatre company at Solstice Arts Centre in 2010.

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  Love is enough

  William Morris

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  LibriVox volunteers bring you 16 recordings of Love is enough by William Morris. This was the Weekly Poetry project for February 17, 2013.William Morris  was an English textile designer, artist, writer, and libertarian socialist associated with the Pre-Raphaelite Brotherhood and English Arts and Crafts Movement.   He was instumental in establishing the modern fanasty genre, and thus influenced writers such as J. R. R. Tolkien.  Morris also wrote and published poetry, fiction, and translations of ancient and medieval texts.

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  Princess of Bagdad

  Alexandre Dumas

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  Is it really a woman of your superiority who speaks of the proprieties of society? Are not women like you above all that? Was I to come delicately and hypocritically to offer your husband the sum he stood in need of? That is a course that would have been unworthy of him, of me, and of you. No, you know it well, the proprieties and dignity are nothing any longer, when passion or necessity predominates. Did your grandmother respect the dignity of her daughter when she gave her up to a prince? - Summary by From the PlayCast list:John de Hun: John BurlinsonNourvady: Kristin GjerløwGodler: K. Adrian StroetRichard: Charlotte DuckettTrevele and Commissary of Police: ToddHWLionnette: SoniaJane and Servant: NewgatenovelistFootman and Servant: jmoon110Raoul de Hun, Age 6, and Stage Directions: TriciaGEdited by: ToddHW

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  A Selection of Poems by Sir...

  Sir Walter Raleigh

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  Sir Walter Raleigh (c. 1552 – 29 October 1618) was an English aristocrat, writer, poet, soldier, courtier, spy, and explorer. He is also well known for popularising tobacco in England.Raleigh's poetry is written in the relatively straightforward, unornamented mode known as the plain style. C. S. Lewis considered Raleigh one of the era's "silver poets", a group of writers who resisted the Italian Renaissance influence of dense classical reference and elaborate poetic devices.In poems such as "What is Our Life" and "The Lie", Raleigh expresses a contemptus mundi (contempt of the world) attitude more characteristic of the Middle Ages than of the dawning era of humanistic optimism. But, his lesser-known long poem "The Ocean to Cynthia" combines this vein with the more elaborate conceits associated with his contemporaries Edmund Spenser and John Donne, expressing a melancholy sense of history.A minor poem of Raleigh's captures the atmosphere of the court at the time of Queen Elizabeth I. His response to Christopher Marlowe's "The Passionate Shepherd to His Love" was "The Nymph's Reply to the Shepherd". "The Passionate Shepherd to His Love" was written in 1592, while Raleigh's "The Nymph's Reply to The Shepherd" was written four years later. Both were written in the style of traditional pastoral poetry. They follow the same structure of six four-line stanzas employing a rhyme scheme of AABB. (Introduction by Wikipedia)Sir Walter Raleigh (c. 1552 – 29 October 1618) was an English aristocrat, writer, poet, soldier, courtier, spy, and explorer. He is also well known for popularising tobacco in England.Raleigh's poetry is written in the relatively straightforward, unornamented mode known as the plain style. C. S. Lewis considered Raleigh one of the era's "silver poets", a group of writers who resisted the Italian Renaissance influence of dense classical reference and elaborate poetic devices.In poems such as "What is Our Life" and "The Lie", Raleigh expresses a contemptus mundi (contempt of the world) attitude more characteristic of the Middle Ages than of the dawning era of humanistic optimism. But, his lesser-known long poem "The Ocean to Cynthia" combines this vein with the more elaborate conceits associated with his contemporaries Edmund Spenser and John Donne, expressing a melancholy sense of history.A minor poem of Raleigh's captures the atmosphere of the court at the time of Queen Elizabeth I. His response to Christopher Marlowe's "The Passionate Shepherd to His Love" was "The Nymph's Reply to the Shepherd". "The Passionate Shepherd to His Love" was written in 1592, while Raleigh's "The Nymph's Reply to The Shepherd" was written four years later. Both were written in the style of traditional pastoral poetry. They follow the same structure of six four-line stanzas employing a rhyme scheme of AABB. (Introduction by Wikipedia)Poems in this collection: Epitaph The Nymph’s Reply to the Shepherd The Lie The Passionate Man’s Pilgrimage Life A Farewell to False Love Praised be Diana’s Fair and Harmless Light Farewell to the Court To her Love when He had obtained Her Nature that Washed Her Hands in Milk A Vision upon this Conceit of the Fairy Queen On the Cards and Dice The Silent Lover As You Came from the Holy Land The Excuse A Description of Love An Epitaph Upon the Right Honorable Sir Philip Sidney, Knight, Lord Governor of Flushing Another of the Same (the Faerie Queene) The Ocean to Cynthia (fragment) A Farewell to the Vanities of the World

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  Measure for Measure

  William Shakespeare

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  When a young woman is offered the choice ofsaving a man's life at the price of her own chastity,what should she do? 
  The political and moral corruption of Vienna has driven Duke Vincentio into hiding while his deputy governor, Angelo is left to revive the old discipline of civic authority. Angelos First act is to imprison Claudio, a young nobleman who has gotten his betrothed, Juliet, with child. Under the old laws, this is punishable by death. Angelo next offers Isabella, sister to Claudio and a beautiful young novice about to take her vows, the chance to save her brother's life at the price of her own chastity. Disguised as a friar, the duke returns to manipulate the players and deliver justice in one or Shakespeare's darkest plays concerned with the nature of justice and morality.

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