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  G K Chesterton: The Selected...

  G.K. Chesterton

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  'The men that walked in darkness / Had found the light before.'
  
  A vibrant collection of poems illustrating the wit, depth and imaginative range from one of the most distinctive voices of the twentieth century: G.K. Chesterton.
  
  Blending humour, paradox and profound spiritual insight, Chesterton's poems celebrate the ordinary, challenge modern cynicism and champion faith with an unrelenting joy. From rollicking ballads like 'The Rolling English Road' to meditative pieces such as 'The Ballad of the White Horse', this selection captures Chesterton's trademark use of playful rhythm, sharp intellect and deep moral conviction. It is a journey through verse that evokes wonder, defends tradition and sings with clarity and courage. This audiobook edition is beautifully read by David Rintoul.
  Gilbert Keith Chesterton (1874 – 1936) was an English novelist, philosopher, journalist and critic. A Christian apologist, he is famed for creating the fictional priest-detective Father Brown. His writing was also renowned for his sense of humour: known as 'the prince of paradox', Chesterton often turned common sayings upside down. Admired by several of his literary contemporaries, Chesterton's work is still widely read today.

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  Wonderful

  Harry Baker

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  World Poetry Slam Champion Harry Baker's latest collection is his most ambitious yet. Following on from the success of Unashamed (Burning Eye, 2022), Harry Baker combines the insight of a mathematician and the vulnerability of the poet to find wonder in the little things that make life so precious. From a poem about wellies becoming an exploration of masculinity, a poem planning his own funeral inspiring thousands around the world to do the same, or a poem about his favourite German wheat-beer literally just being a poem about his favourite German wheat-beer, The combination of grief and joy in recent poems has led to Harry being described as the Barbenheimer of the poetry world (by himself, but he is hoping it catches on).

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  When We Were Very Young -...

  A. Milne

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  "When We Were Very Young" is a book of poetry for children by the legendary British author A.A. Milne and marks the first appearance of the "silly old bear" who would soon become a worldwide sensation: Winnie-the-Pooh.   In these poems, the narrator - a young boy named Christopher Robin (after Milne's own son) - navigates the world of adolescence, imagining kings and queens, questing knights, talking bears, imaginary friends and explores the curiosity and wonder of the grown-up world seen through the eyes of a child.   "When We Were Very Young" - the first book of the Winnie-the-Pooh series - was an immediate hit when it was first published in 1924 and spawned the next three Pooh books: Winnie-the-Pooh, Now We Are Six and The House at Pooh Corner. It is presented here in its original and unabridged format.

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  Night Poetry - Read & Written By

  Rachel Lawson

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  A book of poems of the night and a gift short story Stand and Deliver - In the Moonlight 
  Read by the Author

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  Erebus

  Elizabeth Lewis Williams

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  In 1958, geophysicist A. G. Lewis travelled to the Antarctic to investigate the landscapes and skies of that vast and icy continent.
  Now Elizabeth Lewis Williams traces her father's journeys, from the Peninsula to Mt Erebus. They are real, imagined, and artistic journeys, exploring communication across time and space, and experiments in scientific and poetic measure.
  Erebus transports us to an Antarctic of paradox. A land where perpetual daylight balances months of austral darkness. A land of encounters with the unknown, and with mortality – but where camaraderie and faith are the only defence against catastrophe.
  At its heart, Erebus is a visit to the frozen underworld, and an exploration of how we find a place for ourselves in this vast and often unforgiving world we call home.

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  Embark

  Sean O'Brien

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  A new collection by Sean O’Brien – ‘Auden’s true inheritor’, and one of our wisest poetic chronographers – is not just a literary event, but also, invariably, a reckoning of the times. Given the nature of our times, his voice is an essential one: there is no other poet currently writing with O’Brien’s intellectual authority, historical literacy and sheer command of the facts. Embark also registers our unique cultural climacteric, where the larger crises of the planet – the pandemic and the terrifying spectre of revanchist nationalism among them – impact all of us, and where the illusion of a church-and-state separation of the personal and political can no longer hold. As the poet turns seventy, he shows us how the inevitable absences that age brings are assuaged by how we furnish them; the result is not just a logic made from loss and pain, but a music, a metaphysic, and finally a redemptive art. Embark reminds us of the enduring consolations of love, of friendship, of the freedoms and possible futures still afforded by the imagination – and, through O’Brien’s own exemplary model, of poetry itself.

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