Maison d'édition: Tales of Terror
This book contains 250 horror movie reviews; five of the best releases each year between 1970 and 2019. Each film description contains a synopsis, a rating, and a three-paragraph review.
This one is a super FAP edition. Dont listen alone. So steamyVoir livre
Felicien Rops (1833-1898) is a very surprising artist. Engraver and drawer of exception, Felicien Rops captures and anticipates, with astonishing talent, the female body with great modernity. Abandoning the conventional forms of the time, the artist creates a world full of humour, tenderness and, at times, insolence for the jubilation of the spectator's eye. Many of Rops' most famous works dealt with erotic and sensual themes, often depicting nudes or scenes of debauchery. He also frequently incorporated elements of the supernatural and the macabre, such as skeletons or demons, into his works. Some of his pieces were overtly political or social in nature, often criticizing the hypocrisy of the Church or the bourgeoisie. Overall, Rops' art is complex, multifaceted, and often confrontational. It challenged societal norms and pushed the boundaries of what was considered acceptable in art during his time.Voir livre
George Denis Patrick Carlin (May 12, 1937 - June 22, 2008) was an American stand-up comedian, social critic, actor and author in a career that spanned from the 1960s to the 2000s. He was known for his dark comedy and reflections on politics, English, psychology, religion, and sociocultural criticism of American society. His "seven dirty words" routine was central to the 1978 United States Supreme Court case FCC v. Pacifica Foundation, in which a 5–4 decision affirmed the government's power to censor indecent material on public airwaves. Along with numerous other accolades, Carlin won five Grammy Awards and was nominated for six Primetime Emmy Awards and two Daytime Emmy Awards. The following includes three television interviews from early in Carlin's career.Voir livre
This text deals fundamentally with design and architecture: the route of spatial recognition, which is the least known —or worked on— within the approaches of the autism spectrum given its difficulty in being synthesized in a paradigm or normative set. The objective is to create a framework to approach the design of environments and buildings, in order to facilitate spatial development in everyday life and, especially, in learning situations. The spatial route, which is the project, creates: - A set of spatial coordinates that liberates the user from the anguish of not recognizing, of not understanding the space in which he is developing. And that offer him the possibility of finding the way, directing him to where he needs or wants to go. - Structure of the exterior and interior, with their corresponding activities placed in a comprenssible way through concepts of organization: functional and sensorial sequence of events. And creation of spaces for group and individual tasks, paying special attention to places of transition and recovery between opposite or different activities, both physical and emotional. - The aspects that are developed in terms of recommendations are synthesized in a construct that brings together the aspects of general, functional, formal and sensory organization of plans, elevations and details. Achieving with these “person-space” adjustments a higher quality of personal life and of its affective and learning environment. - Design components that in the case of autism should be considered in order to seek with the project greater facility of understanding, use and space-emotional development of people from childhood to adult life.Voir livre
This is Steve Beat’s tale of monsters and mayhem. Actually, I just said this was Steve beat’s tale of monsters and mayhem, in case I am not permitted to set the story straight of why Steve Beat’s musical production in his original release of “Getting to Know Steve Beat Before His Journey to the Planet of the Apes was not up to par. To make it up to perhaps history and more importantly the potential viewers or listeners of which I suspect there will be very few, I have released two new songs that are part of this production that took a great deal of effort and also provide an explanation of why the music was subpar between the first production of Steve Beat and today. I hope you are not forced to read my writing, although if you are, I have done what I can to make an explanation of why my music was subpar during an initial production as entertaining as I possibly can. Anyways, I hope you enjoy the music as you will certainly be the first person and hopefully not the last, who hears my new track entitled Bring that Beat that is currently not available to the public anywhere and also my other track warm welcome.Voir livre
In 'We The Youth": Keith Haring's New York Nightlife', the second book in his Art Decades series, Dave Haslam explores how the nightlife and music of rundown downtown areas of New York in the late 1970's and early 1980's were formative influences on the life and art of Keith Haring. Haslam takes us on an adventure through the clubs and venues that filled Keith Haring's nights out; spaces that offered thrill, opportunities, possibly, and a sense of community. We hear how graffiti artists and DJs became inspirations to him; we meet Madonna, the B-52's, Arthur Russell, Grace Jones and Jean-Michel Basquiat; and then the mid-80's AIDS epidemic changes everything... Art Decades is a highly original and wide ranging series of mini books by writer, broadcaster and former Hacienda DJ, Dave Haslam. From Courtney Love to Sylvia Plath, from homelessness to cultural regeneration, the series explores a variety of subjects rooted in cities, in recent history and lived experience, and a love for music, literature, and art.Voir livre
