Maison d'édition: Tales of Terror
In this book, film critic Steve Hutchison presents 113 of the worst horror movies ever made. Each article contains a rating, a synopsis, and a review. The films are ranked according to the sum of eight ratings. How many have you seen?
The Russian painters of water recaptures the impressions of water in the works held at the Russian State Museum of Russian Painters, from the 18th century onward. Among the paintings are works by Sylvester Shechedrin, Ivan Aivazovsky, Polenov. Arkhipov and Repin. Sutherland Lyall narrates vividly and elegantly the exciting and varied appearance of water in the world of Russian art. He invites the reader to discover something of the history and customs of this vast country, and provides an insight into Russian painting.Voir livre
KILL BILL: VOLUME 1 THE ULTIMATE TRIVIA COLLECTION FROM THE MOVIE DIRECTED BY QUENTIN TARANTINO CREATED BY FILM TRIVIA METAVERSE ABOUT THE FILM Kill Bill: Volume 1 is a 2003 action film directed by Quentin Tarantino. The story follows "The Bride," a former assassin who is left for dead after a brutal massacre at her wedding rehearsal, orchestrated by her former team, the Deadly Viper Assassination Squad. She survives a four-year coma and embarks on a mission of vengeance against those who wronged her, including her former mentor, Bill. The film is a blend of martial arts, samurai, and revenge genres, featuring stylish violence, visually striking sequences, and elements of both Western and Eastern cinematic influences, all underpinned by Tarantino's signature storytelling. TRIVIA SAMPLES: "The Bride’s iconic yellow outfit is an homage to Bruce Lee’s costume in his final film, Game of Death (1978)." "The scene where the Bride splits a baseball in two with a samurai sword was filmed for real on set, with Zoë Bell, Uma Thurman’s stunt double, performing the stunt." "Quentin Tarantino owns the 'Pussy Wagon' from Kill Bill and drove it as his daily vehicle to promote Kill Bill: Vol. 2 (2004). He even lent it for use in Missy Elliott’s music video for 'I’m Really Hot,' as well as Lady Gaga and Beyoncé’s 'Telephone' video." "Over four hundred fifty gallons of fake blood were used for both Kill Bill movies, as revealed by special effects artist Christopher Allen Nelson."Voir livre
The Rashtrakutas were one of the most powerful dynasties in Indian history, ruling vast territories across the Deccan and beyond. Their origins, however, remain a subject of debate among historians due to conflicting inscriptions and interpretations. Some sources trace their roots to the Kannada-speaking regions, while others suggest connections to northern India. Despite the uncertainty, it is widely accepted that the Rashtrakutas emerged as a prominent force in the Deccan by the 8th century. The dynasty first gained prominence under the rule of Dantidurga, who established Rashtrakuta authority by overthrowing the Chalukyas of Badami. However, evidence suggests that the Rashtrakutas had been a significant regional power even before his reign. The earliest references to the name "Rashtrakuta" appear in inscriptions from the 6th and 7th centuries, indicating that they were already influential feudatories before rising to imperial status. Some scholars believe they originally served as administrators or military governors under the Chalukyas before asserting their independence. The question of the dynasty’s ethnic and linguistic identity has long been debated. Some sources claim that they were of Kannada origin, citing inscriptions and literary works composed in the Kannada language under their patronage. Others argue that they may have had northern Indian roots, pointing to their interactions with Rajput and Gurjara clans. Regardless of their precise origins, the Rashtrakutas embraced the cultural diversity of the Deccan, ruling over a population that spoke multiple languages, including Kannada, Sanskrit, and Marathi.Voir livre
In this often witty, sometimes furious, and sometimes downright surreal collection, James Domestic does - as per usual - whatever the hell he likes, with poetry, prose, and lyrics, all thrown into the mix with abandon. Punk, politics, habit, the nature of work, the environment, nostalgia, aging, and some quintessentially British whimsy, all crammed in together like a last minute bag hurriedly packed for tour. Somehow it works. A man in too many bands to count (The Domestics, PI$$ER, Da Groins, Tokyo Lungs... that's not even half of 'em), a solo artist, a vocalist, a songwriter, a DJ, a poet, a painter, someone who failed miserably at school, spent his early post-school life between the chemical factory and the dole, and somehow now has a PhD (yep, it's genuinely Dr Domestic!). A square peg in life's round hole. A face that never really fitted. He couldn't care less. Come along for the ride. Domesticated is an eighty page collection of James Domestics street-poetry and punk-prose.He's always on the road and at the gigs. His poetry has earned him comparisons to John Cooper Clarke, Ivor Cutler, Spike Milligan and Banjamin Zephaniah, amongst others.Voir livre
From the award-winning, multi-genre author and musician Steven Heighton, Songbook brings together Heighton’s lyrics and music for the first time in a single volume, including his final songs, which have never been heard or seen until now. When Steven Heighton died suddenly of cancer in 2022, he was in the middle of an intensely creative period of songwriting. He released his first album of original material, The Devil’s Share, in 2021 and was preparing to record his second album. Known first as a poet, Heighton had always held that “music and poetry are two words for the same thing.” As in his songwriting, in Songbook, Heighton moves fluidly between genres and subjects, from political songs like “The Butcher’s Bill,” about the carelessness of nations sending their youth to war, to reimagining the myth of Orpheus (“I'll hold my breath the whole way down / And find your soul in the undertown”), to blues tunes like “Last Living Woman Alive,” and a tribute to the late John Prine, the “Buddha of Song.” With chords accompanying the lyrics, readers and musicians have the ability to bring the songs to life with their own interpretations. The music in Songbook was the final work of Heighton’s life, and it is not only a gift to have his lyrics and chords but an invitation from Heighton himself, challenging his readers to answer the call and keep singing along.Voir livre
"Mā tini, mā mano ka rangatira a kapa haka" Kapa haka flourishes through the efforts of many. Embrace the joy and wonder that is kapa haka through the experiences, people and triumphs of the past 24 festivals, and relive memories that will stir, ignite and uplift the soul. He Tau Makuru: 50 Years of Te Matatini National Kapa Haka Festival showcases and exemplifies the pursuit of kapa haka excellence. It is a rich history as shared by those who have lived it. At the heart of Te Matatini are the people. We hear their stories of innovation and inspiration, about the groups, the compositions and the performances. And there are tributes to generations of kapa haka exponents and their legacies. This is a celebration of our language, our culture and our identity as Māori on a national and global stage. This is the story of Te Matatini so far.Voir livre
