Publisher: Tales of Terror
To get a sense of justice in horror and horror-adjacent cinema, you first need to experience revulsion and terror. You need to fear and survive predators before you can start hating them, and you need to hate them to get even in the most painful ways. In this book, I rate and review 28 rape-and-revenge films. How many have you seen?
The girl from the cover of Bob Dylan’s album Freewheelin’ breaks a forty-five–year silence to recount her four-year relationship with Dylan and his growing fame. Suze Rotolo chronicles her coming of age in Greenwich Village during the 1960s and the early days of the folk music explosion, when Bob Dylan was finding his voice and she was his muse. A shy girl from Queens, Suze was the daughter of Italian working-class Communists, growing up at the dawn of the Cold War. It was the age of McCarthy, and Suze was an outsider in her neighborhood and at school. She found solace in poetry, art, and music—and in Greenwich Village, where she encountered like-minded and politically active friends. One hot July day in 1961, Suze met Bob Dylan, then a rising musician, at a concert at Riverside Church. She was seventeen, he was twenty; they were both vibrant, curious, and inseparable. During the years they were together, Dylan transformed from an obscure folk singer into an uneasy spokesperson for a generation. A Freewheelin’ Time is a hopeful, intimate memoir of a vital movement at its most creative. It captures the excitement of youth, the heartbreak of young love, and the struggles for a brighter future in a time when everything seemed possible. Praise for A Freewheelin’ Time “A delightful surprise. . . . [Rotolo] gracefully captures Greenwich Village as an enchanted lost world.” —Entertainment Weekly “A portrait-of-an-era . . . through [Rotolo’s] eyes, we see Dylan as a unique artist on his way to greatness.” —People “Artist Suze Rotolo pays rollicking homage to a revolutionary age.” —Vogue “Exhilarating. . . . A moving account.” —New York Times “A perceptive, entertaining, and often touching book about a remarkable era in recent American cultural history, about a way of living, of making art, that couldn’t have happened at any other time or in any other place.” —Stephanie Zacharek, SalonShow book
'NBC University Theater’ initially started in Chicago with a remit to bring adaptations of classic novels, usually Anglo-American, to a radio audience. Additionally, if listeners signed up they received college credit to a radio-assisted correspondence course. A study guide, The Handbook of the World's Great Novels, was available for 25 cents. In its later years it also included short stories and plays and went on to win the distinguished Peabody award. Unlike many other radio shows University Theatre did not pursue the glamourous stars for its productions but instead relied on excellent distillations of the novels and first class acting alongside high production values. But now its time to enjoy these timeless novels. Let’s begin.Show book
This collection of fitness music is perfectly mixed, set at just the right pace to help you perform a high-energy, body-moving workout.Show book
The true story of the fourth-grade teacher in Dayton, Ohio, who created one of the most influential bands of our times. Devoted fans have followed Guided by Voices for decades—and critics around the world have lauded the band’s brain trust, Robert Pollard, as a once-in-a-generation artist. Pollard has been compared by the New York Times to Mozart, Rossini, and Paul McCartney (in the same sentence) and everyone from P. J. Harvey, Radiohead, R.E.M., the Strokes, and U2 has sung his praises and cited his music as an influence. But it all started rather prosaically when Pollard, a fourth-grade teacher in his early thirties, began recording songs with drinking buddies in his basement. In this book, James Greer, an acclaimed music writer and former Spin editor—who also played in the band for two years—provides unparalleled insight and complete access to the workings of Pollard’s muse.Show book
Egon Schiele’s work is so distinctive that it resists categorisation. Admitted to the Vienna Academy of Fine Arts at just sixteen, he was an extraordinarily precocious artist, whose consummate skill in the manipulation of line, above all, lent a taut expressivity to all his work. Profoundly convinced of his own significance as an artist, Schiele achieved more in his abruptly curtailed youth than many other artists achieved in a full lifetime. His roots were in the Jugendstil of the Viennese Secession movement. Like a whole generation, he came under the overwhelming influence of Vienna’s most charismatic and celebrated artist, Gustav Klimt. In turn, Klimt recognised Schiele’s outstanding talent and supported the young artist, who within just a couple of years, was already breaking away from his mentor’s decorative sensuality. Beginning with an intense period of creativity around 1910, Schiele embarked on an unflinching exposé of the human form – not the least his own – so penetrating that it is clear he was examining an anatomy more psychological, spiritual and emotional than physical. He painted many townscapes, landscapes, formal portraits and allegorical subjects, but it was his extremely candid works on paper, which are sometimes overtly erotic, together with his penchant for using under-age models that made Schiele vulnerable to censorious morality. In 1912, he was imprisoned on suspicion of a series of offences including kidnapping, rape and public immorality. The most serious charges (all but that of public immorality) were dropped, but Schiele spent around three despairing weeks in prison. Expressionist circles in Germany gave a lukewarm reception to Schiele’s work. His compatriot, Kokoschka, fared much better there. While he admired the Munich artists of Der Blaue Reiter, for example, they rebuffed him. Later, during the First World War, his work became better known and in 1916 he was featured in an issue of the left-wing, Berlin-based Expressionist magazine Die Aktion. Schiele was an acquired taste. From an early stage he was regarded as a genius. This won him the support of a small group of long-suffering collectors and admirers but, nonetheless, for several years of his life his finances were precarious. He was often in debt and sometimes he was forced to use cheap materials, painting on brown wrapping paper or cardboard instead of artists’ paper or canvas. It was only in 1918 that he enjoyed his first substantial public success in Vienna. Tragically, a short time later, he and his wife Edith were struck down by the massive influenza epidemic of 1918 that had just killed Klimt and millions of other victims, and they died within days of one another. Schiele was just twenty-eight years old.Show book
Learn the art of cartooning step by step with an Emmy-winning storyboard artist and character designer! This addition to the How to Draw and Paint series comes from accomplished cartoonist Sherm Cohen, renowned for his work on SpongeBob SquarePants and many other film and television productions. It teaches artists the essentials of creating cartoon characters, from using basic shapes and conveying age and mood to adding props and costumes and much more. It also brings the artistic process up to date by touching on the use of computers in cartooning. Featuring step-by-step instructions and a wealth of original images, this book is a must-have resource for any aspiring cartoonist looking to develop their personal style!Show book
