Maison d'édition: Tales of Terror
Steve Hutchison reviews 400 horror fantasy films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Markiewitz Audioworks is proud to present "A Cratchit Christmas," a full cast audio dramatization based upon the 1843 story "A Christmas Carol" by Charles Dickens. In this original script, an international cast of voice actors, a Victorian soundscape and sound effects, and a beautiful Christmassy score, serve to bring you a rendition of this tale you've never heard before! The popularity of "A Christmas Carol" has induced more than 200 movies and scores of other productions across the media spectrum. In this full-cast audio drama, we take the framework from the original story and follow the Cratchits through the same timeframe where Scrooge is changed by the spirits. With a careful and intentional blending of the original story with new dialogue the listeners will be given a fresh look at the Cratchit family during a difficult, but hopeful Christmas season. Cast: Marc Zakian as Bob Cratchit Rachel Esposti as Emily Cratchit Marc Biagi as Ebenezer Scrooge Rigby Dehnart as Tiny Tim Gabi King as Martha Cratchit David Hilder as Peter Cratchit Bethany Baldwin as Belinda Cratchit Rainey Mangan as Lucy Cratchit Rose Beasley as Matthew Cratchit Brian Jeffords as the Poulterer Ian Lahlum as the Pastor Jonathan Cooke as the Gentlemen Townspeople: Bethany Baldwin, Rachel Esposti, Sharon Grunwald, David Hilder, & Jason Markiewitz Carolers: Bethany Baldwin, Alicia Hansen, David Hilder, Gabi King, Tanya Rich, & Dominic Treis Crew: Cover Artist: Jon Markiewitz Composer: Ross Bernhardt Additional Music: Douglas Grunwald Script Consultant: Alicia Hansen Sound Design Consultant: Jonathan Cooke Asst. Casting Director: Rachel Pulliam Director/Producer/Sound Design/Script: Jason Markiewitz A Cratchit Christmas is a Markiewitz Audioworks Production. (C) 2024 Jason Markiewitz (P) 2024 Markiewitz Audioworks (C) 2024 Jason Markiewitz (P) 2024 Markiewitz AudioworksVoir livre
Russell C. Brennan (aka Russell Writer) started DJing at only 15 years old in places he wasn’t even old enough to be in, where ‘Saturday Night's Alright for Fighting’ by Elton John was often on the turntable. Fought over by two agencies who wanted to represent him, he quickly established himself as a popular DJ in clubs, restaurants, dancehalls and pubs around London and Southern England before being snapped up by an international agency who would catapult him to being one of the first super DJs back in the 80s playing big clubs around Europe. He was also asked to become the premiere VJ of MTV Europe when it launched. This book is far from being a bog-standard sex, drugs and rock n’ roll tale (although some of that apart from the drugs does creep in). He gives an insight into what a ruthless business it can be and covers other striking events that also became part of his journey like murder and a very unique marriage. It gives an insight into what it’s like to be a top DJ and celebrity lifestyle , often in a humorous or poetic way but as is the case with some of his other biographies about other parts of his career, it’s a warts and all story featuring more than a few unusual relationships, so no holds barred and not for the squeamish. Russell is currently the world’s only male Geisha (the rest are all female). What that means in reality is, he has made a dent in all the arts from writing, music, photography and art and is even editor of an influential cultural magazine and head honcho of an influential indie record label. . He has come a long way since those early DJ days that first put him on the map.Voir livre
Learn how to be a roadie, working with bands on tour, with this step-by-step guide! '5 Steps to a Roadie Job' details the exact steps you need to take to find work with international touring music artists as a sound engineer, backline tech, concert lighting engineer, tour manager, touring stylist, chef, driver, or any of the numerous other concert touring jobs. The audiobook breaks down some of the myths of working in the live music business with an honest and realistic approach to working with music artists on tour. You will have probably found it difficult to find out how to get work with music artists on tour. Road crew jobs don't seem to be advertised and yet, when you look, there are dozens of bands and music artists playing gigs in every town, on every single night of the week. And most of these bands will employ at least one road crew person at each show they play. But, if roadie jobs are never advertised, how do these bands find the crew to work for them and, more importantly, how can you get one of those road crew jobs? Andy Reynolds, a concert tour manager and live sound engineer, has answered those questions, and others, in '5 Steps to a Roadie Job'. Andy has worked in the live music business for more than 25 years – '5 Steps to a Roadie Job' is the distillation of his experience and knowledge gained in that time. He has written this audiobook to help you - the road crew of tomorrow -start working for music artists on tour.Voir livre
A gorgeous celebration of the beauty of Venice as conveyed in the paintings of Canaletto and his followers. Among the renowned Old Master paintings at the Wallace Collection in London is an important group of 27 eighteenth-century views of Venice, known as vedute, by Canaletto and his followers, including Francesco Guardi. They hang together in a dedicated gallery known as the Canaletto Room, but until recently the majority had not been cleaned since the nineteenth century and their original beauty was obscured by multiple layers of discoloured varnish. The paintings have now been restored and rephotographed, following a multi-year conservation and research project that has also led to a reappraisal of them. This book presents these pictures in their renewed splendour. It features essays and commentaries by Charles Beddington, the global expert on vedute, and by Wallace Collection curator Lelia Packer. Together they provide fresh insights into the artists' creative processes, the dating of pictures and their authorship.Voir livre
In the '80s, the Birmingham, England, band Duran Duran became closely associated with new wave, an idiosyncratic genre that dominated the decade's music and culture. No album represented this rip-it-up-and-start-again movement better than the act's breakthrough 1982 LP, Rio. A cohesive album with a retro-futuristic sound—influences include danceable disco, tangy funk, swaggering glam, and Roxy Music's art-rock—the full-length sold millions and spawned smashes such as ""Hungry Like the Wolf"" and the title track.However, Rio wasn't a success everywhere at first; in fact, the LP had to be buffed-up with remixes and reissued before it found an audience in America. The album was further buoyed by colorful music videos, which established Duran Duran as leaders of an MTV-driven second British Invasion, and the group's cutting-edge visual aesthetic. Via extensive new interviews with band members and other figures who helped Rio succeed, this book explores how and why Rio became a landmark pop-rock album, and examines how the LP was both a musical inspiration—and a reflection of a musical, cultural, and technology zeitgeist.Voir livre
In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made "Under Pressure." Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure, Max Brzezinski tells the classic track's story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, "Under Pressure" harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury's phrase, under pressure.Voir livre
