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  Voices of Poetry Volume 2

  Edna St. Vincent Millay, Ezra...

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  Hear rare recordings from some of the world's most-respected poets reading their own works: Ezra Pound, Old Men With Beautiful Manners; William Butler Yeats, The Lake Isle Of Innisfree; Robert Graves, A Last Poem; Edna St. Vincent Millay, The Harp-Weaver; Richard Eberhart, The Groundhog; Philip Levine, Blasting from Heaven; Marianne Moore, The Mind is an Enchanting Thing; Stephen Spender, What I Expected; Vachel Lindsay, An Interpolation by Mr. Lindsay. 
  Recording obtained and published by Rick Sheridan. 
  ©2009 Rick Sheridan (P)2009 Rick Sheridan

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  The Poetry of Michael Drayton -...

  Michael Drayton

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  Michael Drayton was born in 1563 at Hartshill, near Nuneaton, Warwickshire, England. The facts of his early life remain unknown.  
  Drayton first published, in 1590, a volume of spiritual poems; The Harmony of the Church.  Ironically the Archbishop of Canterbury seized almost the entire edition and had it destroyed. 
  In 1593 he published Idea: The Shepherd's Garland, 9 pastorals celebrating his own love-sorrows under the poetic name of Rowland. This was later expanded to a 64 sonnet cycle. 
  With the publication of The Legend of Piers Gaveston, Matilda and Mortimeriados, later enlarged and re-published, in 1603, under the title of The Barons' Wars. His career began to gather interest and attention.  
  In 1596, The Legend of Robert, Duke of Normandy, another historical poem was published, followed in 1597 by England's Heroical Epistles, a series of historical studies, in imitation of those of Ovid. Written in the heroic couplet, they contain some of his finest writing. 
  Like other poets of his era, Drayton wrote for the theatre; but unlike Shakespeare, Jonson, or Samuel Daniel, he invested little of his art in the genre. Between 1597 and 1602, Drayton was a member of the stable of playwrights who worked for Philip Henslowe. Henslowe's Diary links Drayton's name with 23 plays from that period, and, for all but one unfinished work, in collaboration with others such as Thomas Dekker, Anthony Munday, and Henry Chettle. Only one play has survived; Part 1 of Sir John Oldcastle, which Drayton wrote with Munday, Robert Wilson, and Richard Hathwaye but little of Drayton can be seen in its pages. 
  By this time, as a poet, Drayton was well received and admired at the Court of Elizabeth 1st. If he hoped to continue that admiration with the accession of James 1st he thought wrong.  In 1603, he addressed a poem of compliment to James I, but it was ridiculed, and his services rudely rejected.  
  In 1605 Drayton reprinted his most important works; the historical poems and the Idea. Also published was a fantastic satire called The Man in the Moon and, for the for the first time the famous Ballad of Agincourt. 
  Since 1598 he had worked on Poly-Olbion, a work to celebrate all the points of topographical or antiquarian interest in Great Britain. Eighteen books in total, the first were published in 1614 and the last in 1622.  
  In 1627 he published another of his miscellaneous volumes.  In it Drayton printed The Battle of Agincourt (an historical poem but not to be confused with his ballad on the same subject), The Miseries of Queen Margaret, and the acclaimed Nimphidia, the Court of Faery, as well as several other important pieces. 
  Drayton last published in 1630 with The Muses' Elizium.  
  Michael Drayton died in London on December 23rd, 1631.  He was buried in Westminster Abbey, in Poets' Corner.  A monument was placed there with memorial lines attributed to Ben Jonson. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Vintage Verse Rhapsody: A Poetry...

  Various Authors

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  A collection of poetry selected and performed by Bob Gonzalez, rhapsode. Rhapsodes of Ancient Greece were “song-stitchers,” performing selections from the epics of Homer and Hesiod. The contemporary rhapsode performs the classical poetry of his or her language, culture, and tradition. Any particular collection and arrangement of poems for performance I term a “rhapsody.” In general terms, a rhapsody is an ecstatic expression of feeling and enthusiasm. In music, a rhapsody is an instrumental composition irregular in form and suggestive of improvisation. The poems in this rhapsody comprise a number of poems that I have performed in public and known for much of my life as well as several recent additions to my repertory. They are arranged in chronological order from the 16th century to the early 20th century. Some of the poets represented here are Edmund Spenser, William Shakespeare, John Donne, John Milton, Alexander Pope, William Blake, William Wordsworth, John Keats, Alfred Tennyson, Walt Whitman, Emily Dickinson, Lewis Carroll, and Robert Frost. (Summary by Bob Gonzalez)

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  This is not a poem

  L. A. Cunningham

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  This is not a poem. 
  It's barely even a book. 
  It's one page making fun of poems that aren't poems. 
  And now it’s a 42-second audiobook too! Perfect for those long road trips and the busy individual with no time to sit down with a book.

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  Evening

  Archibald Lampman

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  LibriVox volunteers bring you 9 different recordings of Evening by Archibald Lampman. This was the weekly poetry project for the week of August 3rd, 2008.

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  To the United States of America

  Robert Bridges

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  In celebration of Independence Day in the United States, 2007, LibriVox volunteers bring you 12 different recordings of To the United States of America by Robert Bridges. This was the Weekly Poetry project for the week of July 1st, 2007. (Summary by Sean McKinley)

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