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  The Things We'll Never Have

  Hilary Hauck

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  Winner of the Historical Fiction Company's “Highly Recommended” award of excellence, The Things We’ll Never Have is part mystery, part psychological drama set in 1960s Italy about family, friendship, and the lies that bind us. 
  The brightest things in Everleigh’s otherwise dull days in 1964 London are colors, fashion she’s not brave enough to wear, and the idea of the enchanted life she’ll inherit when she marries Gualtiero. But her dreams are crushed when her beloved mysteriously vanishes before the wedding. Everleigh travels to Italy, convinced he’s returned to his hometown, but when she tracks down the man everyone knows as Gualtiero, she has never seen him before. The question is no longer where her fiancé is, but who he is.  
  Determined to uncover the truth, Everleigh teams up with two unlikely friends. Soon, she unlocks a shocking truth about Gualtiero that propels the three women on a collision course that will shatter everything they thought they knew about family—and themselves. 
  “An arresting and unpredictable tale of family.” Kirkus Reviews

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  Rust Skies

  T.K. Blackwood

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  The year is 1992. The Third World War rages. With Central Europe locked in a bloody stalemate, the chaos boils over into Greece and Turkey, with NATO holding on by a thread against the Soviet onslaught. 
   
   
   
  But the greatest twists of fate unfold behind the scenes. The United States Presidential election may upend the balance altogether, as America's citizens choose who will lead them into the maelstrom. But in Moscow, hidden forces within the Soviet Union finally make their bid for power. The decisive battles of the war are being waged not for Europe, but for the White House . . . and the Kremlin. Who will stand victorious, and who will vanish into the dustbin of history?

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  Jude and Diana

  Sharon Robart-Johnson

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  The only mention of Jude in Nova Scotia’s official history relates to her death: a slave-owning family was brought to trial for her murder in 1801. They were acquitted despite overwhelming evidence that they were guilty. Sharon Robart-Johnson pays tribute to such archival glimpses of enslaved people by re-creating the fullness of sisters Jude and Diana’s survival, emphasizing their joys alongside their hardship. She stories their movements through the U.S. to Nova Scotia, Canada, with the arrival of the United Empire Loyalists in 1783. As a child, Jude is sold away and then, by a lucky turn of fate, reunited with her fiercely loving family. Jude’s experiences harden her into a rebel who resists injustice without heeding consequences, and after her death, Diana is left alone to deal with racist and sexual violence.
  		 
  Through Robart-Johnson’s research, we experience nineteenth-century Nova Scotia, when political debates about abolishing slavery were just beginning to emerge. Through Robart-Johnson’s creativity, we enter the historical fiction of Jude and Diana and their strong familial bonds, each character developed with nuance and care. While chronicling the cruelty they endured, Robart-Johnson’s storytelling powerfully honours their humour, strength, and shining dignity.

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  War and Peace Book 9

  Leo Tolstoy

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  In Book 9 of War and Peace , the aftermath of Napoleon's retreat from Moscow brings both relief and devastation. Pierre Bezukhov, freed from imprisonment, reflects on his experiences and finds inner peace. Prince Andrei, gravely wounded, reconciles with his past, sharing tender moments with Natasha before passing away. The Rostovs, having survived the chaos, focus on rebuilding their lives. Tolstoy delves into themes of renewal, forgiveness, and the resilience of the human spirit. Amidst personal losses and societal upheaval, characters embrace hope and new beginnings, setting the stage for ultimate redemption and transformation.

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  The Enchanted April

  Elizabeth Von Arnim

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  When four women leave their drab lives behind to go on holiday in Italy, their lives are changed forever by the Mediterranean. Mrs. Arbuthnot and Mrs. Wilkins, while part of the same ladies' club, have never spoken. Lady Caroline Dester and the elderly Mrs. Fisher join their holiday so as to mitigate expenses. As these women come together and learn more about themselves than they ever thought possible, they reveal their true personalities and the backdrops of their lives that tend to hinder them. Inspired by the author's own month-long trip to the Italian Riviera, this novel is noted as her most widely-read work.

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  Code Noir - Fictions

  Canisia Lubrin, Christina Sharpe

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  "Code Noir is storytelling at its deepest and most intimate. These stories are magic and you must enter them as if you, too, are wondrous." —Dionne Brand, author of Nomenclature, Theory, and Map to the Door of No Return 
   
   
   
  Canisia Lubrin's debut fiction is that rare work of art—a brilliant, startlingly original book that combines immense literary and political force. Its structure, deceptively simple, is based on the infamous Code Noir, a set of real historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. The original code had fifty-nine articles; Code Noir has fifty-nine linked fictions—vivid, unforgettable, multilayered fragments filled with globe-wise characters who desire to live beyond the ruins of the past. 
   
   
   
  With a foreword by Christina Sharpe, Code Noir ranges in style from contemporary realism to dystopian literature, from futuristic fantasy to historical fiction. This inventive, shape-shifting braid of narratives exists far beyond the boundaries of an official decree.

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