Maison d'édition: Publishdrive
A hauntingly beautiful collection of poems that navigates the raw depths of love, loss, and longing. Each verse captures the silent battles of the soul, the ache of nostalgia, and the quiet resilience of the human heart. A journey through fading embraces, unspoken words, and the poetry of absence.
In this audiobook Maria Popova, creator of The Marginalian, presents a celebration of the human search for truth and beauty through the lenses of science and poetry. Poetry and science, as Popova writes in her introduction, "are instruments for knowing the world more intimately and loving it more deeply." In 15 short essays on subjects ranging from the mystery of dark matter and the infinity of pi to the resilience of trees and the intelligence of octopuses, Popova tells the stories of scientific searching and discovery. These stories are interwoven with details from the very real and human lives of scientists—many of them women, many underrecognized—and poets inspired by the same questions and the beauty they reveal. Each essay is paired with a poem reflecting its subject by poets ranging from Emily Dickinson, W. H. Auden, and Edna St. Vincent Millay to Maya Angelou, Diane Ackerman, and Tracy K. Smith. Together, they wake us to a "reality aglow with wonder."Voir livre
A powerful solo show about family, anti-Blackness, and what we're willing to sacrifice for love. After Simran loses her friend to honour-based violence, she has to answer some life-changing questions: will she and her boyfriend be able to live safely ever after? Zahra Jassi's play Honour-Bound was premiered at VAULT Festival, London, 2023.Voir livre
Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. The young Amelia was energetic, attractive, and an admirer of fashion. She spent much of her youth writing poetry and plays and putting on local amateur theatricals. At 18 she had published anonymously ‘The Dangers of Coquetry’. Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times. From this point on published works were far more regular. The following year her volume ‘Poems’ appeared and was again very popular. Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works. She was also keenly involved in a love of society and its attendant frills. Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery. Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems. Of particular interest was her short poem ‘The Black Man's Lament’ in 1826. Her life now was in the main spent travelling and working for charities and against slavery. She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom. Amelia Opie died on the 2nd December 1853 in Norwich. She was 84.Voir livre
'Hope? Hope, is that you?' Years and years ago, Hope disappeared. Now, she's back. To find something she left behind. But in the People's Republic of Koka Kola – a world of dwindling resources, corruption and corporate giants – what happens to Hope? A surreal and frenetic quest through a hyper-capitalist country, Tom Fowler's play Hope has a Happy Meal premiered at the Royal Court Theatre, London, in June 2023, directed by Lucy Morrison, in a co-production with SISTER.Voir livre
A sheet of ice sits in the desert of New Mexico. A mad eco-terrorist plants a bomb in order to save humankind. A beleaguered film crew tries to get in one last shot before losing the light. Storytelling and science collide with hilarious and devastating consequences. “Continuity” is part of L.A. Theatre Works’ Relativity Series of science-themed plays. Lead funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, bridging science and the arts in the modern world. Recorded at The Invisible Studios, West Hollywood in December 2022. Directed by Anna Lyse Erikson Producing Director: Susan Albert Loewenberg An L.A. Theatre Works full-cast production starring: Johnny Berchtold as Jake and George Seamus Dever as David Caxton Sarah Drew as Eve and Nicole Mark Holden as Sound Guy Desireé Mee Jung as First AD Kurt Kanazawa as The PA Stacey Martinez as Second PA Bukola Ogunmola as Dr. Anna Gerber and Lily Devon Sorvari as Second AD and Camera Op Stephen Tobolowsky as Larry Liza Weil as Maria Senior Producer: Anna Lyse Erikson Audio Concept Design by Mark Holden Recording Engineer and Editor: Neil Wogenson Sound Design: Mark Holden, David Wilson and Charles Carroll Mixing Engineer: Charles Carroll Prepared for Audio by Mark Holden for The Invisible Studios, West Hollywood Senior Radio Producer: Ronn Lipkin Foley Artist: Jeff GardnerVoir livre
A master of documentary poetry, Erika Meitner takes up the question of desire and intimacy in her latest collection of poems.In her previous five collections of poetry, Erika Meitner has established herself as one of America’s most incisive observers, cherished for her remarkable ability to temper catastrophe with tenderness. In her newest collection Useful Junk, Meitner considers what it means to be a sexual being in a world that sees women as invisible—as mothers, customers, passengers, worshippers, wives. These poems render our changing bodies as real and alive, shaped by the sense memories of long-lost lovers and the still thrilling touch of a spouse after years of parenthood, affirming that we are made of every intimate moment we have ever had. Letter poems to a younger poet interspersed throughout the collection question desire itself and how new technologies—Uber, sexting, Instagram—are reframing self-image and shifting the ratios of risk and reward in erotic encounters.With dauntless vulnerability, Meitner travels a world of strip malls, supermarkets, and subway platforms, remaining porous and open to the world, always returning to the intimacies rooted deep within the self as a shout against the dying earth. Boldly affirming that pleasure is a vital form of knowledge, Useful Junk reminds us that our selves are made real and beautiful by our embodied experiences and that our desire is what keeps us alive.Voir livre
