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  Contemporary Plays by Black...

  Travis Alabanza, Firdos Ali,...

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  'Welcome. Welcome to Bristol in 1963. Welcome to Waterloo Bridge in 2016. Welcome to a house in May 2017. Welcome to three couples and what might be, what once was and what could have been in 2017. Welcome to a West Indian household in 2018. Welcome to London in 2018. Welcome to the past, present and – crucially – the future.'
  This anthology brings together six plays, all written or performed since 2017, by six brilliant Black British writers – Travis Alabanza, Firdos Ali, Natasha Gordon, Arinzé Kene, Chinonyerem Odimba and debbie tucker green.
  The plays demonstrate a rich range of settings, forms, styles, locations, scales, contents and concerns – and explore themes including politics and protest, grief and colonisation, relationships and gender.
  They have been seen on stages including the National Theatre, the Royal Court, the Bush and Bristol Old Vic, at the Edinburgh Festival Fringe, in the West End, and on tour of the UK.
  Selected and introduced by leading theatre director Natalie Ibu, Contemporary Plays by Black British Writers celebrates a multiplicity of stories authored by Black playwrights in the UK over the last decade.

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  Otherland

  Chris Bush

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  'Jo and Harry are changing.
  Harry is changing more than most, undeniably.
  And change is beautiful. Necessary. Terrifying.'
  Break-ups aren't just about who gets the CD collection. As Jo and Harry begin to untangle themselves from each other, new worlds start to open up – worlds filled with new partners, new identities, new possibilities…
  What kind of women do they want to be, and do they have the courage, or the permission, to get there?
  Chris Bush's play Otherland is a bold and beautiful exploration of what it means to be true to yourself in the face of unstoppable change. It premiered at the Almeida Theatre, London, in 2025, directed by Ann Yee.
  Otherland was a finalist for the 2025 Susan Smith Blackburn Prize.
  'A writer of great wit and empathy'The Times
  'One of our most prolific and arresting writers'Evening Standard

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  Poetry Book Society Autumn 2023...

  Alice Kate Mullen

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  The quarterly poetry magazine of the Poetry Book Society, founded by T.S. Eliot, featuring poems, reviews and exclusive interviews from Choice Poet Daljit Nagra and Recommended poets Mary Jean Chan, Jen Campbell, Terrance Hayes, Jacqueline Saphra, Mary Oliver, Lutz Seiler, and Stefan Tobler.

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  Pig Heart Boy

  Malorie Blackman

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  'I used to love swimming. Won medals for it. But when your heart has been affected by an infection it's like having a ticking time bomb inside you… tick… tick… tick… tick…'
  Cameron is thirteen, and all he wants is to be normal – have friends, go to school, and dive to the bottom of his local swimming pool. But he desperately needs a heart transplant and time is running out.
  When he's finally offered a new heart, Cameron must choose between a pig's heart that works… or a human heart that doesn't. How far will he go to get his life back?
  Malorie Blackman's celebrated novel Pig Heart Boy was shortlisted for the Carnegie Medal and adapted by the BBC into a BAFTA Award-winning TV series. This stage adaptation by Winsome Pinnock was directed by Tristan Fynn-Aiduenu and first performed in 2025 at the Unicorn Theatre, London, in a co-production between Unicorn Theatre, Sheffield Theatres and Children's Theatre Partnership.
  'A powerful story about friendship, loyalty and family'Guardian on the novel Pig Heart Boy

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  Boy Parts

  Eliza Clark

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  'I wonder what I have to do for people to recognise me as a threat. Do I have to smash a glass over the head of every single man I come into contact with, just so I leave a mark?'
  Irina takes erotic photos of average-looking men. Always behind the lens, she watches, she moulds, and she stalks. These boys are putty in her hands, just the way she likes it.
  When the opportunity to show her photographs in a fashionable London gallery coincides with a new boy to obsess over, cracks begin to appear. How far can she push her new prey for the perfect shot, or has she already gone too far?
  Based on the critically acclaimed debut novel by Eliza Clark, which was a finalist for the Women's Prize Futures Award, Boy Parts is a pitch-black psychological thriller that subverts the erotic gaze and asks what happens when our need for connection gets twisted.
  This stage adaptation for one actor by Gillian Greer was premiered in 2023 at Soho Theatre, London, in a co-production between Metal Rabbit Productions and Soho Theatre, and directed by Sara Joyce.
  Praise for Eliza Clark's novel:
  'Hilariously sardonic… Will make most readers howl with laughter and/or shut their eyes in horror'Guardian
  'A carnival funhouse ride: terrifying, feverish, hilarious' Julia Armfield
  'Boundaries are for breaking and if anyone can crash through and reinterpret the fear of our time, Eliza Clark can'Mslexia
  'Hallucinogenic, electric and sharp' Jessica Andrews
  'Delightfully and deviously rooted in the now with its delectable internet and culture references and evocative and real-feeling portrait of women'Dazed
  'Smart, stylish, and very funny' Lara Williams
  'Explores the darkest corners of artistic practice, sexuality and violence with bold wit and fearlessness. A dazzling, horrifying debut'Irish Times

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  How to be a Tarot Card (or a...

  Jennifer A. McGowan

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  The tarot has been used to play games since the 15th century. Since that time each card has also accumulated meanings. By the 18th century the tarot was used for divination or for oracular purposes, much like the Delphic oracles of old. Nowadays the trumps, or major arcana, are believed to chronicle, symbolically, the journey of the Fool through life.
  How to be a Tarot Card (or a Teenager) explores, exploits, and sometimes downright twists the major arcana and the meanings they have accumulated, in the order in which the many hundreds of tarot decks now travelling the world present them. The Star, connoting hope, exists simultaneously as metaphor and feral dog; the rebirth nestled inside the Death card becomes female friendship and escape from patriarchal binds.

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