Weitere Bücher, die Sie mögen werden

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  The Merchant of Venice

  William Shakespeare

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  A conflict between a nobleman and a moneylender drives this suspenseful comedy filled with twists and turns.Bassanio, a Venetian nobleman and reckless spender, has found himself in financial straits, making it difficult for him to court the woman he loves, Portia. His wealthy friend who usually bails him out, Antonio, will not have funds available until his merchant ships come in. Borrowing from Shylock, the Jewish moneylender, and using Antonio as a guarantor, appears to be Bassanio’s only option if he wants to win Portia’s hand. Shylock, at first reluctant to get involved with the anti-Semitic Antonio, finally offers to waive interest on the loan—if he can take a pound of Antonio’s flesh should the money not be repaid on time. But when Bassanio’s ships are reported lost at sea, danger awaits, in this masterpiece by the Bard, William Shakespeare.

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  New and Selected Poems

  Cliff Yates

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  Cliff Yates's New & Selected Poems brings together over thirty years of inimitable work, from his Fenton-Aldeburgh Prize debut, Henry's Clock, to his most recent pamphlet, Another Last Word and beyond. His poems are moving, surprising and funny, sometimes in the space of a few lines, and, gathered together wonderfully here, add up to an oblique but compelling document of lives and times.

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  Go Figure

  Rae Armantrout

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  The poems in Pulitzer Prize-winner Rae Armantrout's new book are concerned with "this ongoing attempt/ to catalog the world" in a time of escalating disasters. From the bird who "check-marks morning/once more//like someone who gets up/to make sure// the door is locked" to bat-faced orchids, raising petals like light sails as if about to take flight, these poems make keen visual and psychological observations. The title Go Figure speaks to the book's focus on the unexpected, the strange, and the seemingly incredible so that: "We name things/ to know where we are." Moving with the deliberate precision that is a hallmark of Armantrout's work, they limn and refract, questioning how we make sense of the world, and ultimately showing how our experience of reality is exquisitely enfolded in words. "It's true things fall apart." Armantrout writes. 'Still, by thinking/we heat ourselves up."Sample TextHYPER-VIGILANCEHilarious,the way a crab's slendereye-stalksstand straight upfrom its scuttlingcarapace—the way vigilancetakes many forms? *That bird check-marks morningonce morelike someone who gets upto make surethe door is locked. *I soundlike I knowwhat I'm talking about.I sound like a comedian.

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  Silas Marner

  George Eliot

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  In the town of Reveloe, there lives a man called Silas Marner. A strange little man, a weaver by trade, and seen with suspicion by the other villagers. He's been beset by bad luck all his life. Cast out of his simple religious life in Lantern Yard, and then returns home to find his money stolen. But then, on new years day, his luck changes when he finds a small child sitting before his hearth...  
  Published in 1861, this was the third novel by George Elliot, and delves into the topics of religion, industrialisation and community, and was praised at the time for its realism.  
  Narrated by Michael Ward.

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  Human Resources - Poems

  Ryann Stevenson

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  Winner of the Max Ritvo Poetry
  Prize, Ryann Stevenson’s Human Resources is a sobering and
  perceptive portrait of technology’s impact on connection and power.Human Resources follows
  a woman working in the male-dominated world of AI, designing women that don’t
  exist. In discerning verse, she workshops the
  facial characteristics of a floating head named “Nia,” who her boss calls “his
  type”; she loses hours researching “June,” an oddly sexualized artificially
  intelligent oven; and she spends a whole day “trying to break” a female
  self-improvement bot. The
  speaker of Stevenson’s poems grapples with uneasiness and isolation, even as
  she endeavors to solve for these problems in her daily work. She attempts to
  harness control by eating clean, doing yoga, and searching for age-defying skin
  care, though she dreams “about the department / that women get reassigned to
  after they file / harassment complaints.” With sharp, lyrical intelligence, she
  imagines alternative realities where women exist not for the whims of men but
  for their own—where they become literal skyscrapers, towering over a world that
  never appreciated them.Chilling and lucid, Human
  Resources challenges the minds programming our present and future to consider
  what serves the collective good. Something perhaps more thoughtful and human,
  Stevenson writes: “I want to say better.”

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  The Years

  Annie Ernaux

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  'Memory never stops. It pairs the dead with the living, real with imaginary beings, dreams with history.'
  She strikes a pose and the camera shutter clicks: a child playing in the debris of the Second World War. Click. A student discovering parties and men's bodies. Click. An activist fighting for the right to choose. Click. A wife picking out a velvet sofa. Click. A mother taking her eldest to judo. Click. A lover, seducing a younger man. Click. A grandmother presenting her granddaughter to the camera. Click.
  Les Années (The Years) is Annie Ernaux's critically acclaimed 'masterpiece' (Guardian), charting a woman's personal and political life against the backdrop of a rapidly changing post-war Europe.
  Eline Arbo's inventive stage adaptation was premiered as De Jaren by Het Nationale Theater in The Hague, Netherlands, in 2022, with a cast of five women collectively bringing to life an unapologetic portrait of one woman, and a whole continent. Arbo directed her adaptation at the Almeida Theatre, London, in 2024, in an English language version by Stephanie Bain – with reference to translations by Alison L. Strayer and Tanya Leslie. In 2025, The Years transferred to the Harold Pinter Theatre in London's West End, produced by Sonia Friedman Productions.

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