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  The Mysterious Dr Death

  Rachel Lawson

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  Blake Alexander the local Coroner called Dr. Death by the people of the hospital he worked. He is treated as the local banshee he is only brought out of the morgue to announce someone has died, but how accurate is the title Dr Death his nemesis the Orderly Jack Taylor will start to wonder in this short story. It is part of the gothic magic realism series the Magicians.

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  The Sandman Cometh

  Rachel Lawson

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  "Sandy, The Sandman article about how sleep better was really good it really helped me sleep last night," said Lance Alexander Kristine's Dad said to Zac's Dad at their work. 
   "Your Necromancer article was very good too" said Sandy. 
   "Alexander, Sandman my office now!" Shouted their boss. 
   "We better dash he has no patience," said Sandy. 
   "Yes," agreed Lance. 
   They virtually ran to the office. 
   "What took you, were you slacking off again," asked Orlando King their boss when they arrived not long later. 
   "No, sir," said Sandy. 
   "What did you miss us Lando, I'm touched," said Lance sarcastically. 
   "No I wanted to talk to you about your recent articles," said Lando. 
   "You read them my life is complete," Lance said. 
   Lando was used Lance's sarcastic manner he would wonder if something was wrong if he wasn't as sharp as a barb. 
   "I always read your articles I'm the editor," snapped back Lando. 
   "Did you love them," asked Lance. 
   "No, your interview with the victim was too short," said Lando. 
  "I interviewed a ghost they aren't very talkative," Lance said. 
   "They aren't," said Sandy standing up for his friend. 
   "You are a magician too," asked Lando. 
   "Yes," said Sandy. 
   "Talking about you your Sandman article was so bad I could sleep at all last night," said Lando.

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  Ghost Night

  Heather Graham

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  A grisly crime on a Caribbean film set leaves one survivor haunted in a novel by the New York Times–bestselling “incredible storyteller” (Los Angeles Daily News). 
   
  A slasher movie turns all too real when two young actors are brutally murdered on a remote island film set. Their severed heads and arms are posed in macabre homage to a nineteenth-century pirate massacre. 
   
  Two years later, survivor Vanessa Loren is drawn back to South Bimini by a documentary being made about the storied region. Filmmaker Sean O’Hara aches to see how the unsolved crime haunts her . . . and Sean knows more than a little about ghosts. 
   
  Lured by visions of a spectral figurehead, Vanessa discovers authentic pirate treasures that only deepen the mystery. Are the murders the work of modern-day marauders, the Bermuda Triangle, or a deadly paranormal echo of the island’s violent history? As Vanessa and Sean grow closer, the killer prepares to resume the slaughter . . . unless the dead can intervene. 
   
  “Graham stands at the top of the romantic suspense category.” —Publishers Weekly

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  Carmilla

  Joseph Sheridan Le Fanu

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  tbc

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  Hunger The: Book summary & analysis

  Margot Langley

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  This is a concise summary and analysis of , by .
   
  It is not the original book and is not affiliated with or endorsed by .
   
  Ideal those seeking a quick and insightful overview.
   
  
  A haunting blend of historical drama and psychological suspense, The Hunger follows two sisters and a band of pioneers as they brave the unforgiving Sierra Nevada, confronting starvation, moral extremes, and unseen terrors in a struggle for survival. With visceral imagery and strategic problem-solving woven into the narrative, this audiobook empowers listeners to face dire challenges with resilience, ethical clarity, and decisive leadership. Perfect for those seeking both immersive storytelling and practical insights on navigating high-stakes adversity.

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  The Deserted House - Curiosity...

  ETA Hoffmann

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  Ernst Theodor Wilhelm Hoffman was born on the 24th January 1776, the youngest of three children, in Königsberg, then in Prussia but now part of the Kaliningrad Russian enclave. 
   
  His parents separated when he was two and for many years life was to be provincial and, despite his talents for the creative arts and the classics, much was passing him by. 
   
  At 20 Hoffman obtained employment as a clerk and to the art that now surrounded him.  Two years later he was in Berlin attempting a career as a composer with an operetta called ‘Die Maske’.  His gift for drawing caricatures and sharing them often got him into trouble that was easier to avoid. 
   
  The years of Napoleon ravaging Europe were bad for Hoffman; he moved often and took on works as varied as theatre management and music critic.  In this his talents were now more evident.  His works on Beethoven where highly regarded by the master himself. 
   
  His literary breakthrough came in 1809, with ‘Ritter Gluck’, about a man who believes he has met the composer 20 years after his death.  However the various jobs and the wars continued and plagued any career advancement despite his constant travel for opportunities, often through dangerous territories. 
   
  In the wake of Napoleon’s defeat in 1814, Hoffmann returned to Berlin where his opera ‘Undine’ was performed by the Berlin Theatre.  Life was now more settled and many of his most famous works were written at his time. 
   
  From 1819, Hoffmann was struggling with both legal disputes and ill health.  Alcohol abuse and syphilis were physically weakening him and from 1822 paralysis set in.  His last works were dictated to his wife or to a secretary as all around him society descended into an anti-liberal agenda, stifling dissent with threats of legal action and even treason.  The ailing Hoffman was among them. 
   
  E T A Hoffmann died on the 25th June 1822 in Berlin of syphilis.  He was 46.

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