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  The Tower

  Paul Legault

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  W. B. Yeats meets Gregg Araki at a gay bar.
   
  The Tower is a "translation" of W. B. Yeats's The Tower—an homage and reinvention of the poet’s greatest work. Whereas Yeats’s book contended with his mortality as an aging spiritualist Irish Senator, this version contends with a new mortality: ours.
   
  The poems in this collection crystallize the transition from Legault’s late twenties to his early thirties, situated in North America during a time of political upheaval. It takes each of Yeats’s poems as a starting point and queers them. It translates Yeats’s modernist urge, on the other side of a long century.
   
  In her review of The Tower, Virginia Woolf says Yeats has “never written more exactly and more passionately.” One might imagine she’d conclude the same here. You can’t fault these poems for lacking passion.
   
  Yeats used to talk to ghosts. His wife would let ghosts talk through her. They would talk to Yeats, and he would write down what they say. Another way you could put it is that Yeats talked to his wife. Ghosts are much closer than you think. They like to live in books. So Legault spent some time talking to Yeats’s ghost. Or, Yeats’s ghost talked to him. This is him talking back.
   
  "Through Legault, the opening of Yeats’ words in the title poem shift and turn from absurdity to one of anxieties around ageing" —rob mclennan's Blog
   
  "If you've never cared about poetry, you will after reading these modern-day renderings..." —Maria-Claire

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  Table Manners

  Alan Ayckbourn

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  England’s famous seducer of other men’s wives lays siege to his sister-in-law in the first “battle” of Ayckbourn’s celebrated trilogy The Norman Conquests. In Table Manners, the action occurs in the dining room of Mother’s house, where a conventional middle-class family is attempting to have a pleasant country weekend. But they are no match for Norman, the bane of the family, who horrifies everyone by doing exactly as he likes.An L.A. Theatre Works full-cast performance featuring:Rosalind Ayres as SarahKenneth Danziger as RegMartin Jarvis as NormanJane Leeves as AnnieChristopher Neame as TomCarolyn Seymour as Ruth.

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  Playboy of the Western World

  John Millington Synge

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  J.M. Synge, at the suggestion of one of the founders of the Abbey Theatre in Dublin, visited the Arran Islands to live and learn the speech of the native Irish. There, the speech and customs were such that a man who had the courage to murder his "old da", if he deserved it, could become a hero. From that idea comes this story that poetically immortalizes the Irish people, starring James Lancaster, Bairbre Dowling, and Sean McClory, all past members of the Abbey Theatre.Starring: James Lancaster as Christy Mahon, Bairbre Dowling as Pegeen Mike, Jeanette Nolan as The Widow Quinn, William Windom as Old Mahon, Sean McClory as Michael James Flaherty, Shay Duffin as Shawn Keogh, Marty Maguire as Jimmy Farrell, Linda Henning as Sara Tansey, Elizabeth Dennehy as Susan Brady, Elliott Reir as Philly Cullen, Fiona Dwyer as Nellie, Bernadette O'Neil as Honor, Bob Legionaire as The Town Crier, and CART's Announcer John Harlan.Directed and produced by Peggy Webber.

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  Lines Written in Early Spring

  William Wordsworth

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  LibriVox volunteers bring you 15 different recordings of Lines Written in Early Spring by William Wordsworth. This was the weekly poetry project for the week of March 25th, 2007.

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  Ache

  Dawn Mayree

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  A collection of inspirational poems  ACHE - because Anxiety Can Hurt Everyone

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  Ella Hickson Plays: One (NHB...

  Ella Hickson

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  When her first play, Eight, transferred from student theatre in Edinburgh to the West End and then New York, Ella Hickson was still in her early twenties. She has since built on that promise with a series of engaged and engaging dramas that pit romanticism and optimism against the realities of life as a young person in Britain.
  Eight (Edinburgh Fringe, 2008), that astonishing first success, is included here: a state-of-the-nation group portrait in monologues, 'an interactive Talking Heads for 21st-century teens and twentysomethings' (Independent).
  Also included is Hot Mess (Edinburgh Fringe, 2010), a dark and lyrical tale about twins born with just a single heart between them, and Precious Little Talent (Edinburgh Fringe, 2009; West End, 2011), about two young adults graduating into a world that's sold them down the river.
  In Boys (HighTide Festival, Nuffield Theatre Southampton and Soho Theatre, 2012), the Class of 2011 faces a tricky transition to adulthood in a play that 'powerfully captures the mood of a generation' (Independent).
  The volume also contains an introduction by the author and two short plays: the previously unpublished PMQ, part of the Coalition season at Theatre503, London, in 2010; and Gift, first seen as part of Headlong's immersive theatre production Decade in 2011.

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