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  Sukun - New and Selected Poems

  Kazim Ali

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  Kazim Ali is a poet, novelist, and essayist whose work explores themes of identity, migration, and the intersections of cultural and spiritual traditions. His poetry is known for its lyrical and expressive language, as well as its exploration of themes such as love, loss, and the search for meaning in a rapidly changing world. "Sukun" means serenity or calm, and a sukun is also a form of punctuation in Arabic orthography that denotes a pause over a consonant. This Sukun draws a generous selection from Kazim's six previous full-length collections, and includes 35 new poems. It allows us to trace Ali's passions and concerns, and take the measure of his art: the close attention to the spiritual and the visceral, and the deep language play that is both musical and plain spoken.[sample poem]The Fifth PlanetCome, early summer in the mountains, and come, strawberry moon,and carry me softly in the silver canoe on wires to the summit, where in that way of late night useless talk, the bright dark asks me, "What is the thing you are most afraid of?" and I already know which lie I will tell.There were six of us huddled there in the cold, leaning on the rockslingering in the dark where I do not like to linger, looking up at thesharp round pinnacle of light discussing what shapes we saw—rabbit,man, goddess—but that brightness for me was haunted by no thing,no shadow at all in the lumens.What am I, what am I, I kept throwing out to the hustling silence.No light comes from the moon, he's just got good positioning and I suppose that's the answer, that's what I'm most afraid of,that I'm a mirror, that I have no light of my own, that I hang in empty spacein faithful orbit around a god or fatherneither of Whom will ever see me whole. I keep squinting to try to see Jupiterwhich the newspaper said would be found near the moon but it's nowhere, they must have lied. Or like god, there is too muchreflection, headsplitting and profane, scraping up every shadow,too much light for anyone to see.

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  Plastiville

  Maria Kownacka

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  Discover the magic of Plastiville, the perfect book to help your child embark on their reading journey!
  
  Join Antonina and her delightful new friends — Plasty, Plastilou the dog, Plasticat the kitty-cat, Plastella the dairy cow, and many more — in a world crafted especially for beginning readers. Maria Kownacka's charming stories come alive with:
  
      Simple, Rhyming Sentences: Easy to understand and remember, helping your child build confidence with every page.
      Large Print: Designed for little eyes, making reading comfortable and enjoyable.
      Beautiful Color Illustrations: Vibrant pictures that spark imagination and bring the stories to life.
  
  Plastiville isn't just a book; it's a fun and engaging adventure that makes learning to read a joyous experience!

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  You Get So Alone at Times That...

  Charles Bukowski

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  Charles Bukowski examines cats and his childhood in You Get So Alone at Times, a book of poetry that reveals his tender side. The iconic tortured artist/everyman delves into his youth to analyze its repercussions. 
  “The Walt Whitman of Los Angeles.”—Joyce Carol Oates 
  “He brought everybody down to earth, even the angels.”—Leonard Cohen, songwriter

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  A Rhyme A Dozen ― The Wind - 12...

  William Shakespeare, Percy...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
  1 - A Rhyme a Dozen - 12 Poets, 12 Poems, 1 Topic.  Wind - An Introduction 
  2 - Blow Blow Thou Winter Wind by William Shakespeare 
  3 - Ode to the West Wind by Percy Bysshe Shelley 
  4 - Who Has Seen the Wind by Christina Rossetti 
  5 - Summer Wind by William Cullen Bryant 
  6 - North Wind in October by Robert Seymour Bridges 
  7 - Some Too Fragile for Winter Winds by Emily Dickinson 
  8 - The Wind That Shakes the Barley by Katharine Tynan 
  9 - Windy Nights by Robert Louis Stevenson 
  10 - Wind Over the Sea by Geoffrey Bache Smith 
  11 - The Winds of Fate by Ella Wheeler Wilcox 
  12 - The Wind's Lament by John Morris-Jones 
  13 - Subway Wind by Claude McKay

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  The Complete Sonnets of William...

  William Shakespeare

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  The sonnets of William Shakespeare are among the most famous love poems in the English language. For sustained dramatic intrigue and sophistication of plot, these works are at least the equal of Shakespeare's greatest plays. Compelling, subtle, and intellectually rigorous—yet taut with intense emotion—each poem invites study, interpretation, and awe, from one generation to the next.
  
  This recording presents them in their entirety, allowing a new generation to discover Shakespeare's emotional power, mastery of language, and insight into the human condition. Acclaimed actors from the past fifty years perform the entire sequence of 154 sonnets—along with "A Lover's Complaint" and selected songs—delivering the full range and power of virtuosity, emotional power and bristling intelligence that made Shakespeare great. Among the readers are Roscoe Lee Browne, Christopher Cazenove, Minnie Driver, Kelsey Grammer, Edward Herrmann, Patrick Macnee, Juliet Mills, Vanessa Redgrave, Jean Smart, Alfre Woodard, and Michael York.

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  Mrs Warren's Profession

  Bernard Shaw

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  'I am my mother's daughter. I am like you. But my work is not your work, and my way is not your way.'
  Vivie Warren is a woman ahead of her time. Estranged from her wealthy mother, she delights in a glass of whisky and a good detective story, and is determined to carve herself a sparkling legal career in an age ruled by men.
  Her mother, however, is a part of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune and paid for her daughter's expensive education – but at what cost?
  Bernard Shaw's incendiary moral classic was written in 1893, but, after being banned by the Lord Chamberlain, didn't receive a full public production in London until 1925. This version of the play, edited and introduced by director Dominic Cooke, was produced at the Garrick Theatre in London's West End in 2025, starring real-life mother and daughter Imelda Staunton and Bessie Carter.

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