D'autres livres qui pourraient vous intéresser

• 

  amuk

  Khairani Barokka

  • 0
  • 0
  • 0

  Khairani Barokka's uncompromising third collection of poetry amuk sheds light on the devastating and ongoing effects of a single word's mistranslation, and emphasises what exists in opposition to such hostile histories and presents: hope, resistance, and joy.
  Groundbreaking in its use of form and poetics, amuk deconstructs the brutal workings of oppressive systems to examine how, "through macheted etymology", violence and suffering is replicated through (mis)translation. These radical poems of fury and prayer look towards the vital, living resistance of persisting languages, and resilient peoples.

  Voir livre

• 

  Silent No Longer Collection -...

  The Brickley Bray Project

  • 0
  • 0
  • 0

  “Let all our voices gather and rise, up to the heavens and fill the sky.” Be Silent No Longer Pop Poetry Fusion These are compelling words, to be certain. They are The Brickley Bray Project’s call to action. As much as we believe we should act, or do, or participate, we all have difficulty taking that first step. The Brickley Bray Project wants that first step to be easy. Just listen. That’s all that’s required. And it is effortless. Diane Bray’s words are simple, rhyming, and straight to the point. Bill Bray has created music amidst inspiration from Diane’s words, allowing the tempo to unfold from the poetic rhythm and the music to evolve from the message. 
   
  The Silent No Longer Collection
   
   began as eight verses of a poem; written to express Diane’s solidarity with and support for the 99%/Occupy movements. It grew to a twenty-one verse call to action. As each day another social or humanitarian issue needed to be addressed, another verse came to life. Bill’s idea was to put the music around the poem becoming their Poetry Fusion, Be Silent No Longer. Thereafter, Diane’s words and Bill’s music became a Poetry Fusion mix of issues and positive messages of solutions. Some are as simple as thinking peace. All you need to do is click a button and listen as you go about your day. Let The Brickley Bray Project inspire you to stay informed, remain focused, and believe in a positive future. Remember, “Together We are One.”

  Voir livre

• 

  Shanghai Dolls

  Amy Ng

  • 0
  • 0
  • 0

  'Stick a woman in fatigues, put a wrench in her hand, an axe, a machine gun – they're just props, unless she can live her life freely – take lovers, have abortions, make art not babies!'
  Two penniless actresses meet at auditions for a production of Ibsen's A Doll's House in Shanghai – and they quickly become inseparable.
  As political upheaval rips through China, their tumultuous friendship will alter not only the course of their lives, but the course of history. One will become China's first female theatre director. The other, the architect of the Cultural Revolution.
  Amy Ng's play Shanghai Dolls tells the untold true story of two of the most influential women in Chinese history – Madame Mao and Sun Weishi – and how the personal truly is political. It opened at Kiln Theatre, London, in 2025, in association with Paines Plough, directed by Katie Posner.

  Voir livre

• 

  love affection & devotion -...

  D. R. Nguyen

  • 0
  • 0
  • 0

  love affection & devotion is a collection of poetry and prose that takes the reader on an odyssey of love, lust, passion, and yearning. 
  “like a bonfire 
  you have to continually feed 
  a woman’s heart 
  igniting a flame 
  inside her spirit 
  setting her heart ablaze 
  leaving an imprint on her soul"

  Voir livre

• 

  Bunny Girls

  Angela Readman

  • 0
  • 0
  • 0

  Out of the doll's house and into the woods, Bunny Girls steps out of the shadows of girlhood and looks at the world with wide eyes. Surreal, spiky, wise and darkly funny, this new collection by Costa-winning author and poet Angela Readman expertly mixes shades of film noir, northern wit, and magic realism. Through the lens of childhood, these poems address autism, anxiety, and darker concerns buried by cultural ideals of femininity.
  Here in Readman's skilful words are odes to severed heads, angels and Disney villains, Marilyn Monroe's body double, squashed slugs, sexual awakenings, Wendy-houses and snow globes, nosebleeds and blackbirds. Women are both invisible and actively writing themselves into the visible. Where there is isolation and dislocation, its counterbalance is finding breathless, reckless joy in the acts of creation and imagination. At its heart, this enlivening, magnificent book is about darkness and light, the lovely and the frightening, the beautiful and the worrying.

  Voir livre

• 

  Symphonies - The first Southern...

  John Gould Fletcher

  • 0
  • 0
  • 0

  John Gould Fletcher was born in Little Rock, Arkansas on the 3rd of January 1886 to a socially prominent family.  
   
  He was educated at Phillips Academy, Andover before advancing to Harvard University, which he attended from 1903 to 1907, before dropping out after his father's death. 
   
  As a young man Fletcher spent many years in England where he became part of the influential Imagist group of poets together with Amy Lowell and Ezra Pound.   
   
  His first marriage came from a resumed relationship with the now married Florence Emily ‘Daisy’ Arbuthnot.  Her adultery with Fletcher was the grounds for her divorce.  They married on 5th July 1916 but later divorced.  
   
  Fletcher first published in 1912, with ‘The Dominant City’ to much praise and admiration and followed this with other well-regarded volumes such as ‘Irradiations: Sand and Spray’, and ‘Goblins and Pagodas’. 
   
  In the late 1920s and 1930s Fletcher became increasingly active with a group of Southern writers and poets known as the Southern Agrarians. They published the classic ‘I'll Take My Stand: The South and the Agrarian Tradition’. 
   
  Although he was highly regarded as a poet, he was not very prolific.  However, such was the undoubted quality that in 1939 he received the Pulitzer Prize for his work ‘Selected Poems’.  He was the first poet from the south to receive such an accolade.  Fletcher’s other passion and pursuit was as an authority on modern painting, a subject on which he also published. 
   
  A second marriage followed in 1936 to the children’s author, Charlie May Simon.  They built ‘Johnswood’, a residence on the bluffs of the Arkansas River and travelled frequently to New York for shots of modern culture and intellectual stimulation as well as to the American West and South for the climate after Fletcher developed chronic arthritis. 
   
  In 1937 he wrote his autobiography, ‘Life is My Song’. 
   
  His developing passion for his roots and background resulted in the writing of a history of his State and published in 1947; ‘Arkansas’. 
   
  By now Fletcher was suffering from bouts of depression and on 10th May 1950, he committed suicide by drowning himself in a pond near his home in Little Rock, Arkansas.  He was 64.

  Voir livre