Weitere Bücher, die Sie mögen werden

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  The Atlas of Lost Beliefs

  Ranjit Hoskote

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  Commenting on Hoskote's poetry on the Poetry International website, the poet and editor Arundhathi Subramaniam observes: "His writing has revealed a consistent and exceptional brilliance in its treatment of image. Hoskote's metaphors are finely wrought, luminous and sensuous, combining an artisanal virtuosity with passion, turning each poem into a many-angled, multifaced experience."

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  Is My Microphone On?

  Jordan Tannahill

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  'After thousands of years, I have a mouth… So if you don't mind, Mum, Dad, I'm going to speak. I'm going to shout. When I become a human I'm going to use some words. Can you still hear me? Is my microphone on?'
  Young people have inherited a burning world. In Jordan Tannahill's urgent and lyrical play, they reckon with the generations who have come before them, questioning the choices that have been made, and the ones that they will yet be forced to make.
  In Is My Microphone On? an ensemble of young performers hold the audience to account, and invite them to experience the world together anew.
  The play was commissioned by the Theater der Welt festival in Germany, premiered in English by Canadian Stage, Toronto, in 2021, and performed by youth theatres across the UK as part of the 2023 National Theatre Connections Festival. It offers opportunities for a large, flexible cast of any size or mix of genders, and can incorporate chorus work, movement and music.

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  Poetry Book Society Autumn 2024...

  Alice Kate Mullen

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  The Poetry Book Society was founded by T.S. Eliot to share the joy of poetry. It's a unique poetry book club and every quarter our expert selectors choose the very best new books to deliver to our members across the globe. Our lively quarterly magazine is packed full of sneak preview poems from all the selected poets, alongside exclusive interviews, insightful reviews by the Ledbury Critics and extensive listings of every book and pamphlet published this quarter.
  Our Autumn 2024 Selections are:
  Choice
  Signs, Music - Raymond Antrobus – Picador
  Recommendations
  AGIMAT - Romalyn Ante - Penguin
  The Keelie Hawk, Poems in Scots - Kathleen Jamie - Picador
  Strange Husbandry - Lorcan Black - Seren
  BLUFF - Danez Smith - Penguin
  Special Commendation
  Adam - Gboyega Odubanjo - Faber
  Translation Choice
  Birds, Beasts and a World Made New - Guillaume Apollinaire and Velimir Khlebnikov, translated by Robert Chandler - Pushkin Press
  Pamphlet Choice
  Sometimes Real Love Comes Quick and Easy - Janine Bradbury - ignition press
  You can find out more and join our poetry community today at www.poetrybooks.co.uk.

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  Winter Stranger - Poems

  Jackson Holbert

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  Winner of the Max Ritvo Poetry Prize, Jackson Holbert’s Winter Stranger is a solemn record of addiction and the divided affections we hold for the landscapes that shape us.In the cold, seminal countryside of eastern Washington, a boy puts a bullet through his skull in a high school parking lot. An uncle crushes oxycodone into “a thousand red granules.” Hawks wheel above a dark, indifferent river. “I left that town / forever,” Holbert writes, but its bruises appear everywhere, in dreams of violent men and small stars, the ghosts of friends and pills. These poems incite a complex emotional discourse on what it means to leave—if it’s ever actually possible, or if our roots only grow longer to accommodate the distance.Punctuated by recollections of loved ones consumed by their addictions, Winter Stranger also questions the capricious nature of memory, and poetry’s power to tame it. “I can make it all sound so beautiful. / You’ll barely notice that underneath / this poem there is a body / decaying into the American ground.” Meanwhile, the precious realities vanish—“your hair, your ears, your hands.”—leaving behind “the fucked up / trees,” the “long, cold river.” In verse both bleak and wishful, Holbert strikes a fine balance between his poetic sensibilities and the endemic cynicism of modern life.“It is clear now that there are no ends,” Holbert writes, “Just winters.” Though his poems bloom from hills heavy with springtime snow, his voice cuts through the cold, rich with dearly familiar longings: to not be alone, to honor our origins, to survive them.

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  Four in Hand

  Alicia Mountain

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  Comprised of four heroic crowns of sonnets, Alicia Mountain’s Four in Hand is both formal and experimental, ranging from lyric romantic and familial narratives to blank verses of reconfigured found text pulled from financial newsletter emails. Language and white space equally captivate with their sparsity and abundance as Mountain pursues the implications of national political identity with intersectional awareness. These poems interrogate our collective complicity in late-stage capitalism, drone warfare, the election of Donald Trump, environmental degradation, mental health crises, and the dawn of Covid-19 through the lens of gay poetic lineage, regionalism, and familial kinships structures. With one enthralling image after the other, Four in Hand builds a world that carves out necessary space for lesbian gaze, speakership, and personhood. From the back corner of a vast, sprawling, yet gorgeous landscape of thought, Mountain's poems beckon us inside.

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  Mother Daughter Augur

  Mary Simmons

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  Mary Simmons’s debut is a world unto itself: a dark storybook realm, lush and full of eerie possibility, a place outside of time where women move in different forms and pass on warnings and wisdom. In the spirit of a Victorian naturalist’s collection, this book brings together found elements from nature, folklore, mythology, ballet, and oral tradition, crafting a strange, kaleidoscopic beauty and complicating inherited definitions of femininity. As these poems blur dichotomies—maiden and witch, mother and daughter, friend and lover—they reach for a new vision of womanhood beyond the bounds of roles and expectations, one that is mystical, ethereal, a little dangerous, and inherently queer. In the process, they tap into deep currents of yearning, grapple with corporeality, raise larger questions about love and what lasts, and find meaning in the uncanny and the macabre. In these pages are insects and omens, wolves and birds and weird apparitions, Odile and Ophelia, even a seventeenth-century professional poisoner. Original, atmospheric, and immersive, this is a work like no other: a tour through an enchanted forest, a darkness that’s illuminating.

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