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  Top 10 Poets The - Elizabethan -...

  William Shakespeare, John Donne,...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  In this volume we explore the poets and the poetry of the Elizabethan Age.  Long revered and admired this verse illuminated both this gilded age and the talents in the centuries that followed.

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  For the Marriage of Faustus and...

  Hart Crane

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  Harold Hart Crane was born on the 21st July 1899 in Garrettsville, Ohio. 
  Crane was drawn to literature at an early age, becoming a voracious reader and pursuing self-education rather than attach himself to a more formal college education, although he did attend East High School in 1913.  His developing love of poetry was nurtured with the works of the English Romantics and the French Symbolists, as well as near contemporary American poets. 
  Much of his youth was spent shuttling between Cleveland and New York as his parents’ marriage descended into continuing conflict before they separated with Crane still in his teens.  Shortly after Crane attempted to enlist in the U S Military but was rejected for being a minor. 
  His first published poem also came in 1917 with ‘C33’ and its reference to the cell number that Oscar Wilde was incarcerated in. 
  Crane now centred more of his time in New York and immersed himself in the vibrant artistic scene of Greenwich Village.  Alongside this he dabbled in various jobs to support himself, including copywriting and work in a munitions factory, as he continued to develop his ambitions for a poetic career.   
  His early work was already being noticed for its lush and rich use of words and by the time ‘White Buildings’ was published in 1926 he was being critically acclaimed. 
  Despite this success his personal life was troubled.  It was both nourishing his work and fuelling complex patterns of despair as he sought to establish his identity.  In a time when homosexuality was openly condemned his openly gay attitude sat uneasily as he pursued relationships that were both intense and emotionally fraught. 
  His acclaimed work ‘The Bridge’ in 1930 was both ambitious and a foundation stone for new American poetry.  Against this his battles with depression and alcoholism were being lost. 
  Hart Crane died on the 27th April 1932 by jumping from the deck of a steamship into the Gulf of Mexico upon his return to the United States from Mexico.  He was 32.

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  The Top 10 Poets –...

  Emily Dickinson, Edgar Allan...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  The United States may be far younger than many nations on Earth, yet its tumultuous history has reaped a harvest of poets and poetry of very fine calibre.  In this volume we explore the verse of Massachusetts.

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  The Long Weekend

  Rita Ann Higgins

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  From saints' days to Halloween and the many other celebrations on the Irish calendar, this collection of poetry from Rita Ann Higgins sets a tone for all seasons.
  Featuring bank holiday poems as heard on RTÉ Radio, such as 'Lúnasa' and 'Coming Out of Winter', and others like 'My Mother Loved Me in Red', 'The Púca', 'Visiting My Father at Christmas' and 'All Souls' Day', The Long Weekend leaves no question that Rita Ann Higgins is the people's poet.
  'The people's poet. She's magic. She's a one-off.' Brendan O'Connor
  'A haunting, beautiful collection of poems that commands attention and bears witness to life's struggle. This collection confirms Higgins as one of our greatest poets.' Elaine Feeney
  'A work of immense thoughtfulness.'Susannah Dickey

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  Incantations For Rest - Poems...

  Atena O. Danner

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  A call to anyone who thought they were alone on the journey, Incantations for Rest is for kindred spirits: neurodivergent folks, parents up late past bedtime nursing resentment, Black people in predominantly white spaces—anyone who has found themselves at the edges of Beloved Community. 
   
  Incantations for Rest is an invitation to slow down and explore every kind of rest, providing sacred space for those exhausted by the demands of a racist, ableist society. This stunning collection of poems, meditations, and magic by poet-activist Atena O. Danner is an examination of spiritual spaces, a love letter to Black well-being, and medicine for BIPOC people. Within these pages you are invited to savor connection, question assumptions, admit to complicated feelings, and still make room for joy. It is a beacon of affirmation and a vital tool for ritual and reflection.

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  [squelch procedures]

  MLA Chernoff

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  In [SQUELCH PROCEDURES], MLA Chernoff contemplates the ways that trauma, poverty, and strict gender norms rupture the concept of childhood. The tension of multiple meanings in the word “squelch” acts as a guide to Chernoff’s unique voice, which uses language to swaddle intrusive thoughts and mimic defense mechanisms such as avoidance, depersonalization, and derealization. [SQUELCH PROCEDURES] is an ambitious attempt to show how healing and regression are often indistinguishable, while the past is always predisposed to happen more than once: first as tragedy, then as farce.

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