300 Thoughts for Theatremakers - A Manifesto for the Twenty-First-Century Theatremaker

Russell Lucas

Beschreibung

'The future of theatre will belong to the maverick minds who possess the skills to mix things up and who have enough tools in their box to trick the game.'
This is a practical, grassroots, self-empowerment book for theatremakers. It's for anybody who wants to make live theatre, whether you're an actor, a director, a producer, a designer or a writer. Whether you're all of these, or none of them. Categories don't matter. What matters is making your show, and putting it in front of an audience.
This book is not a method, nor a practice. It's an accessible toolbox of reflections and provocations designed to help you – an independent-minded, career-driven, professional theatremaker – along the path towards achieving your dreams.
Inside, Russell Lucas shares his decades of experience in independent theatremaking, covering aspects including:

- Generating and developing ideas
- Working with other creatives
- Promoting your show and selling tickets
- Understanding the power of the audience
- Making ends meet and sustaining your career
He tackles abstract problems, dissects the practical ones, and debunks plenty of myths along the way. Inspiring and unconventional, but always grounded in sound, real-world sense, 300 Thoughts for Theatremakers is a book for anyone who's passionate about a life in theatre, and wants to make that a reality.
'Thank God for this book. It will surely be a comfort and support to all those who follow in Russell Lucas's independent and determined footsteps' Alan Lane, Artistic Director of Slung Low, from his Foreword

Verfügbar seit: 26.05.2022.

Drucklänge: 272 Seiten.

Kunst

Weitere Bücher, die Sie mögen werden

What You Are Now

Sam Chanse

Are we stuck with our memories – or can we fix them? Pia is a neuroscientist whose research focuses on changing the way we process traumatic experiences. Will Pia’s emotionally distant mother - who survived the Khmer Rouge in 1970’s Cambodia – benefit from her daughter’s work? Or are some things just too terrible to remember?

Includes a conversation with Dr. Daniela Schiller, a Professor of Neuroscience and Psychiatry at the Ichan School of Medicine at Mount Sinai in New York City.

“What You Are Now” is part of L.A. Theatre Works’ Relativity Series of science-themed plays. Lead funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, bridging science and the arts in the modern world.

Recorded at The Invisible Studios, West Hollywood in November 2022

Directed by Anna Lyse Erikson
Producing Director: Susan Albert Loewenberg

An L.A. Theatre Works full-cast recording starring:

Carie Kawa as Pia
Tess Lina as Chantrea
Joe Ngo as Darany
Samantha Quan as Siobhan
Mark Jude Sullivan as Evan
Greg Watanabe as the Narrator.

Senior Producer: Anna Lyse Erikson
Prepared for Audio by Mark Holden for The Invisible Studios, West Hollywood
Recording Engineer, Editor and Mixer: Charles Carroll
Sound Design by Charles Carroll and David Wilson
Senior Radio Producer: Ronn Lipkin
Foley Artist: Jeff Gardner

The original song “What You Are Now” is by Him Sophy, founder of the Him Sophy School of Music in Pnomh Penh.

Special thanks to Professor Craig Woodson and Dr. Terry Miller for their recording of “The Sorrowful King” from “Roots of Rhythm.net.”

Zum Buch

Something Wonderful Right Away -...

Jeffrey Sweet

Discover the behind-the-scenes story of how The Second City theater created a generation of world class great actors, directors, and writers. 
 
 
 
In the late Fifties and Sixties, iconoclastic young rebels in Chicago opened two tiny theaters—The Compass and The Second City—where they satirized politics, religion, and sex. Developing scenes by improvising based on audience suggestions turned out to be a fine way to develop great actors, directors, and writers. Alumni went on to create such groundbreaking works as The Graduate, Groundhog Day, and Don't Look Up. Many of them also became stars on Saturday Night Live. Something Wonderful Right Away features the pioneers who founded the empire that transformed American comedy. 
 
 
  
This new edition tells even more of the story. Included for the first time is an interview with Viola Spolin, the genius who invented theater games that were the foundation of improvisational theater. Also included are dozens of follow-up stories about Mike Nichols, Barbara Harris, Del Close, Joan Rivers, Alan Arkin, and Gilda Radner, plus "You Only Shoot the Ones You Love," the story of how this book's author, playwright Jeffrey Sweet, ended up being so involved in the community he covered that he was captured by it.

Zum Buch

Live Dead - The Grateful Dead...

John Brackett

The Grateful Dead were one of the most successful live acts of the rock era. Performing more than 2,300 shows between 1965 and 1995, the Grateful Dead's reputation as a "live band" was—and continues to be—sustained by thousands of live concert recordings from every era of the group's long and colorful career. In Live Dead, musicologist John Brackett examines how live recordings—from the group's official releases to fan-produced tapes, bootlegs to "Betty Boards," and Dick's Picks to From the Vault—have shaped the general history and popular mythology of the Grateful Dead for more than fifty years. Drawing on a diverse array of materials and documents contained in the Grateful Dead Archive, Live Dead details how live recordings became meaningful among the band and their fans not only as sonic souvenirs of past musical performances but also as expressions of assorted ideals, including notions of "liveness," authenticity, and the power of recorded sound.

Zum Buch

This Must Be the Place - How...

Shain Shapiro

This Must Be the Place explores how music can make cities better. 
 
 
 
This Must Be the Place introduces and examines music's relationship to cities. Not the influence cities have on music, but the powerful impact music can have on how cities are developed, built, managed, and governed. 
 
 
 
Told in an accessible way through personal stories from cities around the world—including London, Melbourne, Nashville, Austin, and Zurich—This Must Be the Place takes a truly global perspective on the ways music is integral to everyday life but neglected in public policy. 
 
 
 
Arguing for the transformative role of artists and musicians in a post-pandemic world, This Must Be The Place not only examines the powerful impact music can have on our cities, but also serves as a how-to guide and toolkit for music-lovers, artists, and activists everywhere to begin the process of reinventing the communities they live in.

Zum Buch

Blade Runner - The Ultimate...

Film Trivia Metaverse

BLADE RUNNER 
THE ULTIMATE TRIVIA COLLECTION 
  
FROM THE MOVIE DIRECTED BY RIDLEY SCOTT 
  
CREATED BY FILM TRIVIA METAVERSE 
  
ABOUT THE FILM 
Blade Runner is a 1982 science fiction film directed by Ridley Scott, set in a dystopian future Los Angeles. It follows Rick Deckard, a former police officer tasked with hunting down and "retiring" rogue replicants—biologically engineered humans. The replicants, led by Roy Batty, have escaped to Earth seeking longer lifespans. As Deckard pursues them, he grapples with questions about humanity, identity, and morality. The film blends neo-noir, cyberpunk, and philosophical themes, exploring artificial intelligence, empathy, and the boundaries between human and machine. With its atmospheric visuals and haunting score by Vangelis, Blade Runner became a cult classic. 
  
TRIVIA SAMPLES: 
  
"Director Ridley Scott and director of photography Jordan Cronenweth achieved the famous 'shining eyes' effect by using a technique invented by Fritz Lang known as the 'Schüfftan Process.' Light is bounced into the actors' eyes off of a piece of half-mirrored glass mounted at a 45-degree angle to the camera." 
  
"Sir Ridley Scott regards this movie as probably his most personal and complete work." 
  
"According to Rutger Hauer's biography, the final confrontation between Rick Deckard and Roy Batty was initially planned to be a fight in an old gym using martial arts, like kung-fu. Hauer disliked the idea, saying it was 'too Bruce Lee', and proposed Batty chasing Deckard instead."

Zum Buch

The Afterburn of Dreams - Spoken...

Ashley Capes

Spoken word poetry from Australian poet Ashley Capes - commissioned and recorded during the early stages of the pandemic. Poems are drawn from Ashley's collections, released in various forms over the last 15 or so years. 
Words, voice - Ashley Capes 
Piano - Sean Foran 
Drums - John Parker 
Acoustic Bass - Samuel Vincent 
I find myself deeply indebted to everyone who helped, from offering moral or studio support, and of course, the musicians who helped and inspired me, thank you! 
Ashley

Zum Buch